Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset

Detalhes bibliográficos
Autor(a) principal: Munduruca, Rafael Matrone
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações da PUC_SP
Texto Completo: https://tede2.pucsp.br/handle/handle/20020
Resumo: By questioning the place of online interactive music video in digital culture, this research develops from a narrative about the scenarios that favored the invention of the music video, going through the stories of pre-cinema and cinema. After the emergence of the video, hybrid element that constitutes dialogue with several languages, and the development of the so-called video art, the music video establishes itself as one of the possibilities of music enjoyment. His place in television and on the internet is then presented in relation to the transformations of digital culture. From the convergence of the media, the viewer becomes an increasingly active participant, leading the investigation to questions related to the interaction mediated by technological devices, the performance of the users and the interactive narratives. From this perspective, and from the existing critical fortune, the four online interactive works created by Vincent Morisset for Arcade Fire are analyzed. Which are: Neon Bible, Black Mirror, Sprawl II (mountains beyond mountains) e Just a Reflektor
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spelling Bastos, Marcus Vinícius Fainerhttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4229957U7Munduruca, Rafael Matrone2017-04-19T12:02:48Z2017-03-13Munduruca, Rafael Matrone. Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset. 2017. 192 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.https://tede2.pucsp.br/handle/handle/20020By questioning the place of online interactive music video in digital culture, this research develops from a narrative about the scenarios that favored the invention of the music video, going through the stories of pre-cinema and cinema. After the emergence of the video, hybrid element that constitutes dialogue with several languages, and the development of the so-called video art, the music video establishes itself as one of the possibilities of music enjoyment. His place in television and on the internet is then presented in relation to the transformations of digital culture. From the convergence of the media, the viewer becomes an increasingly active participant, leading the investigation to questions related to the interaction mediated by technological devices, the performance of the users and the interactive narratives. From this perspective, and from the existing critical fortune, the four online interactive works created by Vincent Morisset for Arcade Fire are analyzed. Which are: Neon Bible, Black Mirror, Sprawl II (mountains beyond mountains) e Just a ReflektorAo questionar o lugar dos videoclipes interativos online na cultura digital, esta pesquisa se desenvolve a partir de uma narrativa sobre os cenários que favoreceram a invenção do videoclipe, percorrendo as histórias dos pré-cinemas e do cinema. Após o surgimento do vídeo, elemento híbrido que constitui diálogo com diversas linguagens, e o desenvolvimento da chamada videoarte, o videoclipe se estabelece como uma das possibilidades de fruição da música. Seu lugar na televisão e na internet é, então, apresentado em relação às transformações da cultura digital. A partir da convergência das mídias, o espectador se transforma em um participante cada vez mais ativo, apontando a investigação para questões relativas a interação mediada por dispositivos tecnológicos, a atuação performática dos usuários e as narrativas interativas. Sob essa perspectiva, e a partir da fortuna crítica existente, são analisados os quatro trabalhos interativos online criados por Vincent Morisset para o Arcade Fire. 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dc.title.por.fl_str_mv Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
title Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
spellingShingle Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
Munduruca, Rafael Matrone
Videoclipe
Midia digital
Interatividade
Music video
Digital culture
Interactivity
CNPQ::ENGENHARIAS
title_short Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
title_full Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
title_fullStr Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
title_full_unstemmed Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
title_sort Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset
author Munduruca, Rafael Matrone
author_facet Munduruca, Rafael Matrone
author_role author
dc.contributor.advisor1.fl_str_mv Bastos, Marcus Vinícius Fainer
dc.contributor.authorLattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4229957U7
dc.contributor.author.fl_str_mv Munduruca, Rafael Matrone
contributor_str_mv Bastos, Marcus Vinícius Fainer
dc.subject.por.fl_str_mv Videoclipe
Midia digital
Interatividade
topic Videoclipe
Midia digital
Interatividade
Music video
Digital culture
Interactivity
CNPQ::ENGENHARIAS
dc.subject.eng.fl_str_mv Music video
Digital culture
Interactivity
dc.subject.cnpq.fl_str_mv CNPQ::ENGENHARIAS
description By questioning the place of online interactive music video in digital culture, this research develops from a narrative about the scenarios that favored the invention of the music video, going through the stories of pre-cinema and cinema. After the emergence of the video, hybrid element that constitutes dialogue with several languages, and the development of the so-called video art, the music video establishes itself as one of the possibilities of music enjoyment. His place in television and on the internet is then presented in relation to the transformations of digital culture. From the convergence of the media, the viewer becomes an increasingly active participant, leading the investigation to questions related to the interaction mediated by technological devices, the performance of the users and the interactive narratives. From this perspective, and from the existing critical fortune, the four online interactive works created by Vincent Morisset for Arcade Fire are analyzed. Which are: Neon Bible, Black Mirror, Sprawl II (mountains beyond mountains) e Just a Reflektor
publishDate 2017
dc.date.accessioned.fl_str_mv 2017-04-19T12:02:48Z
dc.date.issued.fl_str_mv 2017-03-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/masterThesis
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dc.identifier.citation.fl_str_mv Munduruca, Rafael Matrone. Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset. 2017. 192 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
dc.identifier.uri.fl_str_mv https://tede2.pucsp.br/handle/handle/20020
identifier_str_mv Munduruca, Rafael Matrone. Videoclipes interativos online: a poética nos trabalhos de Vincent Morisset. 2017. 192 f. Dissertação (Mestrado em Tecnologias da Inteligência e Design Digital) - Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital, Pontifícia Universidade Católica de São Paulo, São Paulo, 2017.
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dc.publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
dc.publisher.program.fl_str_mv Programa de Estudos Pós-Graduados em Tecnologias da Inteligência e Design Digital
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Faculdade de Ciências Exatas e Tecnologia
publisher.none.fl_str_mv Pontifícia Universidade Católica de São Paulo
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