Prefiguration of counterpublics in Brad – One more night in the barricades

Detalhes bibliográficos
Autor(a) principal: Neves, Bráulio de Britto
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Galáxia (São Paulo)
Texto Completo: https://revistas.pucsp.br/index.php/galaxia/article/view/4718
Resumo: Inspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness.
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spelling Prefiguration of counterpublics in Brad – One more night in the barricadesPrefiguração de contrapúblicos em Brad – Uma noite mais nas barricadascyberactivismdocumentarycyberdocumentaryprefigurative politicscounterpublicsBrad WillInspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness.O ciberativismo, surgido na cultura hacker, constitui a principal referência para os movimentos de resistência às formas de dominação por controle difuso, exatamente porque é um movimento político que tematiza a liberdade de comunicação e informação. A despeito dos duros golpes sofridos pelo movimento, em decorrência da política de “guerra ao terror”, o ciberativismo logrou produzir uma expressão no cinema documentário que inflete a tendência da retórica documentária subjetiva para um uso coletivo, a autopoiese de contrapúblicos. Para demonstrar as características dessa nova estratégia de resistência, este artigo examina as peculiaridades do ciberdocumentário Brad – Uma noite mais nas barricadas em termos de interpretabilidade e de condições de validez ética (sinceridade intencional, veracidade proposicional e correção relacional).PEPG COS-PUC-SP2011-01-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.pucsp.br/index.php/galaxia/article/view/4718Galaxia; No. 20 (2010)GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)1982-2553reponame:Galáxia (São Paulo)instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)instacron:PUC_SPporhttps://revistas.pucsp.br/index.php/galaxia/article/view/4718/3283Neves, Bráulio de Brittoinfo:eu-repo/semantics/openAccess2024-05-15T14:01:08Zoai:ojs.pkp.sfu.ca:article/4718Revistahttps://www.pucsp.br/pos-graduacao/mestrado-e-doutorado/comunicacao-e-semioticaPRIhttps://old.scielo.br/oai/scielo-oai.phpcos@pucsp.br||aidarprado@gmail.com1982-25531519-311Xopendoar:2024-05-15T14:01:08Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)false
dc.title.none.fl_str_mv Prefiguration of counterpublics in Brad – One more night in the barricades
Prefiguração de contrapúblicos em Brad – Uma noite mais nas barricadas
title Prefiguration of counterpublics in Brad – One more night in the barricades
spellingShingle Prefiguration of counterpublics in Brad – One more night in the barricades
Neves, Bráulio de Britto
cyberactivism
documentary
cyberdocumentary
prefigurative politics
counterpublics
Brad Will
title_short Prefiguration of counterpublics in Brad – One more night in the barricades
title_full Prefiguration of counterpublics in Brad – One more night in the barricades
title_fullStr Prefiguration of counterpublics in Brad – One more night in the barricades
title_full_unstemmed Prefiguration of counterpublics in Brad – One more night in the barricades
title_sort Prefiguration of counterpublics in Brad – One more night in the barricades
author Neves, Bráulio de Britto
author_facet Neves, Bráulio de Britto
author_role author
dc.contributor.author.fl_str_mv Neves, Bráulio de Britto
dc.subject.por.fl_str_mv cyberactivism
documentary
cyberdocumentary
prefigurative politics
counterpublics
Brad Will
topic cyberactivism
documentary
cyberdocumentary
prefigurative politics
counterpublics
Brad Will
description Inspired by hacker culture, cyberactivism emerged as a political movement whose main issue is freedom of communication and information. For this reason, it has become the main vantage point of the movements against domination by diffused forms of control. Notwithstanding the harsh circumstances brought about by the “war on terror”, cyberactivism has managed to produce an expression in documentary cinema that bends the tendency of subjective documentary rhetoric towards collective practices of counterpublic autopoiesis. To demonstrate some of the key features of this new strategy of resistance, this paper scrutinizes the cyberdocumentary Brad – One more night in the barricades in terms of its interpretability and conditions of ethical validity: intentional sincerity, propositional veracity and relational correctness.
publishDate 2011
dc.date.none.fl_str_mv 2011-01-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/4718
url https://revistas.pucsp.br/index.php/galaxia/article/view/4718
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.pucsp.br/index.php/galaxia/article/view/4718/3283
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv PEPG COS-PUC-SP
publisher.none.fl_str_mv PEPG COS-PUC-SP
dc.source.none.fl_str_mv Galaxia; No. 20 (2010)
GALÁxIA. Revista Interdisciplinar de Comunicação e Cultura; n. 20 (2010)
1982-2553
reponame:Galáxia (São Paulo)
instname:Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron:PUC_SP
instname_str Pontifícia Universidade Católica de São Paulo (PUC-SP)
instacron_str PUC_SP
institution PUC_SP
reponame_str Galáxia (São Paulo)
collection Galáxia (São Paulo)
repository.name.fl_str_mv Galáxia (São Paulo) - Pontifícia Universidade Católica de São Paulo (PUC-SP)
repository.mail.fl_str_mv cos@pucsp.br||aidarprado@gmail.com
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