Culture: between the arena of struggle and the Hip Hop movement

Detalhes bibliográficos
Autor(a) principal: Moreira, Tatiana Aparecida
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista FAMECOS: Mídia cultura e tecnologia
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27498
Resumo: In this text, we will discuss the concept of culture based on Stuart Hall’s (1989, 2001, 2003, 2004) studies in order to highlight the plural and political features of culture and to contextualize the Hip Hop Movement and its elements (MC / rapper, DJ, graffiti, break) as cultural and occupant of urban space and periphery, mainly in the Brazilian scenario. In addition to the theoretical support of Hall, we also dialogue with other authors such as Foucault (2014, 1995), Gonçalves (2010), Queiroz (2005), Bakhtin (2003), Kellner (2001), Shusterman (1998) and Silva (1998), which bring important contributions to defense the Hip Hop as a cultural plural. Among the elements of Hip Hop, we will highlight the figure of the MC (Master of Ceremony) or rapper for his responsibility, in partnership with the DJ, for producting and for singing the raps, in whose lyrics, commonly, have criticism of various segments of society. So we bring some raps to illustrate the discussion.
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spelling Culture: between the arena of struggle and the Hip Hop movementCultura: entre el escenario de lucha y el movimiento Hip HopCultura: entre a arena de luta e o movimento Hip HopCultureHip Hop MovementRapperCultureCulturaMovimiento Hip HopRapperCulturaCulturaMovimento Hip HoprapperCulturaIn this text, we will discuss the concept of culture based on Stuart Hall’s (1989, 2001, 2003, 2004) studies in order to highlight the plural and political features of culture and to contextualize the Hip Hop Movement and its elements (MC / rapper, DJ, graffiti, break) as cultural and occupant of urban space and periphery, mainly in the Brazilian scenario. In addition to the theoretical support of Hall, we also dialogue with other authors such as Foucault (2014, 1995), Gonçalves (2010), Queiroz (2005), Bakhtin (2003), Kellner (2001), Shusterman (1998) and Silva (1998), which bring important contributions to defense the Hip Hop as a cultural plural. Among the elements of Hip Hop, we will highlight the figure of the MC (Master of Ceremony) or rapper for his responsibility, in partnership with the DJ, for producting and for singing the raps, in whose lyrics, commonly, have criticism of various segments of society. So we bring some raps to illustrate the discussion.En el texto, entablamos una discusión sobre el concepto de cultura a partir de los estudios de Stuart Hall (1989, 2001, 2003, 2004) con el intuito de poner en evidencia el carácter plural y político de cultura, como también contextualizar el Movimiento Hip Hop y sus elementos (MC/rapper, DJ, grafito, break) como culturales y ocupantes, sobre todo, del espacio urbano y de la periferia, en especial en el contexto brasileño. Además del aporte teórico de Hall, dialogaremos con otros autores, como Foucault (2014, 1995), Gonçalves (2010), Queiroz (2005), Bakhtin (2003), Kellner (2001), Shusterman (1998) y Silva (1998), que contribuyen significativamente con lo que pretendemos defender sobre el Hip Hop como cultura plural. Para llevar a cabo el estudio propuesto, vamos a subrayar, de los elementos del Hip Hop, la figura del MC (Maestro de Ceremonia) o rapper, por ser este el responsable, en compañía con el DJ, por la producción y la interpretación de los raps, en cuyas letras, generalmente, se observan cuestionamientos y críticas a innumerables sectores de la sociedad. Así, traemos algunas letras de raps para ilustrar la discusión.Neste texto, vamos discutir o conceito de cultura a partir dos estudos de Stuart Hall (1989, 2001, 2003, 2004)a fim de evidenciar o caráter plural e, também, político de cultura e de modo a contextualizar o Movimento Hip Hop e seus elementos (MC/rapper, DJ, grafite, break) como culturais e ocupantes, sobretudo, do espaço urbano e da periferia, principalmente, no cenário brasileiro. Além do suporte teórico de Hall, também dialogaremos com outros autores, tais como Foucault (2014, 1995), Gonçalves (2010), Queiroz (2005), Bakhtin (2003), Kellner (2001), Shusterman (1998) e Silva (1998), que trazem contribuições importantes que nos possibilitam evidenciar o Hip Hop como cultura plural. Dos elementos do Hip Hop, daremos destaque à figura do MC (Mestre de Cerimônia) ou rapper por ser o responsável, em parceria