Thrice upon a time: how cinema is subverting little red riding hood
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10400.6/4223 |
Resumo: | In recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation. |
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Thrice upon a time: how cinema is subverting little red riding hoodCinematic adaptationSubversionFairy talesPsychoanalysisIn recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation.Associação de Investigadores da Imagem em MovimentouBibliorumMancelos, João de2016-06-30T08:50:59Z20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.6/4223por“Thrice Upon a Time: How Cinema is Subverting Little Red Riding Hood”. Atas do IV Encontro Anual da AIM. Ed. Daniel Ribas e Manuela Penafria. Covilhã: AIM, 2015. 248-258. ISBN: 978-989-98215-2-1.978-989-98215-2-1info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-15T09:40:58Zoai:ubibliorum.ubi.pt:10400.6/4223Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:45:23.669739Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Thrice upon a time: how cinema is subverting little red riding hood |
title |
Thrice upon a time: how cinema is subverting little red riding hood |
spellingShingle |
Thrice upon a time: how cinema is subverting little red riding hood Mancelos, João de Cinematic adaptation Subversion Fairy tales Psychoanalysis |
title_short |
Thrice upon a time: how cinema is subverting little red riding hood |
title_full |
Thrice upon a time: how cinema is subverting little red riding hood |
title_fullStr |
Thrice upon a time: how cinema is subverting little red riding hood |
title_full_unstemmed |
Thrice upon a time: how cinema is subverting little red riding hood |
title_sort |
Thrice upon a time: how cinema is subverting little red riding hood |
author |
Mancelos, João de |
author_facet |
Mancelos, João de |
author_role |
author |
dc.contributor.none.fl_str_mv |
uBibliorum |
dc.contributor.author.fl_str_mv |
Mancelos, João de |
dc.subject.por.fl_str_mv |
Cinematic adaptation Subversion Fairy tales Psychoanalysis |
topic |
Cinematic adaptation Subversion Fairy tales Psychoanalysis |
description |
In recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015 2015-01-01T00:00:00Z 2016-06-30T08:50:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10400.6/4223 |
url |
http://hdl.handle.net/10400.6/4223 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
“Thrice Upon a Time: How Cinema is Subverting Little Red Riding Hood”. Atas do IV Encontro Anual da AIM. Ed. Daniel Ribas e Manuela Penafria. Covilhã: AIM, 2015. 248-258. ISBN: 978-989-98215-2-1. 978-989-98215-2-1 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação de Investigadores da Imagem em Movimento |
publisher.none.fl_str_mv |
Associação de Investigadores da Imagem em Movimento |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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