The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17

Detalhes bibliográficos
Autor(a) principal: Carvalho, Sara
Data de Publicação: 2019
Outros Autores: Lopes, Filipe, Hiney, Aoife
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34624/impar.v2i1.814
Resumo: In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA), organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker. Dai Fujikura was interviewed by Sara Carvalho and Filipe Lopes in relation to the project with which he is involved in Japan, namely a composition project for children in Fukushima, Japan. The following interview discusses Dai Fujikura’s own work as a composer and his experiences with the Fukushima project for child composers.
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spelling The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA), organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker. Dai Fujikura was interviewed by Sara Carvalho and Filipe Lopes in relation to the project with which he is involved in Japan, namely a composition project for children in Fukushima, Japan. The following interview discusses Dai Fujikura’s own work as a composer and his experiences with the Fukushima project for child composers.In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA), organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker. Dai Fujikura was interviewed by Sara Carvalho and Filipe Lopes in relation to the project with which he is involved in Japan, namely a composition project for children in Fukushima, Japan. The following interview discusses Dai Fujikura’s own work as a composer and his experiences with the Fukushima project for child composers.UA Editora2019-03-08T00:00:00Zotherotherinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/otherinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34624/impar.v2i1.814oai:proa.ua.pt:article/814ÍMPAR: Online Journal for Artistic Research; Vol 2 No 1 (2018); 63-71ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 1 (2018); 63-71ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 1 (2018); 63-71ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 1 (2018); 63-712184-1993reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://proa.ua.pt/index.php/impar/article/view/814https://doi.org/10.34624/impar.v2i1.814https://proa.ua.pt/index.php/impar/article/view/814/952https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessCarvalho, SaraLopes, FilipeHiney, Aoife2022-09-05T15:22:16Zoai:proa.ua.pt:article/814Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:13:41.378615Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
title The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
spellingShingle The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
Carvalho, Sara
title_short The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
title_full The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
title_fullStr The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
title_full_unstemmed The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
title_sort The Fukushima project for child composers: an interview with Dai Fujikura at Muschildren’17
author Carvalho, Sara
author_facet Carvalho, Sara
Lopes, Filipe
Hiney, Aoife
author_role author
author2 Lopes, Filipe
Hiney, Aoife
author2_role author
author
dc.contributor.author.fl_str_mv Carvalho, Sara
Lopes, Filipe
Hiney, Aoife
description In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA), organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker. Dai Fujikura was interviewed by Sara Carvalho and Filipe Lopes in relation to the project with which he is involved in Japan, namely a composition project for children in Fukushima, Japan. The following interview discusses Dai Fujikura’s own work as a composer and his experiences with the Fukushima project for child composers.
publishDate 2019
dc.date.none.fl_str_mv 2019-03-08T00:00:00Z
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dc.identifier.uri.fl_str_mv https://doi.org/10.34624/impar.v2i1.814
oai:proa.ua.pt:article/814
url https://doi.org/10.34624/impar.v2i1.814
identifier_str_mv oai:proa.ua.pt:article/814
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://proa.ua.pt/index.php/impar/article/view/814
https://doi.org/10.34624/impar.v2i1.814
https://proa.ua.pt/index.php/impar/article/view/814/952
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0/
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dc.publisher.none.fl_str_mv UA Editora
publisher.none.fl_str_mv UA Editora
dc.source.none.fl_str_mv ÍMPAR: Online Journal for Artistic Research; Vol 2 No 1 (2018); 63-71
ÍMPAR: Online Journal for Artistic Research; Vol. 2 Núm. 1 (2018); 63-71
ÍMPAR: Online Journal for Artistic Research; Vol. 2 No 1 (2018); 63-71
ÍMPAR: Online Journal for Artistic Research; vol. 2 n.º 1 (2018); 63-71
2184-1993
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