com o DJ, pela produção e por cantar os raps, em cujas letras, comumente, são observados questionamentos e críticas a diversos segmentos da sociedade. Assim, trazemos algumas letras de raps para ilustrar a discussão.Editora da PUCRS - ediPUCRS2018-04-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/2749810.15448/1980-3729.2018.2.27498Revista FAMECOS; Vol. 25 No. 2 (2018); ID27498Revista FAMECOS; Vol. 25 Núm. 2 (2018); ID27498Revista FAMECOS; v. 25 n. 2 (2018); ID274981980-37291415-054910.15448/1980-3729.2018.2reponame:Revista FAMECOS: Mídia cultura e tecnologiainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27498/16639Copyright (c) 2018 Revista FAMECOSinfo:eu-repo/semantics/openAccessMoreira, Tatiana Aparecida2018-05-02T00:32:07Zoai:ojs.revistaseletronicas.pucrs.br:article/27498Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecosPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/oai||revistafamecos@gmail.com1980-37291980-3729opendoar:2018-05-02T00:32:07Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv Culture: between the arena of struggle and the Hip Hop movement
Cultura: entre el escenario de lucha y el movimiento Hip Hop
Cultura: entre a arena de luta e o movimento Hip Hop
title Culture: between the arena of struggle and the Hip Hop movement
spellingShingle Culture: between the arena of struggle and the Hip Hop movement
Moreira, Tatiana Aparecida
Culture
Hip Hop Movement
Rapper
Culture
Cultura
Movimiento Hip Hop
Rapper
Cultura
Cultura
Movimento Hip Hop
rapper
Cultura
title_short Culture: between the arena of struggle and the Hip Hop movement
title_full Culture: between the arena of struggle and the Hip Hop movement
title_fullStr Culture: between the arena of struggle and the Hip Hop movement
title_full_unstemmed Culture: between the arena of struggle and the Hip Hop movement
title_sort Culture: between the arena of struggle and the Hip Hop movement
author Moreira, Tatiana Aparecida
author_facet Moreira, Tatiana Aparecida
author_role author
dc.contributor.author.fl_str_mv Moreira, Tatiana Aparecida
dc.subject.por.fl_str_mv Culture
Hip Hop Movement
Rapper
Culture
Cultura
Movimiento Hip Hop
Rapper
Cultura
Cultura
Movimento Hip Hop
rapper
Cultura
topic Culture
Hip Hop Movement
Rapper
Culture
Cultura
Movimiento Hip Hop
Rapper
Cultura
Cultura
Movimento Hip Hop
rapper
Cultura
description In this text, we will discuss the concept of culture based on Stuart Hall’s (1989, 2001, 2003, 2004) studies in order to highlight the plural and political features of culture and to contextualize the Hip Hop Movement and its elements (MC / rapper, DJ, graffiti, break) as cultural and occupant of urban space and periphery, mainly in the Brazilian scenario. In addition to the theoretical support of Hall, we also dialogue with other authors such as Foucault (2014, 1995), Gonçalves (2010), Queiroz (2005), Bakhtin (2003), Kellner (2001), Shusterman (1998) and Silva (1998), which bring important contributions to defense the Hip Hop as a cultural plural. Among the elements of Hip Hop, we will highlight the figure of the MC (Master of Ceremony) or rapper for his responsibility, in partnership with the DJ, for producting and for singing the raps, in whose lyrics, commonly, have criticism of various segments of society. So we bring some raps to illustrate the discussion.
publishDate 2018
dc.date.none.fl_str_mv 2018-04-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27498
10.15448/1980-3729.2018.2.27498
url https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27498
identifier_str_mv 10.15448/1980-3729.2018.2.27498
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/article/view/27498/16639
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista FAMECOS
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista FAMECOS
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Revista FAMECOS; Vol. 25 No. 2 (2018); ID27498
Revista FAMECOS; Vol. 25 Núm. 2 (2018); ID27498
Revista FAMECOS; v. 25 n. 2 (2018); ID27498
1980-3729
1415-0549
10.15448/1980-3729.2018.2
reponame:Revista FAMECOS: Mídia cultura e tecnologia
instname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron:PUC_RS
instname_str Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
instacron_str PUC_RS
institution PUC_RS
reponame_str Revista FAMECOS: Mídia cultura e tecnologia
collection Revista FAMECOS: Mídia cultura e tecnologia
repository.name.fl_str_mv Revista FAMECOS: Mídia cultura e tecnologia - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)
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