Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image

Detalhes bibliográficos
Autor(a) principal: Cruz, António João
Data de Publicação: 2014
Outros Autores: Rego, Carla
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.26/49276
Resumo: A Portuguese painting of the 18th century, from the collection of the National Library of Portugal, restored in 1864, was studied with the aim of better understanding the practice of restoration in Portugal in the late 19th and early 20th centuries. Initial observations suggested that it had been subjected to significant changes, due to the existence of an extensive decorative bar at the bottom of the painting and an inscription with calligraphy that seemed to suggest being of the 19th century. However, the scientific study carried out with the use of a set of analytical techniques leads to the conclusion that, essentially, the current image is consistent with the original image, although a thick layer of varnish and several localized repaints were observed. However, the inscription does not seem to be original.
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spelling Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current imagePaintingRestorationHistoryDatingAuthenticityA Portuguese painting of the 18th century, from the collection of the National Library of Portugal, restored in 1864, was studied with the aim of better understanding the practice of restoration in Portugal in the late 19th and early 20th centuries. Initial observations suggested that it had been subjected to significant changes, due to the existence of an extensive decorative bar at the bottom of the painting and an inscription with calligraphy that seemed to suggest being of the 19th century. However, the scientific study carried out with the use of a set of analytical techniques leads to the conclusion that, essentially, the current image is consistent with the original image, although a thick layer of varnish and several localized repaints were observed. However, the inscription does not seem to be original.Repositório ComumCruz, António JoãoRego, Carla2024-01-23T15:58:49Z20142024-01-20T23:15:05Z2014-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.26/49276engcv-prod-4170942-s2.0-84916886267info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-25T15:00:22Zoai:comum.rcaap.pt:10400.26/49276Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:57:05.875545Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
title Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
spellingShingle Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
Cruz, António João
Painting
Restoration
History
Dating
Authenticity
title_short Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
title_full Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
title_fullStr Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
title_full_unstemmed Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
title_sort Scientific study of an 18th century portuguese painting on canvas and their old restoration: PROBLEMS of date and authenticity of the current image
author Cruz, António João
author_facet Cruz, António João
Rego, Carla
author_role author
author2 Rego, Carla
author2_role author
dc.contributor.none.fl_str_mv Repositório Comum
dc.contributor.author.fl_str_mv Cruz, António João
Rego, Carla
dc.subject.por.fl_str_mv Painting
Restoration
History
Dating
Authenticity
topic Painting
Restoration
History
Dating
Authenticity
description A Portuguese painting of the 18th century, from the collection of the National Library of Portugal, restored in 1864, was studied with the aim of better understanding the practice of restoration in Portugal in the late 19th and early 20th centuries. Initial observations suggested that it had been subjected to significant changes, due to the existence of an extensive decorative bar at the bottom of the painting and an inscription with calligraphy that seemed to suggest being of the 19th century. However, the scientific study carried out with the use of a set of analytical techniques leads to the conclusion that, essentially, the current image is consistent with the original image, although a thick layer of varnish and several localized repaints were observed. However, the inscription does not seem to be original.
publishDate 2014
dc.date.none.fl_str_mv 2014
2014-01-01T00:00:00Z
2024-01-23T15:58:49Z
2024-01-20T23:15:05Z
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url http://hdl.handle.net/10400.26/49276
dc.language.iso.fl_str_mv eng
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repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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