The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative

Detalhes bibliográficos
Autor(a) principal: Vivian, Ilse M. R.
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: letrônica
Texto Completo: https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39189
Resumo: The Brazilian literary narrative has presented, especially in the last three decades, discourses that dialogue with notions of the wide movement of Latin American decolonial epistemologies, mainly in regard to the (re/de)construction of aesthetics oriented by the European cultural hegemony and the subversion of the notion of experience conceived by Modernity. These assumptions guide the present study, which is dedicated to the reading of the novels Becos da Memória (2006), by Conceição Evaristo, and Com armas sonolentas (2018), by Carola Saavedra. From the perspective of the protagonists, women who enunciate themselves from the borderline subjectivities and are composed by the experience and local knowledge, emanate from these narratives voices that, impregnated by the experience of violence and exile, thus understood according to the resignifications of Said (2003), reinvent their own identities based on the notion of collectivity, thus confronting the hegemonic and centralizing structures of globalizing policies. In addition to being severe criticisms of the exclusionary rhetoric of Modernity, when they problematize the I/other relationship and the place of speech reserved for the white man, these novels evoke the origins and ancestry, questioning the chain of processes that establishes the places of cultural power and their forged hierarchies.
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spelling The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrativeO desterro de ser daqui: Exílio, resistência e decolonialidade na Literatura Brasileira ContemporâneaViolenceExileDecolonialityConceição EvaristoCarola SaveedraViolênciaExílioDecolonialidadeConceição EvaristoCarola SaveedraThe Brazilian literary narrative has presented, especially in the last three decades, discourses that dialogue with notions of the wide movement of Latin American decolonial epistemologies, mainly in regard to the (re/de)construction of aesthetics oriented by the European cultural hegemony and the subversion of the notion of experience conceived by Modernity. These assumptions guide the present study, which is dedicated to the reading of the novels Becos da Memória (2006), by Conceição Evaristo, and Com armas sonolentas (2018), by Carola Saavedra. From the perspective of the protagonists, women who enunciate themselves from the borderline subjectivities and are composed by the experience and local knowledge, emanate from these narratives voices that, impregnated by the experience of violence and exile, thus understood according to the resignifications of Said (2003), reinvent their own identities based on the notion of collectivity, thus confronting the hegemonic and centralizing structures of globalizing policies. In addition to being severe criticisms of the exclusionary rhetoric of Modernity, when they problematize the I/other relationship and the place of speech reserved for the white man, these novels evoke the origins and ancestry, questioning the chain of processes that establishes the places of cultural power and their forged hierarchies.A narrativa literária brasileira tem apresentado, especialmente nas últimas três décadas, discursos que dialogam com noções do amplo movimento de epistemologias decoloniais da América Latina, principalmente no que tange à (re/des)construção de estéticas orientadas pela hegemonia cultural europeia e à subversão da noção de experiência concebida pela Modernidade. Esses pressupostos guiam o presente estudo, que se dedica à leitura dos romances Becos da memória (2006), de Conceição Evaristo, e Com armas sonolentas (2018), de Carola Saavedra. Da perspectiva das protagonistas, mulheres que se enunciam a partir das subjetividades fronteiriças e se compõem pela vivência e saberes locais, emanam dessas narrativas vozes que, impregnadas pela experiência da violência e do exílio, esse entendido conforme as ressignificações de Said (2003), reinventam as próprias identidades com base na noção de coletividade, confrontando, por essa via, as estruturas hegemônicas e centralizadoras das políticas globalizantes. Além de constituírem severas críticas à retórica excludente da Modernidade, quando problematizam a relação eu/outro e o lugar de fala reservado ao homem branco, esses romances evocam as origens e a ancestralidade, questionando a cadeia de processos que estabelece os lugares de poder cultural e suas forjadas hierarquias.Editora da PUCRS - ediPUCRS2021-11-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/3918910.15448/1984-4301.2021.3.39189Letrônica; Vol. 14 No. 3 (2021): Subaltern Characters in Portuguese Language Literatures; e39189Letrônica; v. 14 n. 3 (2021): Personagens Subalternas nas Literaturas de Língua Portuguesa; e391891984-430110.15448/1984-4301.2021.3reponame:letrônicainstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSporhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39189/27198Vivian, Ilse M. R.info:eu-repo/semantics/openAccess2021-11-09T14:32:09Zoai:ojs.revistaseletronicas.pucrs.br:article/39189Revistahttps://revistaseletronicas.pucrs.br/ojs/index.php/letronicaPRIhttps://revistaseletronicas.pucrs.br/ojs/index.php/letronica/oailetronica@pucrs.br||ivanetemileski@gmail.com1984-43011984-4301opendoar:2021-11-09T14:32:09letrônica - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false
dc.title.none.fl_str_mv The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
O desterro de ser daqui: Exílio, resistência e decolonialidade na Literatura Brasileira Contemporânea
title The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
spellingShingle The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
Vivian, Ilse M. R.
Violence
Exile
Decoloniality
Conceição Evaristo
Carola Saveedra
Violência
Exílio
Decolonialidade
Conceição Evaristo
Carola Saveedra
title_short The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
title_full The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
title_fullStr The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
title_full_unstemmed The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
title_sort The banishment of being: Exile, resistance and decoloniality in contemporary brazilian narrative
author Vivian, Ilse M. R.
author_facet Vivian, Ilse M. R.
author_role author
dc.contributor.author.fl_str_mv Vivian, Ilse M. R.
dc.subject.por.fl_str_mv Violence
Exile
Decoloniality
Conceição Evaristo
Carola Saveedra
Violência
Exílio
Decolonialidade
Conceição Evaristo
Carola Saveedra
topic Violence
Exile
Decoloniality
Conceição Evaristo
Carola Saveedra
Violência
Exílio
Decolonialidade
Conceição Evaristo
Carola Saveedra
description The Brazilian literary narrative has presented, especially in the last three decades, discourses that dialogue with notions of the wide movement of Latin American decolonial epistemologies, mainly in regard to the (re/de)construction of aesthetics oriented by the European cultural hegemony and the subversion of the notion of experience conceived by Modernity. These assumptions guide the present study, which is dedicated to the reading of the novels Becos da Memória (2006), by Conceição Evaristo, and Com armas sonolentas (2018), by Carola Saavedra. From the perspective of the protagonists, women who enunciate themselves from the borderline subjectivities and are composed by the experience and local knowledge, emanate from these narratives voices that, impregnated by the experience of violence and exile, thus understood according to the resignifications of Said (2003), reinvent their own identities based on the notion of collectivity, thus confronting the hegemonic and centralizing structures of globalizing policies. In addition to being severe criticisms of the exclusionary rhetoric of Modernity, when they problematize the I/other relationship and the place of speech reserved for the white man, these novels evoke the origins and ancestry, questioning the chain of processes that establishes the places of cultural power and their forged hierarchies.
publishDate 2021
dc.date.none.fl_str_mv 2021-11-09
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dc.identifier.uri.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39189
10.15448/1984-4301.2021.3.39189
url https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39189
identifier_str_mv 10.15448/1984-4301.2021.3.39189
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistaseletronicas.pucrs.br/ojs/index.php/letronica/article/view/39189/27198
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
publisher.none.fl_str_mv Editora da PUCRS - ediPUCRS
dc.source.none.fl_str_mv Letrônica; Vol. 14 No. 3 (2021): Subaltern Characters in Portuguese Language Literatures; e39189
Letrônica; v. 14 n. 3 (2021): Personagens Subalternas nas Literaturas de Língua Portuguesa; e39189
1984-4301
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