A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música
Autor(a) principal: | |
---|---|
Data de Publicação: | 2013 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações da UNISANTOS |
Texto Completo: | https://tede.unisantos.br/handle/tede/1222 |
Resumo: | This paper intends to discuss perceptions/social representations of the teachers-students of Pedagogy/Parfor about teaching music. Starts from the premise that the knowledge acquired in the area of training and performance of these subjects can make the process of teaching and learning significant. Regarding, in this case, the teaching of music, which, from the Law 11.769/08 (BRAZIL, 2008), became mandatory content in the curriculum. The research is based on Moscovici (1978), insofar as his theory of social representations (TRS) contributes to the analysis of the collected data, namely, to support the perceptions /social representations of these subjects about teaching music. Also, authors like Brito (2003), Bastian (2010), among others, gave support to the questions surrounding the teaching of music. And authors like Nóvoa (1992), Abdalla (2006, 2008, 2009) and Tardif (2012) contribute to support the analysis of data relevant to teacher training. Regarding methodological procedures, the research was done in three stages. The first was a questionnaire to 43 research subjects with closed questions, open and evocation next to the greater integrated project to the International Social Representations - CIERS-Ed/FCC; noting, however, that this study only data were considered profile of these subjects. Second, we conducted a Focal Group with eight (8) teachers-students, and, in the third phase, semi-structured interviews were conducted with four (4) participants of the previous phases, going deep into the theme in question. We pointed the analysis¿s dimensions: historical-normative, as it took into account the teaching of music in the context of the history of Brazilian education and the implementation of Parfor;-professional- training in the pedagogical training in music and teaching music of the teachers-students reveal their perceptions / social representations about teaching music. The results point to difficulties in the training of these teachers-students in Pedagogy/Parfor related to the teaching music, and, consequently, to the difficulties of being developed more elaborate musical activities in their workplaces. The music is introduced into the work environment of teachers-students through musical activities incorporated in the playtime. The ludic contributes, according to these research subjects, for the children¿s musical development. |
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Abdalla, Maria de Fátima Barbosahttp://lattes.cnpq.br/7099315868609771Abdalla, Maria de Fátima BarbosaAmbrogi, Ingrid HötteMartins, Maria Angélica Rodrigues249.303.278-06http://lattes.cnpq.br/4252070989031998Salgado, Thais Moura de Oliveira2015-04-24T19:31:20Z2013-11-25SALGADO, Thaís Moura de Oliveira. A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música. 2013. 203 f. Dissertação (mestrado) - Universidade Católica de Santos, Santos, 2013.https://tede.unisantos.br/handle/tede/1222This paper intends to discuss perceptions/social representations of the teachers-students of Pedagogy/Parfor about teaching music. Starts from the premise that the knowledge acquired in the area of training and performance of these subjects can make the process of teaching and learning significant. Regarding, in this case, the teaching of music, which, from the Law 11.769/08 (BRAZIL, 2008), became mandatory content in the curriculum. The research is based on Moscovici (1978), insofar as his theory of social representations (TRS) contributes to the analysis of the collected data, namely, to support the perceptions /social representations of these subjects about teaching music. Also, authors like Brito (2003), Bastian (2010), among others, gave support to the questions surrounding the teaching of music. And authors like Nóvoa (1992), Abdalla (2006, 2008, 2009) and Tardif (2012) contribute to support the analysis of data relevant to teacher training. Regarding methodological procedures, the research was done in three stages. The first was a questionnaire to 43 research subjects with closed questions, open and evocation next to the greater integrated project to the International Social Representations - CIERS-Ed/FCC; noting, however, that this study only data were considered profile of these subjects. Second, we conducted a Focal Group with eight (8) teachers-students, and, in the third phase, semi-structured interviews were conducted with four (4) participants of the previous phases, going deep into the theme in question. We pointed the analysis¿s dimensions: historical-normative, as it took into account the teaching of music in the context of the history of Brazilian education and the implementation of Parfor;-professional- training in the pedagogical training in music and teaching music of the teachers-students reveal their perceptions / social representations about teaching music. The results point to difficulties in the training of these teachers-students in Pedagogy/Parfor related to the teaching music, and, consequently, to the difficulties of being developed more elaborate musical activities in