Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | https://doi.org/10.34624/impar.v5i1.24931 |
Resumo: | Teaching and learning tongue articulation are usually done through analogy with phonetics. The syllables used become biomechanical metaphors that depend on subjective and often imprecise interpretations both from the expert who is trying to describe his skill and the novice who is trying to acquire it. In Chapter 8 of Silvestro Ganassi’s 1535 treatise La Fontegara, there is an enigmatic description of an articulation where the movement of the tongue goes from one lip to the other. Since this movement is not present in normal speech, no syllable can be used as a biomechanical metaphor. In our opinion, most interpretations of this chapter have not been satisfactory. We have developed a tonguing technique that, although it does not follow precisely Ganassi’s description, can be seen as an approximation to his apparent intentions. The tongue movement is similar to the one used in the zaghareet, an ululation common in Arabic culture. Two recorded examples of Van Eyck’s variations with 32nd notes are included to illustrate the use of the technique in a musical context. |
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Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’Teaching and learning tongue articulation are usually done through analogy with phonetics. The syllables used become biomechanical metaphors that depend on subjective and often imprecise interpretations both from the expert who is trying to describe his skill and the novice who is trying to acquire it. In Chapter 8 of Silvestro Ganassi’s 1535 treatise La Fontegara, there is an enigmatic description of an articulation where the movement of the tongue goes from one lip to the other. Since this movement is not present in normal speech, no syllable can be used as a biomechanical metaphor. In our opinion, most interpretations of this chapter have not been satisfactory. We have developed a tonguing technique that, although it does not follow precisely Ganassi’s description, can be seen as an approximation to his apparent intentions. The tongue movement is similar to the one used in the zaghareet, an ululation common in Arabic culture. Two recorded examples of Van Eyck’s variations with 32nd notes are included to illustrate the use of the technique in a musical context. UA Editora2022-07-21T00:00:00Zjournal articlejournal articlejournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/impar.v5i1.24931oai:proa.ua.pt:article/24931ÍMPAR: Online Journal for Artistic Research; Vol 5 No 1 (2021): IMPAR Online Journal for artistic research; 34-47ÍMPAR: Online Journal for Artistic Research; Vol. 5 Núm. 1 (2021): IMPAR Online Journal for artistic research; 34-47ÍMPAR: Online Journal for Artistic Research; Vol. 5 No 1 (2021): IMPAR Online Journal for artistic research; 34-47ÍMPAR: Online Journal for Artistic Research; vol. 5 n.º 1 (2021): IMPAR Online Journal for artistic research; 34-472184-199310.34624/impar.v5i1reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://proa.ua.pt/index.php/impar/article/view/24931https://doi.org/10.34624/impar.v5i1.24931https://proa.ua.pt/index.php/impar/article/view/24931/20698Copyright (c) 2021 ÍMPAR: Online Journal for Artistic Researchhttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSoares, Pedro Couto2022-10-09T06:30:15Zoai:proa.ua.pt:article/24931Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:13:43.091205Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
title |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
spellingShingle |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ Soares, Pedro Couto |
title_short |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
title_full |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
title_fullStr |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
title_full_unstemmed |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
title_sort |
Tongue articulation on the Recorder: An interpretation of Ganassi’s ‘Lingua laquale nõ proferisse sillaba niuna’ |
author |
Soares, Pedro Couto |
author_facet |
Soares, Pedro Couto |
author_role |
author |
dc.contributor.author.fl_str_mv |
Soares, Pedro Couto |
description |
Teaching and learning tongue articulation are usually done through analogy with phonetics. The syllables used become biomechanical metaphors that depend on subjective and often imprecise interpretations both from the expert who is trying to describe his skill and the novice who is trying to acquire it. In Chapter 8 of Silvestro Ganassi’s 1535 treatise La Fontegara, there is an enigmatic description of an articulation where the movement of the tongue goes from one lip to the other. Since this movement is not present in normal speech, no syllable can be used as a biomechanical metaphor. In our opinion, most interpretations of this chapter have not been satisfactory. We have developed a tonguing technique that, although it does not follow precisely Ganassi’s description, can be seen as an approximation to his apparent intentions. The tongue movement is similar to the one used in the zaghareet, an ululation common in Arabic culture. Two recorded examples of Van Eyck’s variations with 32nd notes are included to illustrate the use of the technique in a musical context. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-21T00:00:00Z |
dc.type.driver.fl_str_mv |
journal article journal article journal article info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.34624/impar.v5i1.24931 oai:proa.ua.pt:article/24931 |
url |
https://doi.org/10.34624/impar.v5i1.24931 |
identifier_str_mv |
oai:proa.ua.pt:article/24931 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://proa.ua.pt/index.php/impar/article/view/24931 https://doi.org/10.34624/impar.v5i1.24931 https://proa.ua.pt/index.php/impar/article/view/24931/20698 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 ÍMPAR: Online Journal for Artistic Research http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 ÍMPAR: Online Journal for Artistic Research http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UA Editora |
publisher.none.fl_str_mv |
UA Editora |
dc.source.none.fl_str_mv |
ÍMPAR: Online Journal for Artistic Research; Vol 5 No 1 (2021): IMPAR Online Journal for artistic research; 34-47 ÍMPAR: Online Journal for Artistic Research; Vol. 5 Núm. 1 (2021): IMPAR Online Journal for artistic research; 34-47 ÍMPAR: Online Journal for Artistic Research; Vol. 5 No 1 (2021): IMPAR Online Journal for artistic research; 34-47 ÍMPAR: Online Journal for Artistic Research; vol. 5 n.º 1 (2021): IMPAR Online Journal for artistic research; 34-47 2184-1993 10.34624/impar.v5i1 reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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