The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Cadernos CESPUC de Pesquisa |
Texto Completo: | http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/23294 |
Resumo: | This article proposes a reading of the film Love, by Gaspar Noé, observing the movements of (de)subjectification of the characters, from the perspective of control over life established by biopolitics. In the course of its scenes, the film production under analysis empties a possible subjectivism that could be suggested by the title, so that love is built as a purely bodily relationship. This desubjectification, more than a thematic aspect, is incorporated into the very aesthetic composition of the film, whose photographs and frames, when promoting the hyperexposure of sex scenes, operate a fusion of bodies that leads to the dissolution of individuals. The article wishes to demonstrate, in this way, that there is in this aesthetic construction a staging of violence implicit in sexual relations and in the very idea of love, since both are encoded by speeches that presuppose, ultimately, the control of life and death. Finally, we try to show that Gaspar Noé's production takes on a political dimension in which, by bringing to the stage the hyperexposure of obscenity, promotes a reconfiguration of the sensitive that allows us to glimpse possibilities of reunion between the subject and the body. |
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The The politic of love: (de)subjectification of bodies in Love, by Gaspar NoéA política do amor: (des)subjetivação dos corpos em Love, de Gaspar NoéLove. Subjectivity. Body. Biopolitics. Obscenity.Subjetividade. Corpo. Biopolítica. Obscenidade.This article proposes a reading of the film Love, by Gaspar Noé, observing the movements of (de)subjectification of the characters, from the perspective of control over life established by biopolitics. In the course of its scenes, the film production under analysis empties a possible subjectivism that could be suggested by the title, so that love is built as a purely bodily relationship. This desubjectification, more than a thematic aspect, is incorporated into the very aesthetic composition of the film, whose photographs and frames, when promoting the hyperexposure of sex scenes, operate a fusion of bodies that leads to the dissolution of individuals. The article wishes to demonstrate, in this way, that there is in this aesthetic construction a staging of violence implicit in sexual relations and in the very idea of love, since both are encoded by speeches that presuppose, ultimately, the control of life and death. Finally, we try to show that Gaspar Noé's production takes on a political dimension in which, by bringing to the stage the hyperexposure of obscenity, promotes a reconfiguration of the sensitive that allows us to glimpse possibilities of reunion between the subject and the body.Este artigo propõe uma leitura do filme Love, de Gaspar Noé, observando-se os movimentos de (des)subjetivação dos personagens, a partir da perspectiva do controle sobre a vida instaurada pela biopolítica. No decorrer de suas cenas, a produção cinematográfica em análise esvazia um possível subjetivismo que poderia ser sugerido pelo título, de forma que o amor é construído como uma relação puramente corporal. Essa dessubjetivação, mais que um aspecto temático, é incorporada à própria composição estética do filme, cujas fotografias e enquadramentos, ao promoverem a hiperexposição de cenas de sexo, operam uma fusão dos corpos que leva à dissolução dos indivíduos. Procura-se demonstrar, dessa maneira, que há nessa construção estética uma encenação da violência implícita nas relações sexuais e na própria ideia de amor, uma vez que ambos são codificados por discursos que pressupõem, em última análise, o controle da vida e da morte. Por fim, procura-se evidenciar que a produção de Gaspar Noé assume uma dimensão política quando, ao trazer para o palco a hiperexposição da obscenidade, promove uma reconfiguração do sensível que permite entrever possibilidades de reencontro entre o sujeito e o corpo.Editora PUC Minas2020-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/2329410.5752/P.2358-3231.2020n36p42-54Cadernos CESPUC de Pesquisa Série Ensaios; n. 36 (2020): Territórios e antropofagia; 42-542358-3231reponame:Cadernos CESPUC de Pesquisainstname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas)instacron:PUC_MINSporhttp://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/23294/16933Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaioshttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessGuimarães, Jonatas Aparecido2020-08-27T12:08:30Zoai:ojs.pkp.sfu.ca:article/23294Revistahttp://periodicos.pucminas.br/index.php/cadernoscespuc/indexhttp://periodicos.pucminas.br/index.php/cadernoscespuc/oaicespuc@pucminas.br||cespuc@pucminas.br2358-32311516-4020opendoar:2020-08-27T12:08:30Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas)false |
dc.title.none.fl_str_mv |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé A política do amor: (des)subjetivação dos corpos em Love, de Gaspar Noé |
title |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
spellingShingle |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé Guimarães, Jonatas Aparecido Love. Subjectivity. Body. Biopolitics. Obscenity. Subjetividade. Corpo. Biopolítica. Obscenidade. |
title_short |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
title_full |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
title_fullStr |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
title_full_unstemmed |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
title_sort |
The The politic of love: (de)subjectification of bodies in Love, by Gaspar Noé |
author |
Guimarães, Jonatas Aparecido |
author_facet |
Guimarães, Jonatas Aparecido |
author_role |
author |
dc.contributor.author.fl_str_mv |
Guimarães, Jonatas Aparecido |
dc.subject.por.fl_str_mv |
Love. Subjectivity. Body. Biopolitics. Obscenity. Subjetividade. Corpo. Biopolítica. Obscenidade. |
topic |
Love. Subjectivity. Body. Biopolitics. Obscenity. Subjetividade. Corpo. Biopolítica. Obscenidade. |
description |
This article proposes a reading of the film Love, by Gaspar Noé, observing the movements of (de)subjectification of the characters, from the perspective of control over life established by biopolitics. In the course of its scenes, the film production under analysis empties a possible subjectivism that could be suggested by the title, so that love is built as a purely bodily relationship. This desubjectification, more than a thematic aspect, is incorporated into the very aesthetic composition of the film, whose photographs and frames, when promoting the hyperexposure of sex scenes, operate a fusion of bodies that leads to the dissolution of individuals. The article wishes to demonstrate, in this way, that there is in this aesthetic construction a staging of violence implicit in sexual relations and in the very idea of love, since both are encoded by speeches that presuppose, ultimately, the control of life and death. Finally, we try to show that Gaspar Noé's production takes on a political dimension in which, by bringing to the stage the hyperexposure of obscenity, promotes a reconfiguration of the sensitive that allows us to glimpse possibilities of reunion between the subject and the body. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/23294 10.5752/P.2358-3231.2020n36p42-54 |
url |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/23294 |
identifier_str_mv |
10.5752/P.2358-3231.2020n36p42-54 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.pucminas.br/index.php/cadernoscespuc/article/view/23294/16933 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaios https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Cadernos CESPUC de Pesquisa Série Ensaios https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora PUC Minas |
publisher.none.fl_str_mv |
Editora PUC Minas |
dc.source.none.fl_str_mv |
Cadernos CESPUC de Pesquisa Série Ensaios; n. 36 (2020): Territórios e antropofagia; 42-54 2358-3231 reponame:Cadernos CESPUC de Pesquisa instname:Pontifícia Universidade Católica de Minas Gerais (PUC Minas) instacron:PUC_MINS |
instname_str |
Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
instacron_str |
PUC_MINS |
institution |
PUC_MINS |
reponame_str |
Cadernos CESPUC de Pesquisa |
collection |
Cadernos CESPUC de Pesquisa |
repository.name.fl_str_mv |
Cadernos CESPUC de Pesquisa - Pontifícia Universidade Católica de Minas Gerais (PUC Minas) |
repository.mail.fl_str_mv |
cespuc@pucminas.br||cespuc@pucminas.br |
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1798329686516826112 |