When documenting doesn’t cut it:

• Autor(a) principal: Garcia, Rita L. Amor
• Data de Publicação: 2017
• Tipo de documento: Artigo
• Idioma: eng
• Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
• Texto Completo: https://doi.org/10.25765/sauc.v3i1.63

Conservation of urban art is a subject in vogue in contemporary academic research. It may seem like a new topic of discussion – a new field of understanding – but the preservation of the ideas and forms of urban art practices has certainly been present since the very beginnings of graffiti and street art. Although generally practices related to urban art are considered ephemeral, when an artwork, style or general practice acquires value, conservation is the only way to prolong its idea – its life. The proceedings to allow that statement could be twofold: The first one is using intangible conservation mechanisms as simple as keeping the idea by photographic and video records; promoting spaces for the practices; documentation of styles, forms, ideas, states; developing new researches, and so on. The second, main topic of discussion in this paper, is the application of more intricate mechanisms when wider objectives are presented because of the significant importance of the artwork for the public, based on trying to keep the materiality of the artwork in addition to maintaining its idea. In these cases, tangible conservation mechanisms should be applied. This paper questions the limits of intangible conservation and the possibilities that tangible conservation could offer in the physical and conceptual preservation of the alternative contemporary art practices that involve urban art. Nevertheless, it is not forgotten that the application of conservation-restoration mechanisms could be questioned, so additionally to the alternatives that tangible conservation offers, the criteria used for its general application will be reviewed.