Paintings by Abel Salazar: materials and techniques used in the paint layers
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34618/ecr.2.3158 |
Resumo: | The study of the pictorial works of Abel Salazar was the outcome of the Master of Techniques and Conservation of Painting’s essay, at the Universidade Católica Portuguesa. It was based on all information gathered during the conservation and restoration works held on the collection of the Museum House (2003/4), and the physical and physical-chemical studies undertaken by the Laboratory. It was possible to determine the technique, materials, such as pigments and charges used by the artist on seven of his master-pieces, referring to different periods. |
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Paintings by Abel Salazar: materials and techniques used in the paint layersLa obra pictórica de Abel Salazar: estudio técnico e material de las capas pictóricasA obra pictórica de Abel Salazar: estudo técnico e material da camada pictóricaThe study of the pictorial works of Abel Salazar was the outcome of the Master of Techniques and Conservation of Painting’s essay, at the Universidade Católica Portuguesa. It was based on all information gathered during the conservation and restoration works held on the collection of the Museum House (2003/4), and the physical and physical-chemical studies undertaken by the Laboratory. It was possible to determine the technique, materials, such as pigments and charges used by the artist on seven of his master-pieces, referring to different periods.El estudio de la obra pictórica de Abel Salazar dio lugar a la tesis sobre Técnicas y Conservación de Pintura, de la Universidad Católica Portuguesa. Tuvo como base, la información recogida durante los trabajos de conservación y restauración del expolio existente en su casa-Museo (2003/4), y los estudios físicos y físico-químicos llevados a cabo por lo laboratorio. Fue posible descubrir la técnica, los materiales incluso los pigmentos y cargas presentes en siete obras de periodos diversos del artista.O estudo da obra pictórica de Abel Salazar resultou na dissertação do Mestrado em Técnicas e Conservação de Pintura, da Universidade Católica Portuguesa. Teve como base a informação recolhida durante a intervenção de conservação e restauro do espólio existente na sua Casa-Museu (2003/4), e os estudos físicos e físico-químicos levados a cabo pelo laboratório de exames. Foi possível determinar a técnica, os materiais, nomeadamente os pigmentos e cargas de sete obras de períodos diversos do artista.Universidade Católica Portuguesa2010-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34618/ecr.2.3158oai:ojs.revistas.ucp.pt:article/7854Estudos de Conservação e Restauro; No 2 (2010); 96-109Estudos de Conservação e Restauro; n. 2 (2010); 96-1091647-209810.34618/ecr.2.3147reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ucp.pt/index.php/ecr/article/view/7854https://doi.org/10.34618/ecr.2.3158https://revistas.ucp.pt/index.php/ecr/article/view/7854/7891Copyright (c) 2010 Ana Britohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBrito, Ana2022-09-22T10:29:06Zoai:ojs.revistas.ucp.pt:article/7854Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:57:13.437663Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Paintings by Abel Salazar: materials and techniques used in the paint layers La obra pictórica de Abel Salazar: estudio técnico e material de las capas pictóricas A obra pictórica de Abel Salazar: estudo técnico e material da camada pictórica |
title |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
spellingShingle |
Paintings by Abel Salazar: materials and techniques used in the paint layers Brito, Ana |
title_short |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
title_full |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
title_fullStr |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
title_full_unstemmed |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
title_sort |
Paintings by Abel Salazar: materials and techniques used in the paint layers |
author |
Brito, Ana |
author_facet |
Brito, Ana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brito, Ana |
description |
The study of the pictorial works of Abel Salazar was the outcome of the Master of Techniques and Conservation of Painting’s essay, at the Universidade Católica Portuguesa. It was based on all information gathered during the conservation and restoration works held on the collection of the Museum House (2003/4), and the physical and physical-chemical studies undertaken by the Laboratory. It was possible to determine the technique, materials, such as pigments and charges used by the artist on seven of his master-pieces, referring to different periods. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-01-01T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34618/ecr.2.3158 oai:ojs.revistas.ucp.pt:article/7854 |
url |
https://doi.org/10.34618/ecr.2.3158 |
identifier_str_mv |
oai:ojs.revistas.ucp.pt:article/7854 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.ucp.pt/index.php/ecr/article/view/7854 https://doi.org/10.34618/ecr.2.3158 https://revistas.ucp.pt/index.php/ecr/article/view/7854/7891 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2010 Ana Brito http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2010 Ana Brito http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
publisher.none.fl_str_mv |
Universidade Católica Portuguesa |
dc.source.none.fl_str_mv |
Estudos de Conservação e Restauro; No 2 (2010); 96-109 Estudos de Conservação e Restauro; n. 2 (2010); 96-109 1647-2098 10.34618/ecr.2.3147 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
repository.mail.fl_str_mv |
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1799130440205860864 |