their workplaces. The music is introduced into the work environment of teachers-students through musical activities incorporated in the playtime. The ludic contributes, according to these research subjects, for the children¿s musical development.Este trabalho pretende refletir sobre as percepções e/ou representações sociais das professoras-estudantes da Pedagogia/Parfor sobre o ensino de Música. Parte-se do pressuposto de que o conhecimento que se adquire no campo da formação e da atuação destes sujeitos, pode tornar significativo o processo de ensino e aprendizagem. Trata-se, neste caso, do ensino de Música, que, a partir da Lei 11.769/08 (BRASIL, 2008), tornou-se conteúdo obrigatório no currículo. A pesquisa se fundamenta em Moscovici (1978), na medida em que sua teoria das representações sociais (TRS) contribui para a análise dos dados coletados, ou seja, para fundamentar as percepções/representações destes sujeitos sobre o ensino de Música. Também, autores como Brito (2003), Bastian (2010), entre outros, deram suporte às questões em torno do ensino de Música. E autores como Nóvoa (1992), Abdalla (2006; 2008; 2009) e Tardif (2012) contribuem para fundamentar a análise dos dados pertinentes à formação de professores. Em relação aos procedimentos metodológicos, a pesquisa se desenvolveu em três etapas. Na primeira foi aplicado um questionário para 43 sujeitos da pesquisa, com questões fechadas, abertas e de evocação junto ao projeto maior integrado ao Centro Internacional de Representações Sociais ¿ CIERS-Ed/FCC; observando-se, porém, que, nesta pesquisa, só foram considerados os dados de perfil destes sujeitos. Na segunda, foi realizado um Grupo Focal com oito (8) professoras-estudantes; e, na terceira fase, foram realizadas entrevistas semiestruturadas com quatro (4) participantes das fases anteriores, aprofundando-se a temática em questão. Apontamos as dimensões de análise: histórico-normativa, em que se levou em conta o ensino de Música no contexto de história da educação brasileira e a implementação do Parfor; formativo-profissional, em que a formação pedagógica em Música e a didática musical das professoras-estudantes nos revelam suas percepções/representações sociais sobre o ensino de Música. Os resultados apontam para as dificuldades na formação destas professoras-estudantes na Pedagogia/Parfor referentes ao ensino de Música, e, consequentemente, para as dificuldades de serem desenvolvidas atividades musicais mais elaboradas em seus ambientes de trabalho. A Música é introduzida no ambiente de trabalho das professoras¿estudantes por meio de atividades musicais incorporadas às brincadeiras. O lúdico, assim, contribui, segundo estes sujeitos de pesquisa, para o desenvolvimento musical das crianças.application/pdfporUniversidade Católica de SantosMestrado em EducaçãoCatólica de SantosBrasilCentro de Ciências da Educação e ComunicaçãoSALGADO, Thaís Moura de Oliveira. A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música. 2013. 203 f. Dissertação (mestrado) - Universidade Católica de Santos, Santos, 2013.formação de professores; pedagogia/parfor; ensino de música nas escolastraining of teachers; pedagogy/parfor; music education in schoolsCIENCIAS HUMANAS::EDUCACAOA formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de músicaThe training of teachers-students of Pedagogy/Parfor and music educationinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da UNISANTOSinstname:Universidade Católica de Santos (UNISANTOS)instacron:UNISANTOSTHUMBNAILThais Moura de Oliveira Salgado.pdf.jpgThais Moura de Oliveira Salgado.pdf.jpgGenerated Thumbnailimage/jpeg1156https://tede.unisantos.br/bitstream/tede/1222/4/Thais%20Moura%20de%20Oliveira%20Salgado.pdf.jpgd485c7c0ad41c0019ed6fcb0ed273c6bMD54LICENSElicense.txtlicense.txttext/plain; charset=utf-82165https://tede.unisantos.br/bitstream/tede/1222/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEXTThais Moura de Oliveira Salgado.pdf.txtThais Moura de Oliveira Salgado.pdf.txtExtracted texttext/plain440851https://tede.unisantos.br/bitstream/tede/1222/3/Thais%20Moura%20de%20Oliveira%20Salgado.pdf.txt5f71a7c7da0251698af16736ad5cb50bMD53ORIGINALThais Moura de Oliveira Salgado.pdfThais Moura de Oliveira Salgado.pdfDissertação_Mestrado em Educaçãoapplication/pdf1434113https://tede.unisantos.br/bitstream/tede/1222/2/Thais%20Moura%20de%20Oliveira%20Salgado.pdfc5849c68b8089f00fcedba1ea228d688MD52tede/12222021-10-04 18:20:16.0oai:tede.unisantos.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://biblioteca.unisantos.br:8181/http://biblioteca.unisantos.br:8181/oai/requestmrita.biblio@unisantos.br||mrita.biblio@unisantos.bropendoar:47132021-10-04T21:20:16Biblioteca Digital de Teses e Dissertações da UNISANTOS - Universidade Católica de Santos (UNISANTOS)false |
dc.title.por.fl_str_mv |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
dc.title.alternative.eng.fl_str_mv |
The training of teachers-students of Pedagogy/Parfor and music education |
title |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
spellingShingle |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música Salgado, Thais Moura de Oliveira formação de professores; pedagogia/parfor; ensino de música nas escolas training of teachers; pedagogy/parfor; music education in schools CIENCIAS HUMANAS::EDUCACAO |
