Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Texto Completo: | http://tede2.pucrs.br/tede2/handle/tede/2183 |
Resumo: | There is, in studies of literary criticism, a number of heroes: on one hand, the classic ones, whose mission focuses on great achievements and personal growth; on the other, there are the low heroes, whose strength is closely related to the comic discourse. Among these, is the picaro and the trickster. This research, therefore, is guided by the analysis of the construction of the figure of the folk hero, namely John Cricket on Portuguese soil, and the transformation of his features upon his arrival on Brazilian soil. Thus, the Lusitanian picaro, guided by luck, abdicates fate in favor of the Brazilian trickster, guided by his insight and thoroughness. Populating the most different textual genres, is in the cordel flyer that Jo?oa Grilo makes lasting abode and where wages a class struggle, exposing social inequalities in Brazil. From the study of these literary texts, this research sets out to create a popular cosmology, created based on the intense process of cultural exchanges between Portugal and Brazil. By scholars such as Aristotle (1993), Campbell (2007), Propp (1983), Damatta (1997), Jung (2008), Gonz?lez (1994), Mendes (2008) and M?ller (1997), the theory about the hero is opposed to literary narratives. Abreu (1999), Peloso (1996), Haur?lio (2010), Maxado (2012) and Cavignac (2006) were used to relate the construction of this hero to popular culture. Based in Duarte (2006) and Minois (2003), the comical dialogues with picaro and trickster speech. In addition, through the theoretical assumptions of Ortiz (1978) and Rama (1982), the concept of transcultural narrative is used to better understand the culture shock and the formation of popular trickster on Brazilian soil. Therefore, through the studies undertaken, it is pertinent to consider that an unequal society, the picaro and the trickster serve the subaltern classes, to see, in their actions, a cathartic moment to deal with everyday frustrations, and to the powerful people, to keep the current status quo. |
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Barberena, Ricardo Ara?joCPF:95009434091http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4760734P5CPF:91054850534http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4774973A3Nascimento Neto, Jo?o Evangelista do2015-04-14T13:39:21Z2014-11-062014-08-26NASCIMENTO NETO, Jo?o Evangelista do. Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular. 2014. 396 f. Tese (Doutorado em Letras) - Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Porto Alegre, 2014.http://tede2.pucrs.br/tede2/handle/tede/2183There is, in studies of literary criticism, a number of heroes: on one hand, the classic ones, whose mission focuses on great achievements and personal growth; on the other, there are the low heroes, whose strength is closely related to the comic discourse. Among these, is the picaro and the trickster. This research, therefore, is guided by the analysis of the construction of the figure of the folk hero, namely John Cricket on Portuguese soil, and the transformation of his features upon his arrival on Brazilian soil. Thus, the Lusitanian picaro, guided by luck, abdicates fate in favor of the Brazilian trickster, guided by his insight and thoroughness. Populating the most different textual genres, is in the cordel flyer that Jo?oa Grilo makes lasting abode and where wages a class struggle, exposing social inequalities in Brazil. From the study of these literary texts, this research sets out to create a popular cosmology, created based on the intense process of cultural exchanges between Portugal and Brazil. By scholars such as Aristotle (1993), Campbell (2007), Propp (1983), Damatta (1997), Jung (2008), Gonz?lez (1994), Mendes (2008) and M?ller (1997), the theory about the hero is opposed to literary narratives. Abreu (1999), Peloso (1996), Haur?lio (2010), Maxado (2012) and Cavignac (2006) were used to relate the construction of this hero to popular culture. Based in Duarte (2006) and Minois (2003), the comical dialogues with picaro and trickster speech. In addition, through the theoretical assumptions of Ortiz (1978) and Rama (1982), the concept of transcultural narrative is used to better understand the culture shock and the formation of popular trickster on Brazilian soil. Therefore, through the studies undertaken, it is pertinent to consider that an unequal society, the picaro and the trickster serve the subaltern classes, to see, in their actions, a cathartic moment to deal with everyday frustrations, and to the powerful people, to keep the current status quo.H?, nos estudos da cr?tica liter?ria, uma s?rie de her?is: de um lado, os cl?ssicos, cuja miss?o concentra-se em grandes feitos e em um crescimento pessoal; do outro, encontram-se os her?is baixos, cuja for?a est? intimamente ligada ao discurso c?mico. Dentre estes, destacam-se o p?caro e o malandro. Esta pesquisa, pois, est? pautada na an?lise da constru??o da figura do her?i popular, a saber, Jo?o Grilo, em solo portugu?s, e da transforma??o de seus caracteres quando da sua chegada em solo brasileiro. Desse modo, o p?caro lusitano, guiado pela sorte, abdica do destino em prol do malandro brasileiro, guiado pela sua perspic?cia e meticulosidade. Povoando os mais diferentes g?neros textuais, ? no folheto de cordel que Jo?o Grilo faz morada duradoura e onde empreende uma luta de classes, expondo as desigualdades sociais no Brasil. A partir do estudo desses textos liter?rios, nesta pesquisa, estabelece-se a cria??o de uma cosmogonia