The LdoD Archive as a creative textual environment and a model of literary performativity

Detalhes bibliográficos
Autor(a) principal: Portela, Manuel
Data de Publicação: 2019
Tipo de documento: Relatório
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: http://hdl.handle.net/10316/101220
https://doi.org/10.4230/DagRep.9.4.87
Resumo: This report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions.
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spelling The LdoD Archive as a creative textual environment and a model of literary performativityComputational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172)computational creativity; computational narrativity; digital humanities; digital literary studies; storytellingThis report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions.Leibniz-Zentrum für Informatik GmbHLeibniz-Zentrum für Informatik GmbH2019-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/reporthttp://hdl.handle.net/10316/101220http://hdl.handle.net/10316/101220https://doi.org/10.4230/DagRep.9.4.87eng"The LdoD Archive as a creative textual environment and a model of literary performativity" in Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172), eds. Tarek Richard Besold, Pablo Gervás, Evelyn Gius, and Sarah Schulz, Dagstuhl Reports, 9.4 (2019): 98-99.66655760https://drops.dagstuhl.de/opus/volltexte/2019/11305/http://drops.dagstuhl.de/opus/volltexte/2019/11305/66655760https://drops.dagstuhl.de/opus/volltexte/2019/11305/Portela, Manuelinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-08-17T23:02:19ZPortal AgregadorONG
dc.title.none.fl_str_mv The LdoD Archive as a creative textual environment and a model of literary performativity
Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172)
title The LdoD Archive as a creative textual environment and a model of literary performativity
spellingShingle The LdoD Archive as a creative textual environment and a model of literary performativity
Portela, Manuel
computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling
title_short The LdoD Archive as a creative textual environment and a model of literary performativity
title_full The LdoD Archive as a creative textual environment and a model of literary performativity
title_fullStr The LdoD Archive as a creative textual environment and a model of literary performativity
title_full_unstemmed The LdoD Archive as a creative textual environment and a model of literary performativity
title_sort The LdoD Archive as a creative textual environment and a model of literary performativity
author Portela, Manuel
author_facet Portela, Manuel
author_role author
dc.contributor.author.fl_str_mv Portela, Manuel
dc.subject.por.fl_str_mv computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling
topic computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling
description This report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions.
publishDate 2019
dc.date.none.fl_str_mv 2019-09-30
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/report
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10316/101220
http://hdl.handle.net/10316/101220
https://doi.org/10.4230/DagRep.9.4.87
url http://hdl.handle.net/10316/101220
https://doi.org/10.4230/DagRep.9.4.87
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv "The LdoD Archive as a creative textual environment and a model of literary performativity" in Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172), eds. Tarek Richard Besold, Pablo Gervás, Evelyn Gius, and Sarah Schulz, Dagstuhl Reports, 9.4 (2019): 98-99.
66655760
https://drops.dagstuhl.de/opus/volltexte/2019/11305/
http://drops.dagstuhl.de/opus/volltexte/2019/11305/
66655760
https://drops.dagstuhl.de/opus/volltexte/2019/11305/
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Leibniz-Zentrum für Informatik GmbH
publisher.none.fl_str_mv Leibniz-Zentrum für Informatik GmbH
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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