A Beleza retocada ou a erosão da forma
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://hdl.handle.net/10216/132228 |
Resumo: | In this work we study the complete work of the Portuguese poet José Emílio-Nelson (b. 1948). Transgressor, anticlerical and marginal, cult author until the end of the 20th century, he knew the consecration as a satirical poet and I practiced an own aesthetic with the collection of his poetry in 2004. However, the joint edition of all the poetry in BelezaTocada (2015) caused retroactive effects that require a revaluation of the functionality of beauty and ugliness artistic, considering the evolutionary processes of erosion under the impact of the mechanics of repetition. The new global perspective also reveals a sedimented Christological imaginary (a parallel in contemporary Portuguese lyricism) under the guise of burlesque. There is also a review of the genealogical roots of this poetry, located in the work of Francisco de Quevedo, which is of special interest for the knowledge of peninsular poetry. |
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A Beleza retocada ou a erosão da formaLiteraturaLiteratureIn this work we study the complete work of the Portuguese poet José Emílio-Nelson (b. 1948). Transgressor, anticlerical and marginal, cult author until the end of the 20th century, he knew the consecration as a satirical poet and I practiced an own aesthetic with the collection of his poetry in 2004. However, the joint edition of all the poetry in BelezaTocada (2015) caused retroactive effects that require a revaluation of the functionality of beauty and ugliness artistic, considering the evolutionary processes of erosion under the impact of the mechanics of repetition. The new global perspective also reveals a sedimented Christological imaginary (a parallel in contemporary Portuguese lyricism) under the guise of burlesque. There is also a review of the genealogical roots of this poetry, located in the work of Francisco de Quevedo, which is of special interest for the knowledge of peninsular poetry.20212021-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/132228por0213-4381Carlos, Luís Adrianoinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-07-26T14:29:10ZPortal AgregadorONG |
dc.title.none.fl_str_mv |
A Beleza retocada ou a erosão da forma |
title |
A Beleza retocada ou a erosão da forma |
spellingShingle |
A Beleza retocada ou a erosão da forma Carlos, Luís Adriano Literatura Literature |
title_short |
A Beleza retocada ou a erosão da forma |
title_full |
A Beleza retocada ou a erosão da forma |
title_fullStr |
A Beleza retocada ou a erosão da forma |
title_full_unstemmed |
A Beleza retocada ou a erosão da forma |
title_sort |
A Beleza retocada ou a erosão da forma |
author |
Carlos, Luís Adriano |
author_facet |
Carlos, Luís Adriano |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carlos, Luís Adriano |
dc.subject.por.fl_str_mv |
Literatura Literature |
topic |
Literatura Literature |
description |
In this work we study the complete work of the Portuguese poet José Emílio-Nelson (b. 1948). Transgressor, anticlerical and marginal, cult author until the end of the 20th century, he knew the consecration as a satirical poet and I practiced an own aesthetic with the collection of his poetry in 2004. However, the joint edition of all the poetry in BelezaTocada (2015) caused retroactive effects that require a revaluation of the functionality of beauty and ugliness artistic, considering the evolutionary processes of erosion under the impact of the mechanics of repetition. The new global perspective also reveals a sedimented Christological imaginary (a parallel in contemporary Portuguese lyricism) under the guise of burlesque. There is also a review of the genealogical roots of this poetry, located in the work of Francisco de Quevedo, which is of special interest for the knowledge of peninsular poetry. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021 2021-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://hdl.handle.net/10216/132228 |
url |
https://hdl.handle.net/10216/132228 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
0213-4381 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
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openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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1777304221564010496 |