Thrice upon a time: how cinema is subverting little red riding hood

Detalhes bibliográficos
Autor(a) principal: Mancelos, João de
Data de Publicação: 2015
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10400.6/4223
Resumo: In recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation.
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spelling Thrice upon a time: how cinema is subverting little red riding hoodCinematic adaptationSubversionFairy talesPsychoanalysisIn recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation.Associação de Investigadores da Imagem em MovimentouBibliorumMancelos, João de2016-06-30T08:50:59Z20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10400.6/4223por“Thrice Upon a Time: How Cinema is Subverting Little Red Riding Hood”. Atas do IV Encontro Anual da AIM. Ed. Daniel Ribas e Manuela Penafria. Covilhã: AIM, 2015. 248-258. ISBN: 978-989-98215-2-1.978-989-98215-2-1info:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2023-12-15T09:40:58Zoai:ubibliorum.ubi.pt:10400.6/4223Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T00:45:23.669739Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Thrice upon a time: how cinema is subverting little red riding hood
title Thrice upon a time: how cinema is subverting little red riding hood
spellingShingle Thrice upon a time: how cinema is subverting little red riding hood
Mancelos, João de
Cinematic adaptation
Subversion
Fairy tales
Psychoanalysis
title_short Thrice upon a time: how cinema is subverting little red riding hood
title_full Thrice upon a time: how cinema is subverting little red riding hood
title_fullStr Thrice upon a time: how cinema is subverting little red riding hood
title_full_unstemmed Thrice upon a time: how cinema is subverting little red riding hood
title_sort Thrice upon a time: how cinema is subverting little red riding hood
author Mancelos, João de
author_facet Mancelos, João de
author_role author
dc.contributor.none.fl_str_mv uBibliorum
dc.contributor.author.fl_str_mv Mancelos, João de
dc.subject.por.fl_str_mv Cinematic adaptation
Subversion
Fairy tales
Psychoanalysis
topic Cinematic adaptation
Subversion
Fairy tales
Psychoanalysis
description In recent years, numerous fairy-tales have been adapted into movies. Tommy Wirkola’s Hansel & Gretel: Witch Hunters (2013), Julia Leigh’s Sleeping Beauty (2011), Daniel Barnz’s Beastly (2011), Tim Burton’s Alice in Wonderland (2010) are among the most notorious examples. In this paper, I will concentrate solely on three particular adaptations, reinventions or subversions of one of the most celebrated stories in the European folklore: Little Red Riding Hood. I will examine Neil Jordan’s The Company of Wolves (1984), Catherine Hardwicke’s Red Riding Hood (2011), and David Slade’s Hard Candy (2005). My main objective is to explore the psychoanalytical, artistic and social reasons underneath this phenomenon. In order to do so, I resort to the opinion of several specialists in psychoanalysis and cinematic adaptation.
publishDate 2015
dc.date.none.fl_str_mv 2015
2015-01-01T00:00:00Z
2016-06-30T08:50:59Z
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10400.6/4223
url http://hdl.handle.net/10400.6/4223
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv “Thrice Upon a Time: How Cinema is Subverting Little Red Riding Hood”. Atas do IV Encontro Anual da AIM. Ed. Daniel Ribas e Manuela Penafria. Covilhã: AIM, 2015. 248-258. ISBN: 978-989-98215-2-1.
978-989-98215-2-1
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dc.publisher.none.fl_str_mv Associação de Investigadores da Imagem em Movimento
publisher.none.fl_str_mv Associação de Investigadores da Imagem em Movimento
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