Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X

Detalhes bibliográficos
Autor(a) principal: Portela, Manuel
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/37086
Resumo: This article analyses Fernando Pessoa’s Sonnet X (“As to a child, I talked my heart asleep”) as a modernist parody of the Shakespearean sonnet. The presence of that highly constrained form is clearly recognizable at the level of both versification and language. At the same time, a number of “marked and essential differences” indicate that this poem is not a mere stylistic or thematic imitation of its model. The text’s reflexive reference to the possibilities of splitting and binding sound to sense, on the one hand, and of splitting written self from writing self, on the other, highlight Pessoa’s awareness of a self who is constituted in and through language. Weaving word-as-sound and word-as-sense with self-as- grammatical person, the text becomes the material evidence for the self-inventing and self-deceiving nature of literary activity.
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spelling Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet XFernando PessoaLanguage and SelfParodySonnet FormSound and Sense35 sonnetsThis article analyses Fernando Pessoa’s Sonnet X (“As to a child, I talked my heart asleep”) as a modernist parody of the Shakespearean sonnet. The presence of that highly constrained form is clearly recognizable at the level of both versification and language. At the same time, a number of “marked and essential differences” indicate that this poem is not a mere stylistic or thematic imitation of its model. The text’s reflexive reference to the possibilities of splitting and binding sound to sense, on the one hand, and of splitting written self from writing self, on the other, highlight Pessoa’s awareness of a self who is constituted in and through language. Weaving word-as-sound and word-as-sense with self-as- grammatical person, the text becomes the material evidence for the self-inventing and self-deceiving nature of literary activity.Brown University / Warwick University / Universidad de Los Andes2016-12info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10316/37086http://hdl.handle.net/10316/37086eng2212-4179https://www.brown.edu/Departments/Portuguese_Brazilian_Studies/ejph/pessoaplural/Issue10/PDF/I10A11.pdfPortela, Manuelinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2019-12-03T12:22:10ZPortal AgregadorONG
dc.title.none.fl_str_mv Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
title Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
spellingShingle Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
Portela, Manuel
Fernando Pessoa
Language and Self
Parody
Sonnet Form
Sound and Sense
35 sonnets
title_short Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
title_full Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
title_fullStr Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
title_full_unstemmed Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
title_sort Putting Your Heart to Sleep with Pentameters: A Prosodic, Lexical, and Syntactic Analysis of Fernando Pessoa’s Sonnet X
author Portela, Manuel
author_facet Portela, Manuel
author_role author
dc.contributor.author.fl_str_mv Portela, Manuel
dc.subject.por.fl_str_mv Fernando Pessoa
Language and Self
Parody
Sonnet Form
Sound and Sense
35 sonnets
topic Fernando Pessoa
Language and Self
Parody
Sonnet Form
Sound and Sense
35 sonnets
description This article analyses Fernando Pessoa’s Sonnet X (“As to a child, I talked my heart asleep”) as a modernist parody of the Shakespearean sonnet. The presence of that highly constrained form is clearly recognizable at the level of both versification and language. At the same time, a number of “marked and essential differences” indicate that this poem is not a mere stylistic or thematic imitation of its model. The text’s reflexive reference to the possibilities of splitting and binding sound to sense, on the one hand, and of splitting written self from writing self, on the other, highlight Pessoa’s awareness of a self who is constituted in and through language. Weaving word-as-sound and word-as-sense with self-as- grammatical person, the text becomes the material evidence for the self-inventing and self-deceiving nature of literary activity.
publishDate 2016
dc.date.none.fl_str_mv 2016-12
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/37086
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url http://hdl.handle.net/10316/37086
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2212-4179
https://www.brown.edu/Departments/Portuguese_Brazilian_Studies/ejph/pessoaplural/Issue10/PDF/I10A11.pdf
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dc.publisher.none.fl_str_mv Brown University / Warwick University / Universidad de Los Andes
publisher.none.fl_str_mv Brown University / Warwick University / Universidad de Los Andes
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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instacron_str RCAAP
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reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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