Modos de paródia na escrita de José Saramago

Detalhes bibliográficos
Autor(a) principal: Martins, José Cândido de Oliveira
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.14/41821
Resumo: Three novels by the Portuguese writer José Saramago - Levantado do chão, Memorial do Convento and O ano da morte de Ricardo Reis - are the subject of analysis for the proposal of a poetics of parody in the author's novel writing. To do so, it is necessary to start from an updated conception of the metagenre of parody, distinguishing several operative dimensions - intertextual parody, architectural parody and interdiscursive parody. In this way, this study aims to analyse the various operative and semantic dimensions of parody; and, at the same time, to question the place of parody in the aesthetic and cultural worldview of this author.
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spelling Modos de paródia na escrita de José SaramagoModes of parody in José Saramago's writingJosé SaramagoPostmodernismParodyIntertextualityArchitextualityInterdiscursivityThree novels by the Portuguese writer José Saramago - Levantado do chão, Memorial do Convento and O ano da morte de Ricardo Reis - are the subject of analysis for the proposal of a poetics of parody in the author's novel writing. To do so, it is necessary to start from an updated conception of the metagenre of parody, distinguishing several operative dimensions - intertextual parody, architectural parody and interdiscursive parody. In this way, this study aims to analyse the various operative and semantic dimensions of parody; and, at the same time, to question the place of parody in the aesthetic and cultural worldview of this author.Veritati - Repositório Institucional da Universidade Católica PortuguesaMartins, José Cândido de Oliveira2023-07-21T13:10:05Z2022-032022-03-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.14/41821por2155-881785160261056info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-25T01:40:38ZPortal AgregadorONG
dc.title.none.fl_str_mv Modos de paródia na escrita de José Saramago
Modes of parody in José Saramago's writing
title Modos de paródia na escrita de José Saramago
spellingShingle Modos de paródia na escrita de José Saramago
Martins, José Cândido de Oliveira
José Saramago
Postmodernism
Parody
Intertextuality
Architextuality
Interdiscursivity
title_short Modos de paródia na escrita de José Saramago
title_full Modos de paródia na escrita de José Saramago
title_fullStr Modos de paródia na escrita de José Saramago
title_full_unstemmed Modos de paródia na escrita de José Saramago
title_sort Modos de paródia na escrita de José Saramago
author Martins, José Cândido de Oliveira
author_facet Martins, José Cândido de Oliveira
author_role author
dc.contributor.none.fl_str_mv Veritati - Repositório Institucional da Universidade Católica Portuguesa
dc.contributor.author.fl_str_mv Martins, José Cândido de Oliveira
dc.subject.por.fl_str_mv José Saramago
Postmodernism
Parody
Intertextuality
Architextuality
Interdiscursivity
topic José Saramago
Postmodernism
Parody
Intertextuality
Architextuality
Interdiscursivity
description Three novels by the Portuguese writer José Saramago - Levantado do chão, Memorial do Convento and O ano da morte de Ricardo Reis - are the subject of analysis for the proposal of a poetics of parody in the author's novel writing. To do so, it is necessary to start from an updated conception of the metagenre of parody, distinguishing several operative dimensions - intertextual parody, architectural parody and interdiscursive parody. In this way, this study aims to analyse the various operative and semantic dimensions of parody; and, at the same time, to question the place of parody in the aesthetic and cultural worldview of this author.
publishDate 2022
dc.date.none.fl_str_mv 2022-03
2022-03-01T00:00:00Z
2023-07-21T13:10:05Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.14/41821
url http://hdl.handle.net/10400.14/41821
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 2155-8817
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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