The LdoD Archive as a creative textual environment and a model of literary performativity
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Relatório |
Idioma: | eng |
Título da fonte: | Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
Texto Completo: | http://hdl.handle.net/10316/101220 https://doi.org/10.4230/DagRep.9.4.87 |
Resumo: | This report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions. |
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The LdoD Archive as a creative textual environment and a model of literary performativityComputational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172)computational creativity; computational narrativity; digital humanities; digital literary studies; storytellingThis report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions.Leibniz-Zentrum für Informatik GmbHLeibniz-Zentrum für Informatik GmbH2019-09-30info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/reporthttp://hdl.handle.net/10316/101220http://hdl.handle.net/10316/101220https://doi.org/10.4230/DagRep.9.4.87eng"The LdoD Archive as a creative textual environment and a model of literary performativity" in Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172), eds. Tarek Richard Besold, Pablo Gervás, Evelyn Gius, and Sarah Schulz, Dagstuhl Reports, 9.4 (2019): 98-99.66655760https://drops.dagstuhl.de/opus/volltexte/2019/11305/http://drops.dagstuhl.de/opus/volltexte/2019/11305/66655760https://drops.dagstuhl.de/opus/volltexte/2019/11305/Portela, Manuelinfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-08-17T23:02:19ZPortal AgregadorONG |
dc.title.none.fl_str_mv |
The LdoD Archive as a creative textual environment and a model of literary performativity Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172) |
title |
The LdoD Archive as a creative textual environment and a model of literary performativity |
spellingShingle |
The LdoD Archive as a creative textual environment and a model of literary performativity Portela, Manuel computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling |
title_short |
The LdoD Archive as a creative textual environment and a model of literary performativity |
title_full |
The LdoD Archive as a creative textual environment and a model of literary performativity |
title_fullStr |
The LdoD Archive as a creative textual environment and a model of literary performativity |
title_full_unstemmed |
The LdoD Archive as a creative textual environment and a model of literary performativity |
title_sort |
The LdoD Archive as a creative textual environment and a model of literary performativity |
author |
Portela, Manuel |
author_facet |
Portela, Manuel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Portela, Manuel |
dc.subject.por.fl_str_mv |
computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling |
topic |
computational creativity; computational narrativity; digital humanities; digital literary studies; storytelling |
description |
This report documents the outcomes of Dagstuhl Seminar 19172 "Computational Creativity Meets Digital Literary Studies", held from April 22 to April 25, 2019. Computational Creativity and Digital Humanities are emerging, interdisciplinary fields still experiencing significant growth and development in terms of community, research questions, methods, and approaches. Computational Storytelling as a prominent subfield within Computational Creativity that has mostly focused on planning stories - thus simulating a logically coherent plot - could fruitfully extend its horizon to narrative concepts like narrative style, chronology of narratives, focalization and perspective. These narratological concepts have been investigated by literary scholars for a long time. Yet, operationalization of these concepts is required when used as the basis for computational modelling. This in turn sharpens the definitions of theoretical considerations and can feed back into theoretical discussions in the literary studies. Moreover, there are obvious connection points between Computational Creativity and Natural Language Processing on the one hand, and between Natural Language Processing and Digital Literary Studies on the other hand. However, these connections currently are not transitive. The goal of the seminar was to establish international links between all three disciplines and among involved researchers through presentations by participants and extensive group-work sessions. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-09-30 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/report |
format |
report |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10316/101220 http://hdl.handle.net/10316/101220 https://doi.org/10.4230/DagRep.9.4.87 |
url |
http://hdl.handle.net/10316/101220 https://doi.org/10.4230/DagRep.9.4.87 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
"The LdoD Archive as a creative textual environment and a model of literary performativity" in Computational Creativity Meets Digital Literary Studies (Report from Dagstuhl Seminar 19172), eds. Tarek Richard Besold, Pablo Gervás, Evelyn Gius, and Sarah Schulz, Dagstuhl Reports, 9.4 (2019): 98-99. 66655760 https://drops.dagstuhl.de/opus/volltexte/2019/11305/ http://drops.dagstuhl.de/opus/volltexte/2019/11305/ 66655760 https://drops.dagstuhl.de/opus/volltexte/2019/11305/ |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Leibniz-Zentrum für Informatik GmbH |
publisher.none.fl_str_mv |
Leibniz-Zentrum für Informatik GmbH |
dc.source.none.fl_str_mv |
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação instacron:RCAAP |
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Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação |
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RCAAP |
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RCAAP |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) |
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