Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Outros Autores: | , , , , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10174/20804 https://doi.org/10.1002/col.22040 |
Resumo: | This article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloy |
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Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal)pigmentsoverpainttechnical photographyvis-spectrometrySEM-EDSThis article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloyWiley2017-03-10T16:48:41Z2017-03-102016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://hdl.handle.net/10174/20804http://hdl.handle.net/10174/20804https://doi.org/10.1002/col.22040porY.Z. Helvaci, L. Dias, A. Manhita, S. Martins, A. Cardoso, A. Candeias, M. Gil (2016) Tracking old and new colors: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal). Color Research and Application, 41, 276-282. DOI: 10.1002/col.22040ndluisdias@uevora.ptndndndcandeias@uevora.ptnd739Helvaci, YDias, LManhita, AMartins, SCardoso, ACandeias, AGil, Minfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2024-01-03T19:10:56Zoai:dspace.uevora.pt:10174/20804Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-20T01:12:11.315214Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse |
dc.title.none.fl_str_mv |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
title |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
spellingShingle |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) Helvaci, Y pigments overpaint technical photography vis-spectrometry SEM-EDS |
title_short |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
title_full |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
title_fullStr |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
title_full_unstemmed |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
title_sort |
Tracking old and new colours: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal) |
author |
Helvaci, Y |
author_facet |
Helvaci, Y Dias, L Manhita, A Martins, S Cardoso, A Candeias, A Gil, M |
author_role |
author |
author2 |
Dias, L Manhita, A Martins, S Cardoso, A Candeias, A Gil, M |
author2_role |
author author author author author author |
dc.contributor.author.fl_str_mv |
Helvaci, Y Dias, L Manhita, A Martins, S Cardoso, A Candeias, A Gil, M |
dc.subject.por.fl_str_mv |
pigments overpaint technical photography vis-spectrometry SEM-EDS |
topic |
pigments overpaint technical photography vis-spectrometry SEM-EDS |
description |
This article describes the results of a multi-analytical research carried out on the mural paintingsfromEvora Cathedral, one of the oldest and most promi-nent monuments ofEvora city. The paintings were a late16th Century addition to the cathedral’s northern tran-sept chapel and are attributed to the painter JosedeEscovar, whose painting workshop was remarkably activein the so-called golden age of mural pai ntings in south-ern Portugal. The aim of the study was to reconstruct thepaintings’ life story through a material s science perspec-tive by discerning the material characteristics of the orig-inal and overpaint campaigns. The analytical setupcomprised technical photography (TP) in the visible andUV light, Vis-Spectrophotometry, optical microsc opy(OM) complemented with scanning electron microscopywith energy dispersive X-ray spectrometry (SEM-EDS),micro Fourier transform infrared spectrometry (mFT-IR)and pyrolysis–gas chromatography (Py-GC/MS) analysesof the collected samples. Results show that the originalpaint layers were executed with a combination of frescoand secco techniques, using a very simple chromatic pal-ette composed of earth pigments, mercury sulphide, cal-cium carbonate and green copper based pigments. Thepaintings were heavily retouched and overpainted usingearth pigments, smalt, Prussian blue, zinc white and leadwhite. Furthermo re, the analyses of the cross-sectionstaken from the stuccoed frames revealed a first decora-tive campaign made with gold and silver alloy |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-01-01T00:00:00Z 2017-03-10T16:48:41Z 2017-03-10 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10174/20804 http://hdl.handle.net/10174/20804 https://doi.org/10.1002/col.22040 |
url |
http://hdl.handle.net/10174/20804 https://doi.org/10.1002/col.22040 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
Y.Z. Helvaci, L. Dias, A. Manhita, S. Martins, A. Cardoso, A. Candeias, M. Gil (2016) Tracking old and new colors: Material study of 16th century mural paintings from Évora Cathedral (Southern Portugal). Color Research and Application, 41, 276-282. DOI: 10.1002/col.22040 nd luisdias@uevora.pt nd nd nd candeias@uevora.pt nd 739 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Wiley |
publisher.none.fl_str_mv |
Wiley |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
instname_str |
Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
instacron_str |
RCAAP |
institution |
RCAAP |
reponame_str |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
collection |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
repository.name.fl_str_mv |
Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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1799136604009267200 |