Narrative and Trauma in Vinte e Zinco, by Mia Couto
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774 |
Resumo: | This study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between. |
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Narrative and Trauma in Vinte e Zinco, by Mia CoutoNarrativa e Trauma em Vinte e Zinco, de Mia Coutonarrativetraumacolonial processMozambiquehistorymemorynarrativatraumaprocesso colonialMoçambiquehistóriamemóriaThis study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between.Este estudo busca investigar como o romance Vinte e Zinco, do escritor moçambicano, Mia Couto (2014), encena as experiências traumáticas do período colonial vivenciadas pelas personagens da obra. Por meio de conceitos como melancolia e luto; e encenação e elaboração, pretende-se evidenciar a polifonia de vozes que permeia a obra, a ligação entre o discurso histórico e o discurso ficcional, e ainda destacar a heterogeneidade na construção identitária dos sujeitos ficcionais, que reivindicam seu lugar de fala, seu modo de narrar e de lidar com os traumas causados pela violência do processo colonial. Para fomentar nossa discussão, recorreremos aos estudos de Abreu (2018), sobre a teoria do trauma; e a Bhabha (1998), para compreendermos o conceito de “entrelugar”.Editora PUC Minas2023-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/3077410.5752/P.2358-3231.2023n43p132-145Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 132-1452358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774/21578Copyright (c) 2023 Editora PUC Minashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessSilva, Nathaly Ohanna Freitas daMoreira, Terezinha Taborda2024-01-17T13:52:08Zoai:ojs.pkp.sfu.ca:article/30774Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2024-01-17T13:52:08Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
Narrative and Trauma in Vinte e Zinco, by Mia Couto Narrativa e Trauma em Vinte e Zinco, de Mia Couto |
title |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
spellingShingle |
Narrative and Trauma in Vinte e Zinco, by Mia Couto Silva, Nathaly Ohanna Freitas da narrative trauma colonial process Mozambique history memory narrativa trauma processo colonial Moçambique história memória |
title_short |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
title_full |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
title_fullStr |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
title_full_unstemmed |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
title_sort |
Narrative and Trauma in Vinte e Zinco, by Mia Couto |
author |
Silva, Nathaly Ohanna Freitas da |
author_facet |
Silva, Nathaly Ohanna Freitas da Moreira, Terezinha Taborda |
author_role |
author |
author2 |
Moreira, Terezinha Taborda |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Nathaly Ohanna Freitas da Moreira, Terezinha Taborda |
dc.subject.por.fl_str_mv |
narrative trauma colonial process Mozambique history memory narrativa trauma processo colonial Moçambique história memória |
topic |
narrative trauma colonial process Mozambique history memory narrativa trauma processo colonial Moçambique história memória |
description |
This study seeks to investigate how the novel Vinte e Zinco, by the Mozambican writer, Mia Couto (2014), stages the traumatic experiences of the colonial period experienced by the characters in the work. Through concepts such as melancholy and mourning; staging and elaboration, it is intended to highlight the polyphony of voices that permeates the work, the connection between the historical discourse and the fictional discourse, and also, to highlight the heterogeneity in the identity construction of the fictional subjects, who claim their place of speech, their way of speaking to narrate and deal with the traumas caused by the violence of the colonial process. To foster our discussion, we will resort to studies by Denise Borille de Abreu (2018), on trauma theory; and Homi Bhabha (1998), to understand the concept of in-between. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774 10.5752/P.2358-3231.2023n43p132-145 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774 |
identifier_str_mv |
10.5752/P.2358-3231.2023n43p132-145 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/30774/21578 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Editora PUC Minas https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 43 (2023): Salve, Silas!; 132-145 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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1798329684129218560 |