title_short |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
title_full |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
title_fullStr |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
title_full_unstemmed |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
title_sort |
A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música |
author |
Salgado, Thais Moura de Oliveira |
author_facet |
Salgado, Thais Moura de Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Abdalla, Maria de Fátima Barbosa |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/7099315868609771 |
dc.contributor.referee1.fl_str_mv |
Abdalla, Maria de Fátima Barbosa |
dc.contributor.referee2.fl_str_mv |
Ambrogi, Ingrid Hötte |
dc.contributor.referee3.fl_str_mv |
Martins, Maria Angélica Rodrigues |
dc.contributor.authorID.fl_str_mv |
249.303.278-06 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4252070989031998 |
dc.contributor.author.fl_str_mv |
Salgado, Thais Moura de Oliveira |
contributor_str_mv |
Abdalla, Maria de Fátima Barbosa Abdalla, Maria de Fátima Barbosa Ambrogi, Ingrid Hötte Martins, Maria Angélica Rodrigues |
dc.subject.por.fl_str_mv |
formação de professores; pedagogia/parfor; ensino de música nas escolas |
topic |
formação de professores; pedagogia/parfor; ensino de música nas escolas training of teachers; pedagogy/parfor; music education in schools CIENCIAS HUMANAS::EDUCACAO |
dc.subject.eng.fl_str_mv |
training of teachers; pedagogy/parfor; music education in schools |
dc.subject.cnpq.fl_str_mv |
CIENCIAS HUMANAS::EDUCACAO |
description |
This paper intends to discuss perceptions/social representations of the teachers-students of Pedagogy/Parfor about teaching music. Starts from the premise that the knowledge acquired in the area of training and performance of these subjects can make the process of teaching and learning significant. Regarding, in this case, the teaching of music, which, from the Law 11.769/08 (BRAZIL, 2008), became mandatory content in the curriculum. The research is based on Moscovici (1978), insofar as his theory of social representations (TRS) contributes to the analysis of the collected data, namely, to support the perceptions /social representations of these subjects about teaching music. Also, authors like Brito (2003), Bastian (2010), among others, gave support to the questions surrounding the teaching of music. And authors like Nóvoa (1992), Abdalla (2006, 2008, 2009) and Tardif (2012) contribute to support the analysis of data relevant to teacher training. Regarding methodological procedures, the research was done in three stages. The first was a questionnaire to 43 research subjects with closed questions, open and evocation next to the greater integrated project to the International Social Representations - CIERS-Ed/FCC; noting, however, that this study only data were considered profile of these subjects. Second, we conducted a Focal Group with eight (8) teachers-students, and, in the third phase, semi-structured interviews were conducted with four (4) participants of the previous phases, going deep into the theme in question. We pointed the analysis¿s dimensions: historical-normative, as it took into account the teaching of music in the context of the history of Brazilian education and the implementation of Parfor;-professional- training in the pedagogical training in music and teaching music of the teachers-students reveal their perceptions / social representations about teaching music. The results point to difficulties in the training of these teachers-students in Pedagogy/Parfor related to the teaching music, and, consequently, to the difficulties of being developed more elaborate musical activities in their workplaces. The music is introduced into the work environment of teachers-students through musical activities incorporated in the playtime. The ludic contributes, according to these research subjects, for the children¿s musical development. |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013-11-25 |
dc.date.accessioned.fl_str_mv |
2015-04-24T19:31:20Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
SALGADO, Thaís Moura de Oliveira. A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música. 2013. 203 f. Dissertação (mestrado) - Universidade Católica de Santos, Santos, 2013. |
dc.identifier.uri.fl_str_mv |
https://tede.unisantos.br/handle/tede/1222 |
identifier_str_mv |
SALGADO, Thaís Moura de Oliveira. A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música. 2013. 203 f. Dissertação (mestrado) - Universidade Católica de Santos, Santos, 2013. |
url |
https://tede.unisantos.br/handle/tede/1222 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.references.por.fl_str_mv |
SALGADO, Thaís Moura de Oliveira. A formação de professoras-estudantes da Pedagogia/PARFOR e o ensino de música. 2013. 203 f. Dissertação (mestrado) - Universidade Católica de Santos, Santos, 2013. |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Católica de Santos |
dc.publisher.program.fl_str_mv |
Mestrado em Educação |
dc.publisher.initials.fl_str_mv |
Católica de Santos |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Centro de Ciências da Educação e Comunicação |
publisher.none.fl_str_mv |
Universidade Católica de Santos |
dc.source.none.fl_str_mv |
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