Sexuality of the elder individual presented on paintings

• Autor(a) principal: Duarte, Josiane Aparecida
• Data de Publicação: 2013
• Outros Autores: Oliveira, Bruna Miclos de, Ferreira, Hugo Henrique Alves, Bezerra, Armando José China, Vianna, Lucy Gomes, Bezerra, Alexandre Sérgio de Araújo
• Tipo de documento: Artigo
• Idioma: eng
• Título da fonte: Revista Kairós (Online)
• Texto Completo: https://revistas.pucsp.br/index.php/kairos/article/view/17656
• topic: Sexualidade; Idosos; Pintura; Sexuality; Elder; Painting

The sexuality of the elder has a history of negligence, seen as a taboo, both by society and by the individual himself, contributing to maintain the oppressive cultural standards related to the theme of sexuality related to aging. In the great majority of paintings, the elder individual is presented as an asexual character. The representation of the elder in paintings is usually shown in the following contexts: domestic (“St Joseph, The carpenter” – George de La Tour, 1642; “The Paralytic” – Jean Baptiste Greuze, 1763) and in the decadence of health (“Old man in sorrow” – Van Gogh, 1890; “The old guitarist” – Picasso, 1903). On the few paintings that retract the sexuality of the elder, we can see a clear prominence of the male gender (“Susana and the elders” – Artemisia Gentileschi, 1610; “Elderly nude in the sun” – Mariano Fortuny, 1871). Sexuality of the elder woman is little referred to, being predominantly portrayed in her domestic role. When sexuality is shown it is in the context of prostitution, as in the work “The Salon I”, of Otto Dix, 1921. Between painters of the 20th century, there are self portraits in which artists of both genders paint themselves naked in advanced age, showing a tendency in changing the current paradigm: “Painter working, Reflection” – Lucian Freud, 1993 that portrayed himself at the age of 70; and “Self Portrait” – Alice Neel, 1980, at the age of 80.