Mimicking elements of the arts’ system to discuss it?

Detalhes bibliográficos
Autor(a) principal: Nunes, Fabio Oliveira
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Palíndromo (Online)
Texto Completo: https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050
Resumo: Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience.
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spelling Mimicking elements of the arts’ system to discuss it?Mimetizar elementos do sistema das artes para discuti-lo?mimicrycontemporary art digital artmimetismo arte contemporânea arte digital Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience.Artistas contemporâneos, com o intuito de lançar provocações, jogam com regimes de ambiguidade e alteridade em suas produções para discutir elementos do próprio sistema das artes visuais – a figura do artista, o museu, o jornalismo cultural etc. Em diálogo, consideram-se os projetos de artistas como Yuri Firmeza (com seu “artista inventado” Souzousareta Geijutsuka) e Bruno Moreschi (com seu projeto ART BOOK, onde cria uma enciclopédia de arte com 50 artistas ficcionais concebidos por ele).  Neste contexto, a pesquisa envolve o desenvolvimento prático da persona de um “artista tecnológico” – um robô de conversação que se passa por artista atuando ininterruptamente em uma “teleperformance” via Internet –  supostamente instaurando uma relação “direta” entre artista e público.Universidade do Estado de Santa Catarina2014-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.udesc.br/index.php/palindromo/article/view/217523460611201405010.5965/2175234606112014050Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 50 - 63Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 50 - 632175-23461984-9532reponame:Palíndromo (Online)instname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050/3692Copyright (c) 2014 Fabio Oliveira Nuneshttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessNunes, Fabio Oliveira2023-03-24T14:37:35Zoai:ojs.revistas.udesc.br:article/4551Revistahttps://www.revistas.udesc.br/index.php/palindromoPUBhttps://www.revistas.udesc.br/index.php/palindromo/oaipalindromorevista@gmail.com || revistapalindromo@udesc.br2175-23461984-9532opendoar:2023-03-24T14:37:35Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv Mimicking elements of the arts’ system to discuss it?
Mimetizar elementos do sistema das artes para discuti-lo?
title Mimicking elements of the arts’ system to discuss it?
spellingShingle Mimicking elements of the arts’ system to discuss it?
Nunes, Fabio Oliveira
mimicry
contemporary art
digital art
mimetismo
arte contemporânea
arte digital
title_short Mimicking elements of the arts’ system to discuss it?
title_full Mimicking elements of the arts’ system to discuss it?
title_fullStr Mimicking elements of the arts’ system to discuss it?
title_full_unstemmed Mimicking elements of the arts’ system to discuss it?
title_sort Mimicking elements of the arts’ system to discuss it?
author Nunes, Fabio Oliveira
author_facet Nunes, Fabio Oliveira
author_role author
dc.contributor.author.fl_str_mv Nunes, Fabio Oliveira
dc.subject.por.fl_str_mv mimicry
contemporary art
digital art
mimetismo
arte contemporânea
arte digital
topic mimicry
contemporary art
digital art
mimetismo
arte contemporânea
arte digital
description Contemporary artists, aiming launching provocations, play with ambiguity and alterity in their production to discuss elements of the visual arts’ system itself - the figure of the artist, the museum, the cultural journalism, etc. In dialogue, we analyze the projects of artists such as Yuri Firmness (with his “invented artist” Souzousareta Geijutsuka) and Bruno Moreschi (with his project ART BOOK, where he creates an encyclopedia of art with 50 fictional artists designed by him). In this context, the research involves the practical development of the persona of a “technological artist” - a chatbot that pretends to be an artist acting in a “teleperformance” on the Internet - supposedly introducing a “direct” relationship between artist and audience.
publishDate 2014
dc.date.none.fl_str_mv 2014-07-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050
10.5965/2175234606112014050
url https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050
identifier_str_mv 10.5965/2175234606112014050
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/palindromo/article/view/2175234606112014050/3692
dc.rights.driver.fl_str_mv Copyright (c) 2014 Fabio Oliveira Nunes
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Fabio Oliveira Nunes
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv Palíndromo; Vol. 6 No. 11 (2014): Palíndromo nº11; 50 - 63
Palíndromo; v. 6 n. 11 (2014): Palíndromo nº11; 50 - 63
2175-2346
1984-9532
reponame:Palíndromo (Online)
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str Palíndromo (Online)
collection Palíndromo (Online)
repository.name.fl_str_mv Palíndromo (Online) - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv palindromorevista@gmail.com || revistapalindromo@udesc.br
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