Narrative and Trauma in Vinte e Zinco, by Mia Couto

Detalhes bibliográficos
Autor(a) principal: Silva, Nathaly Ohanna Freitas da
Data de Publicação: 2023
Outros Autores: Moreira, Terezinha Taborda
Tipo de documento: Artigo
Idioma: por
Título da fonte: Cadernos CESPUC de Pesquisa
Texto Completo: http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774
Resumo: This study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between.
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spelling Narrative and Trauma in Vinte e Zinco, by Mia CoutoNarrativa e Trauma em Vinte e Zinco, de Mia Coutonarrativetraumacolonial processMozambiquehistorymemorynarrativatraumaprocesso colonialMoçambiquehistóriamemóriaThis study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between.Este estudo busca investigar como o romance Vinte e Zinco, do escritor moçambicano, Mia Couto (2014), encena as experiências traumáticas do período colonial vivenciadas pelas personagens da obra. Por meio de conceitos como melancolia e luto; e encenação e elaboração, pretende-se evidenciar a polifonia de vozes que permeia a obra, a ligação entre o discurso histórico e o discurso ficcional, e ainda destacar a heterogeneidade na construção identitária dos sujeitos ficcionais, que reivindicam seu lugar de fala, seu modo de narrar e de lidar com os traumas causados pela violência do processo colonial. Para fomentar nossa discussão, recorreremos aos estudos de Abreu (2018), sobre a teoria do trauma; e a Bhabha (1998), para compreendermos o conceito de “entrelugar”.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3077410.5752/P.2358-3231.2023n43p132-145Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 132-1452358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774/21578Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSilva, Nathaly Ohanna Freitas daMoreira, Terezinha Taborda2024-01-17T13:52:08Zoai:ojs.pkp.sfu.ca:article/30774Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:52:08Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false
dc.title.none.fl_str_mv Narrative and Trauma in Vinte e Zinco, by Mia Couto
Narrativa e Trauma em Vinte e Zinco, de Mia Couto
title Narrative and Trauma in Vinte e Zinco, by Mia Couto
spellingShingle Narrative and Trauma in Vinte e Zinco, by Mia Couto
Silva, Nathaly Ohanna Freitas da
narrative
trauma
colonial process
Mozambique
history
memory
narrativa
trauma
processo colonial
Moçambique
história
memória
title_short Narrative and Trauma in Vinte e Zinco, by Mia Couto
title_full Narrative and Trauma in Vinte e Zinco, by Mia Couto
title_fullStr Narrative and Trauma in Vinte e Zinco, by Mia Couto
title_full_unstemmed Narrative and Trauma in Vinte e Zinco, by Mia Couto
title_sort Narrative and Trauma in Vinte e Zinco, by Mia Couto
author Silva, Nathaly Ohanna Freitas da
author_facet Silva, Nathaly Ohanna Freitas da
Moreira, Terezinha Taborda
author_role author
author2 Moreira, Terezinha Taborda
author2_role author
dc.contributor.author.fl_str_mv Silva, Nathaly Ohanna Freitas da
Moreira, Terezinha Taborda
dc.subject.por.fl_str_mv narrative
trauma
colonial process
Mozambique
history
memory
narrativa
trauma
processo colonial
Moçambique
história
memória
topic narrative
trauma
colonial process
Mozambique
history
memory
narrativa
trauma
processo colonial
Moçambique
história
memória
description This study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774
10.5752/P.2358-3231.2023n43p132-145
url http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774
identifier_str_mv 10.5752/P.2358-3231.2023n43p132-145
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774/21578
dc.rights.driver.fl_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Editora PUC Minas
https://creativecommons.org/licenses/by-nc-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora PUC Minas
publisher.none.fl_str_mv Editora PUC Minas
dc.source.none.fl_str_mv Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 132-145
2358-3231
reponame:Cadernos CESPUC de Pesquisa
instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
instacron:PUC_MINS
instname_str Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
instacron_str PUC_MINS
institution PUC_MINS
reponame_str Cadernos CESPUC de Pesquisa
collection Cadernos CESPUC de Pesquisa
repository.name.fl_str_mv Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)
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