THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO
Autor(a) principal: | |
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Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Guará |
Texto Completo: | https://seer.pucgoias.edu.br/index.php/guara/article/view/14076 |
Resumo: | This article intends to weave some intermedia relations between the poetics of Luís Serguilha and some paintings by Dali and Adriana Varejão. The choice of intermediality is due to the forms of aesthetic disfigurement that exist in all these artistic productions. Although they use different artistic language resources, they converge, in the way they manage images, their chaotic forces of affecting the other of reading. The aim is to trace, through the different materialities of the proposed media, the border link that they share among themselves, that is, the same visual effect with similar intentions: to hyperralize the images in mannerist and, at the same time, baroque contrasts, inherent to each referred artistic modality. |
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THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃOA INTERMIDIALIDADE ENTRE A POÉTICA DE LUIZ SERGUILHA E AS PINTURAS DE DALI E ADRIANA VAREJÃOIntermidialidade.Afetar.Poesia.Pintura.Maneirismo/Barroco.IntermedialityTo affectPoetryPaintingMannerism/BaroqueThis article intends to weave some intermedia relations between the poetics of Luís Serguilha and some paintings by Dali and Adriana Varejão. The choice of intermediality is due to the forms of aesthetic disfigurement that exist in all these artistic productions. Although they use different artistic language resources, they converge, in the way they manage images, their chaotic forces of affecting the other of reading. The aim is to trace, through the different materialities of the proposed media, the border link that they share among themselves, that is, the same visual effect with similar intentions: to hyperralize the images in mannerist and, at the same time, baroque contrasts, inherent to each referred artistic modality.Pretende-se neste artigo tecer algumas relações intermidiáticas entre a poética de Luís Serguilha e algumas pinturas de Dali e Adriana Varejão. A escolha da intermidialidade se deve às formas de desfiguração estética que há em todas essas produções artísticas. Embora usem recursos de linguagem artística diferentes, elas convergem, no modo de gerenciamento das imagens, suas forças caóticas de afetar o outro da leitura. O fim é traçar, pelas distintas materialidades das mídias propostas, o elo fronteiriço a que elas partilham entre si, isto é, o mesmo efeito visual com intentos semelhantes: hiperralizar as imagens em contrastes maneiristas e, ao mesmo tempo, barrocas, inerentes a cada modalidade artística referida.Editora da Pontifícia Universidade Católica de Goiás2024-04-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.pucgoias.edu.br/index.php/guara/article/view/1407610.18224/gua.v13i2.14076Revista Guará - Language and Literature Journal; Vol. 13 No. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-260Revista Guará - Revista de Lengua y Literatura; Vol. 13 Núm. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-260Revista Guará - Revista de Linguagem e Literatura; v. 13 n. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-2602237-495710.18224/gua.v13i2reponame:Guaráinstname:Pontifícia Universidade Católica de Goiás (PUC-GO)instacron:PUC_GOporhttps://seer.pucgoias.edu.br/index.php/guara/article/view/14076/6593Copyright (c) 2024 Elizete Albina Ferreira; Maria Aparecida Rodrigueshttp://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessRodrigues, Maria Aparecida2024-04-04T12:10:58Zoai:ojs2.seer.pucgoias.edu.br:article/14076Revistahttp://seer.pucgoias.edu.br/index.php/guaraONGhttps://seer.pucgoias.edu.br/index.php/guara/oairevguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br2237-49572237-4957opendoar:2024-04-04T12:10:58Guará - Pontifícia Universidade Católica de Goiás (PUC-GO)false |
dc.title.none.fl_str_mv |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO A INTERMIDIALIDADE ENTRE A POÉTICA DE LUIZ SERGUILHA E AS PINTURAS DE DALI E ADRIANA VAREJÃO |
title |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
spellingShingle |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO Rodrigues, Maria Aparecida Intermidialidade. Afetar. Poesia. Pintura. Maneirismo/Barroco. Intermediality To affect Poetry Painting Mannerism/Baroque |
title_short |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
title_full |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
title_fullStr |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
title_full_unstemmed |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
title_sort |
THE INTERMEDIALITY BETWEEN THE POETICS OF LUÍS SERGUILHA AND THE PAINTINGS OF DALI AND ADRIANA VAREJÃO |
author |
Rodrigues, Maria Aparecida |
author_facet |
Rodrigues, Maria Aparecida |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues, Maria Aparecida |
dc.subject.por.fl_str_mv |
Intermidialidade. Afetar. Poesia. Pintura. Maneirismo/Barroco. Intermediality To affect Poetry Painting Mannerism/Baroque |
topic |
Intermidialidade. Afetar. Poesia. Pintura. Maneirismo/Barroco. Intermediality To affect Poetry Painting Mannerism/Baroque |
description |
This article intends to weave some intermedia relations between the poetics of Luís Serguilha and some paintings by Dali and Adriana Varejão. The choice of intermediality is due to the forms of aesthetic disfigurement that exist in all these artistic productions. Although they use different artistic language resources, they converge, in the way they manage images, their chaotic forces of affecting the other of reading. The aim is to trace, through the different materialities of the proposed media, the border link that they share among themselves, that is, the same visual effect with similar intentions: to hyperralize the images in mannerist and, at the same time, baroque contrasts, inherent to each referred artistic modality. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-04-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.pucgoias.edu.br/index.php/guara/article/view/14076 10.18224/gua.v13i2.14076 |
url |
https://seer.pucgoias.edu.br/index.php/guara/article/view/14076 |
identifier_str_mv |
10.18224/gua.v13i2.14076 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.pucgoias.edu.br/index.php/guara/article/view/14076/6593 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Elizete Albina Ferreira; Maria Aparecida Rodrigues http://creativecommons.org/licenses/by-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Elizete Albina Ferreira; Maria Aparecida Rodrigues http://creativecommons.org/licenses/by-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da Pontifícia Universidade Católica de Goiás |
publisher.none.fl_str_mv |
Editora da Pontifícia Universidade Católica de Goiás |
dc.source.none.fl_str_mv |
Revista Guará - Language and Literature Journal; Vol. 13 No. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-260 Revista Guará - Revista de Lengua y Literatura; Vol. 13 Núm. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-260 Revista Guará - Revista de Linguagem e Literatura; v. 13 n. 2 (2023): LUÍS SERGUILHA: CORPOS DELIRANTES – ENTRE RITMOS E RASTROS À ESPREITA; 246-260 2237-4957 10.18224/gua.v13i2 reponame:Guará instname:Pontifícia Universidade Católica de Goiás (PUC-GO) instacron:PUC_GO |
instname_str |
Pontifícia Universidade Católica de Goiás (PUC-GO) |
instacron_str |
PUC_GO |
institution |
PUC_GO |
reponame_str |
Guará |
collection |
Guará |
repository.name.fl_str_mv |
Guará - Pontifícia Universidade Católica de Goiás (PUC-GO) |
repository.mail.fl_str_mv |
revguara@pucgoias.edu.br||felixpadua@pucgoias.edu.br||guara@pucgoias.edu.br |
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1798319618010382336 |