Imago Mundi: a salvação do mundo na poesia de Adélia Prado
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_SP |
Texto Completo: | https://tede2.pucsp.br/handle/handle/14755 |
Resumo: | This dissertation proposes to analyze poems comprehending Adélia Prado work, since her first book Bagagem, published in 1976, to her last work, Miserere, released on 2013. It is discussed how adelian poetry lays ahead both values in the world and modern poetry, trying to find which are the fundamental elements for the author s choice which allow to notice the presence of a poetic project reigning the development of her work. For such, we look to answer the following questions: how is done the dialogue with modernity conditioned by Christian values, which the author s poetry adheres? Which poetic project results from the stress between modernity values to Christian values present in adelian poetry? Which are the elements allowing the dialogue from Adelia Prado s work to her time, generating affinities and distinctions? It is thought, as an answer for such questions, the hypothesis that adelian poetry is built as an interpellation of the modernity values resulting in a poetic project trying to save the individual and the image of the world linked to the first, subscribing them within the poem. For such, Christian beliefs about incarnation and resurrection, responsible to make viable the subscription of the man and the world in the texture of the poetic text, thought as a body and territory of imago mundi, which is desired to preserve. With such intent, we have searched in the theoretical works by authors such as George Steiner and Octavio Paz, regarding to questions about modernity, to which, there is the addition of works by Mircea Eliade, Michael Henry, Tzvetan Todorov and Miguel Unamuno, regarding to poetry and religion. As a methodological strategy along the four chapters, we placed the quoted authors in a dialogue with the analysis of the corpus. On the closing remarks, reaffirming the suggested hypothesis, noticing it as a way in which the poet has to answer to the problems of modernity, which the work establishes a stressed relation of pertaining and refusal |
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Junqueira, Maria Aparecidahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4046300T9Souza, Ewerton Menezes Fernandes de2016-04-28T19:58:55Z2015-04-162015-03-16Souza, Ewerton Menezes Fernandes de. Imago Mundi: the salvation of the world in the poetry of Adélia Prado. 2015. 127 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015.https://tede2.pucsp.br/handle/handle/14755This dissertation proposes to analyze poems comprehending Adélia Prado work, since her first book Bagagem, published in 1976, to her last work, Miserere, released on 2013. It is discussed how adelian poetry lays ahead both values in the world and modern poetry, trying to find which are the fundamental elements for the author s choice which allow to notice the presence of a poetic project reigning the development of her work. For such, we look to answer the following questions: how is done the dialogue with modernity conditioned by Christian values, which the author s poetry adheres? Which poetic project results from the stress between modernity values to Christian values present in adelian poetry? Which are the elements allowing the dialogue from Adelia Prado s work to her time, generating affinities and distinctions? It is thought, as an answer for such questions, the hypothesis that adelian poetry is built as an interpellation of the modernity values resulting in a poetic project trying to save the individual and the image of the world linked to the first, subscribing them within the poem. For such, Christian beliefs about incarnation and resurrection, responsible to make viable the subscription of the man and the world in the texture of the poetic text, thought as a body and territory of imago mundi, which is desired to preserve. With such intent, we have searched in the theoretical works by authors such as George Steiner and Octavio Paz, regarding to questions about modernity, to which, there is the addition of works by Mircea Eliade, Michael Henry, Tzvetan Todorov and Miguel Unamuno, regarding to poetry and religion. As a methodological strategy along the four chapters, we placed the quoted authors in a dialogue with the analysis of the corpus. On the closing remarks, reaffirming the suggested hypothesis, noticing it as a way in which the poet has to answer to the problems of modernity, which the work establishes a stressed relation of pertaining and refusalEsta dissertação propõe-se a analisar poemas que compõem a obra de Adélia Prado, desde seu primeiro livro Bagagem, publicado em 1976, à última obra Miserere, lançada em 2013. Discute-se como a poesia adeliana se situa frente aos valores do mundo e da poesia modernos, levantando quais são os elementos que fundamentam as escolhas da autora e que permitem perceber a presença de um projeto poético que rege o desenvolvimento de sua obra. Para tanto buscou-se responder às seguintes questões: como o diálogo com a modernidade está condicionado pelos valores cristãos aos quais a poesia da autora adere? Que projeto poético resulta da tensão entre os valores da modernidade e os valores do cristianismo presentes na poesia adeliana? Quais são os elementos que possibilitam o diálogo da obra de Adélia Prado com seu tempo, gerando afinidades e distinções? Cogita-se, como resposta a essas questões, a hipótese de que a poesia adeliana se constitui como interpelação dos valores da modernidade resultando em um projeto poético que busca salvar o sujeito e a imagem do mundo que a ele se vincula, inscrevendo-os no interior do poema. Contribuem para tanto as crenças cristãs da encarnação e da ressurreição, responsáveis por viabilizar a inscrição do homem e do mundo na tessitura do texto poético, pensado como corpo e território da imago mundi que se deseja preservar. Com esse intuito, recorreu-se às obras teóricas de autores como George Steiner e Octavio Paz, no que se refere às questões da modernidade, às quais se acrescentam as obras de Mircea Eliade, Michel Henry, Tzvetan Todorov e Miguel de Unamuno, no que toca à relação entre poesia e religião. Como estratégia metodológica, buscou-se, ao decorrer dos quatro capítulos, colocar os autores citados em diálogo com a análise do corpus. Quanto às considerações