Commemorative monuments in Rome (1870-1911)

Detalhes bibliográficos
Autor(a) principal: Chaves, Miguel-Ángel
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.48619/cap.v2i2.342
Resumo: In 1870 Rome became part of the unified kingdom of Italy, becoming from that moment the capital of the new State. The city entered a new phase of its history that historiography has called the “Terza Roma” (Third Rome), or “Roma Capitale”, to differentiate it from the “Prima Rome” (the First Rome, the Rome of the Caesars) and the “Seconda Roma” (the Second Rome, the Rome of the Popes). While the first two always had the prominence proper to their importance in the history of architecture and urban planning, the new Roma Capitale also builds its image through a complete and perfectly planned programme of actions, among which the proliferation of commemorative monuments in the public space stands out, with which to contribute to the construction of the image of modern Rome. The permanence in time of these values, and also of their transformations, appreciation and new meanings, enrich and update the relationships between art, heritage, city and communication.
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spelling Commemorative monuments in Rome (1870-1911)In 1870 Rome became part of the unified kingdom of Italy, becoming from that moment the capital of the new State. The city entered a new phase of its history that historiography has called the “Terza Roma” (Third Rome), or “Roma Capitale”, to differentiate it from the “Prima Rome” (the First Rome, the Rome of the Caesars) and the “Seconda Roma” (the Second Rome, the Rome of the Popes). While the first two always had the prominence proper to their importance in the history of architecture and urban planning, the new Roma Capitale also builds its image through a complete and perfectly planned programme of actions, among which the proliferation of commemorative monuments in the public space stands out, with which to contribute to the construction of the image of modern Rome. The permanence in time of these values, and also of their transformations, appreciation and new meanings, enrich and update the relationships between art, heritage, city and communication.Urbancreativity.org2020-12-30T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://doi.org/10.48619/cap.v2i2.342oai:journals.ap2.pt:article/342CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 105 - 118Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 105 - 118CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 105 - 1182184-6197reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPenghttps://journals.ap2.pt/index.php/CAP/article/view/342https://doi.org/10.48619/cap.v2i2.342https://journals.ap2.pt/index.php/CAP/article/view/342/214Chaves, Miguel-Ángelinfo:eu-repo/semantics/openAccess2022-09-20T11:04:26Zoai:journals.ap2.pt:article/342Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:48:59.415738Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Commemorative monuments in Rome (1870-1911)
title Commemorative monuments in Rome (1870-1911)
spellingShingle Commemorative monuments in Rome (1870-1911)
Chaves, Miguel-Ángel
title_short Commemorative monuments in Rome (1870-1911)
title_full Commemorative monuments in Rome (1870-1911)
title_fullStr Commemorative monuments in Rome (1870-1911)
title_full_unstemmed Commemorative monuments in Rome (1870-1911)
title_sort Commemorative monuments in Rome (1870-1911)
author Chaves, Miguel-Ángel
author_facet Chaves, Miguel-Ángel
author_role author
dc.contributor.author.fl_str_mv Chaves, Miguel-Ángel
description In 1870 Rome became part of the unified kingdom of Italy, becoming from that moment the capital of the new State. The city entered a new phase of its history that historiography has called the “Terza Roma” (Third Rome), or “Roma Capitale”, to differentiate it from the “Prima Rome” (the First Rome, the Rome of the Caesars) and the “Seconda Roma” (the Second Rome, the Rome of the Popes). While the first two always had the prominence proper to their importance in the history of architecture and urban planning, the new Roma Capitale also builds its image through a complete and perfectly planned programme of actions, among which the proliferation of commemorative monuments in the public space stands out, with which to contribute to the construction of the image of modern Rome. The permanence in time of these values, and also of their transformations, appreciation and new meanings, enrich and update the relationships between art, heritage, city and communication.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-30T00:00:00Z
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dc.relation.none.fl_str_mv https://journals.ap2.pt/index.php/CAP/article/view/342
https://doi.org/10.48619/cap.v2i2.342
https://journals.ap2.pt/index.php/CAP/article/view/342/214
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dc.publisher.none.fl_str_mv Urbancreativity.org
publisher.none.fl_str_mv Urbancreativity.org
dc.source.none.fl_str_mv CAP - Public Art Journal; Vol 2 No 2 (2020): Public Art Research, aims and networks; 105 - 118
Cadernos de Arte Pública; v. 2 n. 2 (2020): Public Art Research, aims and networks; 105 - 118
CAP - Cadernos de Arte Pública / Public Art Journal; v. 2 n. 2 (2020): Public Art Research, aims and networks; 105 - 118
2184-6197
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