Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)

Detalhes bibliográficos
Autor(a) principal: Helvaci, Y
Data de Publicação: 2016
Outros Autores: Dias, L, Manhita, A, Martins, S, Cardoso, A, Candeias, A, Gil, M
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10174/20804
https://doi.org/10.1002/col.22040
Resumo: This article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloy
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spelling Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)pigmentsoverpainttechnical photographyvis-spectrometrySEM-EDSThis article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloyWiley2017-03-10T16:48:41Z2017-03-102016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/20804http://hdl.handle.net/10174/20804https://doi.org/10.1002/col.22040porY.Z. Helvaci, L. Dias, A. Manhita, S. Martins, A. Cardoso, A. Candeias, M. Gil (2016) Tracking old and new colors: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal). Color Research and Application, 41, 276-282. DOI: 10.1002/col.22040ndluisdias@uevora.ptndndndcandeias@uevora.ptnd739Helvaci, YDias, LManhita, AMartins, SCardoso, ACandeias, AGil, Minfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:10:56Zoai:dspace.uevora.pt:10174/20804Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:12:11.315214Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
title Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
spellingShingle Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
Helvaci, Y
pigments
overpaint
technical photography
vis-spectrometry
SEM-EDS
title_short Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
title_full Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
title_fullStr Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
title_full_unstemmed Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
title_sort Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
author Helvaci, Y
author_facet Helvaci, Y
Dias, L
Manhita, A
Martins, S
Cardoso, A
Candeias, A
Gil, M
author_role author
author2 Dias, L
Manhita, A
Martins, S
Cardoso, A
Candeias, A
Gil, M
author2_role author
author
author
author
author
author
dc.contributor.author.fl_str_mv Helvaci, Y
Dias, L
Manhita, A
Martins, S
Cardoso, A
Candeias, A
Gil, M
dc.subject.por.fl_str_mv pigments
overpaint
technical photography
vis-spectrometry
SEM-EDS
topic pigments
overpaint
technical photography
vis-spectrometry
SEM-EDS
description This article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloy
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01T00:00:00Z
2017-03-10T16:48:41Z
2017-03-10
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10174/20804
http://hdl.handle.net/10174/20804
https://doi.org/10.1002/col.22040
url http://hdl.handle.net/10174/20804
https://doi.org/10.1002/col.22040
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv Y.Z. Helvaci, L. Dias, A. Manhita, S. Martins, A. Cardoso, A. Candeias, M. Gil (2016) Tracking old and new colors: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal). Color Research and Application, 41, 276-282. DOI: 10.1002/col.22040
nd
luisdias@uevora.pt
nd
nd
nd
candeias@uevora.pt
nd
739
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Wiley
publisher.none.fl_str_mv Wiley
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
repository.mail.fl_str_mv
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