finais, ratifica-se a hipótese aventada, percebendo-a como uma forma de a poeta responder aos problemas da modernidade, com a qual a obra estabelece uma relação tensa de pertença e recusaapplication/pdfhttp://tede2.pucsp.br/tede/retrieve/30932/Ewerton%20Menezes%20Fernandes%20de%20Souza.pdf.jpgporPontifícia Universidade Católica de São PauloPrograma de Estudos Pós-Graduados em Literatura e Crítica LiteráriaPUC-SPBRLiteraturaAdélia PradoImago MundiModernidadePoesiaEncarnaçãoRessurreiçãoModernityPoetryIncarnationResurrectionCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIAImago Mundi: a salvação do mundo na poesia de Adélia PradoImago Mundi: the salvation of the world in the poetry of Adélia Pradoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_SPinstname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPTEXTEwerton Menezes Fernandes de Souza.pdf.txtEwerton Menezes Fernandes de Souza.pdf.txtExtracted texttext/plain278660https://repositorio.pucsp.br/xmlui/bitstream/handle/14755/3/Ewerton%20Menezes%20Fernandes%20de%20Souza.pdf.txt032b6cb8bb58962d53f73b152e4dd09aMD53ORIGINALEwerton Menezes Fernandes de Souza.pdfapplication/pdf614323https://repositorio.pucsp.br/xmlui/bitstream/handle/14755/1/Ewerton%20Menezes%20Fernandes%20de%20Souza.pdf04570878eac70f2103b4b0d6b3730556MD51THUMBNAILEwerton Menezes Fernandes de Souza.pdf.jpgEwerton Menezes Fernandes de Souza.pdf.jpgGenerated Thumbnailimage/jpeg1943https://repositorio.pucsp.br/xmlui/bitstream/handle/14755/2/Ewerton%20Menezes%20Fernandes%20de%20Souza.pdf.jpgcc73c4c239a4c332d642ba1e7c7a9fb2MD52handle/147552022-04-28 11:49:21.047oai:repositorio.pucsp.br:handle/14755Biblioteca Digital de Teses e Dissertaçõeshttps://sapientia.pucsp.br/https://sapientia.pucsp.br/oai/requestbngkatende@pucsp.br||rapassi@pucsp.bropendoar:2022-04-28T14:49:21Biblioteca Digital de Teses e Dissertações da PUC_SP - Pontifícia Universidade Católica de São Paulo (PUC-SP)false |
dc.title.por.fl_str_mv |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
dc.title.alternative.eng.fl_str_mv |
Imago Mundi: the salvation of the world in the poetry of Adélia Prado |
title |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
spellingShingle |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado Souza, Ewerton Menezes Fernandes de Adélia Prado Imago Mundi Modernidade Poesia Encarnação Ressurreição Modernity Poetry Incarnation Resurrection CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
title_short |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
title_full |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
title_fullStr |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
title_full_unstemmed |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
title_sort |
Imago Mundi: a salvação do mundo na poesia de Adélia Prado |
author |
Souza, Ewerton Menezes Fernandes de |
author_facet |
Souza, Ewerton Menezes Fernandes de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Junqueira, Maria Aparecida |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4046300T9 |
dc.contributor.author.fl_str_mv |
Souza, Ewerton Menezes Fernandes de |
contributor_str_mv |
Junqueira, Maria Aparecida |
dc.subject.por.fl_str_mv |
Adélia Prado Imago Mundi Modernidade Poesia Encarnação Ressurreição |
topic |
Adélia Prado Imago Mundi Modernidade Poesia Encarnação Ressurreição Modernity Poetry Incarnation Resurrection CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Modernity Poetry Incarnation Resurrection |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA |
description |
This dissertation proposes to analyze poems comprehending Adélia Prado work, since her first book Bagagem, published in 1976, to her last work, Miserere, released on 2013. It is discussed how adelian poetry lays ahead both values in the world and modern poetry, trying to find which are the fundamental elements for the author s choice which allow to notice the presence of a poetic project reigning the development of her work. For such, we look to answer the following questions: how is done the dialogue with modernity conditioned by Christian values, which the author s poetry adheres? Which poetic project results from the stress between modernity values to Christian values present in adelian poetry? Which are the elements allowing the dialogue from Adelia Prado s work to her time, generating affinities and distinctions? It is thought, as an answer for such questions, the hypothesis that adelian poetry is built as an interpellation of the modernity values resulting in a poetic project trying to save the individual and the image of the world linked to the first, subscribing them within the poem. For such, Christian beliefs about incarnation and resurrection, responsible to make viable the subscription of the man and the world in the texture of the poetic text, thought as a body and territory of imago mundi, which is desired to preserve. With such intent, we have searched in the theoretical works by authors such as George Steiner and Octavio Paz, regarding to questions about modernity, to which, there is the addition of works by Mircea Eliade, Michael Henry, Tzvetan Todorov and Miguel Unamuno, regarding to poetry and religion. As a methodological strategy along the four chapters, we placed the quoted authors in a dialogue with the analysis of the corpus. On the closing remarks, reaffirming the suggested hypothesis, noticing it as a way in which the poet has to answer to the problems of modernity, which the work establishes a stressed relation of pertaining and refusal |
publishDate |
2015 |
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2015-04-16 |
dc.date.issued.fl_str_mv |
2015-03-16 |
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2016-04-28T19:58:55Z |
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info:eu-repo/semantics/publishedVersion |
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Souza, Ewerton Menezes Fernandes de. Imago Mundi: the salvation of the world in the poetry of Adélia Prado. 2015. 127 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
dc.identifier.uri.fl_str_mv |
https://tede2.pucsp.br/handle/handle/14755 |
identifier_str_mv |
Souza, Ewerton Menezes Fernandes de. Imago Mundi: the salvation of the world in the poetry of Adélia Prado. 2015. 127 f. Dissertação (Mestrado em Literatura) - Pontifícia Universidade Católica de São Paulo, São Paulo, 2015. |
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