popular, criada com base no intenso processo de di?logos culturais entre Portugal e Brasil. Por meio de estudiosos como Arist?teles (1993), Campbell (2007), Propp (1983), Damatta (1997), Jung (2008), Gonz?lez (1994), Mendes (2008) e M?ller (1997), a teoria acerca do her?i ? contraposta ?s narrativas liter?rias. Com Abreu (1999), Peloso (1996), Haur?lio (2010), Maxado (2012) e Cavignac (2006), a constru??o desse her?i ? relacionada ? cultura popular. Com base em Duarte (2006) e Minois (2003), o c?mico dialoga com o discurso do p?caro e do malandro. E atrav?s dos pressupostos te?ricos de Ortiz (1978) e Rama (1982), o conceito de transculturalidade narrativa ? utilizado para melhor compreens?o dos choques culturais e da forma??o do malandro popular em solo brasileiro. Portanto, por meio dos estudos empreendidos, ? pertinente considerar que, numa sociedade desigual, o p?caro e o malandro servem ?s classes subalternizadas, por ver, em seus atos, um momento cat?rtico para lidar com as frustra??es cotidianas, e aos poderosos, para manter o status quo vigente.Made available in DSpace on 2015-04-14T13:39:21Z (GMT). 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dc.title.por.fl_str_mv |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
title |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
spellingShingle |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular Nascimento Neto, Jo?o Evangelista do LITERATURA BRASILEIRA - HIST?RIA E CR?TICA LITERATURA DE CORDEL LITERATURA POPULAR PORTUGUESA TRANSCULTURA??O CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
title_full |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
title_fullStr |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
title_full_unstemmed |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
title_sort |
Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular |
author |
Nascimento Neto, Jo?o Evangelista do |
author_facet |
Nascimento Neto, Jo?o Evangelista do |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Barberena, Ricardo Ara?jo |
dc.contributor.advisor1ID.fl_str_mv |
CPF:95009434091 |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4760734P5 |
dc.contributor.authorID.fl_str_mv |
CPF:91054850534 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4774973A3 |
dc.contributor.author.fl_str_mv |
Nascimento Neto, Jo?o Evangelista do |
contributor_str_mv |
Barberena, Ricardo Ara?jo |
dc.subject.por.fl_str_mv |
LITERATURA BRASILEIRA - HIST?RIA E CR?TICA LITERATURA DE CORDEL LITERATURA POPULAR PORTUGUESA TRANSCULTURA??O |
topic |
LITERATURA BRASILEIRA - HIST?RIA E CR?TICA LITERATURA DE CORDEL LITERATURA POPULAR PORTUGUESA TRANSCULTURA??O CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
There is, in studies of literary criticism, a number of heroes: on one hand, the classic ones, whose mission focuses on great achievements and personal growth; on the other, there are the low heroes, whose strength is closely related to the comic discourse. Among these, is the picaro and the trickster. This research, therefore, is guided by the analysis of the construction of the figure of the folk hero, namely John Cricket on Portuguese soil, and the transformation of his features upon his arrival on Brazilian soil. Thus, the Lusitanian picaro, guided by luck, abdicates fate in favor of the Brazilian trickster, guided by his insight and thoroughness. Populating the most different textual genres, is in the cordel flyer that Jo?oa Grilo makes lasting abode and where wages a class struggle, exposing social inequalities in Brazil. From the study of these literary texts, this research sets out to create a popular cosmology, created based on the intense process of cultural exchanges between Portugal and Brazil. By scholars such as Aristotle (1993), Campbell (2007), Propp (1983), Damatta (1997), Jung (2008), Gonz?lez (1994), Mendes (2008) and M?ller (1997), the theory about the hero is opposed to literary narratives. Abreu (1999), Peloso (1996), Haur?lio (2010), Maxado (2012) and Cavignac (2006) were used to relate the construction of this hero to popular culture. Based in Duarte (2006) and Minois (2003), the comical dialogues with picaro and trickster speech. In addition, through the theoretical assumptions of Ortiz (1978) and Rama (1982), the concept of transcultural narrative is used to better understand the culture shock and the formation of popular trickster on Brazilian soil. Therefore, through the studies undertaken, it is pertinent to consider that an unequal society, the picaro and the trickster serve the subaltern classes, to see, in their actions, a cathartic moment to deal with everyday frustrations, and to the powerful people, to keep the current status quo. |
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2014 |
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2014-08-26 |
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2015-04-14T13:39:21Z |
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NASCIMENTO NETO, Jo?o Evangelista do. Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular. 2014. 396 f. Tese (Doutorado em Letras) - Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Porto Alegre, 2014. |
dc.identifier.uri.fl_str_mv |
http://tede2.pucrs.br/tede2/handle/tede/2183 |
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NASCIMENTO NETO, Jo?o Evangelista do. Perambulan?as de Jo?o Grilo : do p?caro lusitano ao malandro brasileiro, as perip?cias do (anti-)her?i popular. 2014. 396 f. Tese (Doutorado em Letras) - Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Porto Alegre, 2014. |
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