Neon Bull: fashion as metaphor of the contemporary andsensitive experience
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Data de Publicação: | 2019 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ModaPalavra e-periódico |
Texto Completo: | https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264 |
Resumo: | Based on the Brazilian feature film Neon Bull (2015), directed by GabrielMascaro, the present article aims to understand the dimensions of the identity of thecontemporary subject, through the character Iremar. Thus, a discussion is openedbetween the contemporary, the sensitive and the fashion, under the interpretations ofthe authors Giorgio Agamben and Emanuele Coccia. The result of theresearchcomes from the concepts and the microanalysis of four scenes examined throughthe methodology of filmic analysis of the image, according to Jacques Aumont andMichel Marie. It was possible to verify that the narrative of the work in analysis in thereferring one to the contemporary world, the sensations and ruptures of stereotypesand paradigms. |
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Neon Bull: fashion as metaphor of the contemporary andsensitive experienceBoi Neon: A Moda como Metáfora do Contemporâneo e Experiência do Sensívelmodafigurinodesign de modacontemporarysensitivefashionBased on the Brazilian feature film Neon Bull (2015), directed by GabrielMascaro, the present article aims to understand the dimensions of the identity of thecontemporary subject, through the character Iremar. Thus, a discussion is openedbetween the contemporary, the sensitive and the fashion, under the interpretations ofthe authors Giorgio Agamben and Emanuele Coccia. The result of theresearchcomes from the concepts and the microanalysis of four scenes examined throughthe methodology of filmic analysis of the image, according to Jacques Aumont andMichel Marie. It was possible to verify that the narrative of the work in analysis in thereferring one to the contemporary world, the sensations and ruptures of stereotypesand paradigms.A partir do loga-metragem brasileiro, Boi Neon (2006), dirigido por Gabriel Mascaro, este presente artigo tem como objetivo compreender as implicações da temporalidade na experiência estética e sensível da moda e como a mesma se expressa como metáfora do contemporâneo, sob a perspectiva dos autores Giorgio Agamben e Emauelle Coccia. A problemática deste estudo busca entender a formação das identidades dos personagens da narrativa e de como tais atributos podem estar relacionados à formação dos sujeitos contemporâneos. O resultado da análise vem do entrecruzamento dos conceitos e das cenas examinadas através da metodologia de análise fílmica. Dessa forma, foi possível constatar que a construção dos personagens nos leva ao mundo contemporâneo, de sensações, quebras de estereótipos e paradigmas.Universidade do Estado de Santa Catarina2019-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/1426410.5965/1982615x12252019209ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-269ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-269 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-2691982-615X10.5965/1982615x12252019reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/14264/10182https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264/10183Copyright (c) 2019 Suellen Cristina Vieira, Alexandre Link Vargashttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessVieira, Suellen CristinaVargas, Alexandre Link2023-03-20T12:21:00Zoai::article/14264Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2023-03-20T12:21ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false |
dc.title.none.fl_str_mv |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience Boi Neon: A Moda como Metáfora do Contemporâneo e Experiência do Sensível |
title |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
spellingShingle |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience Vieira, Suellen Cristina moda figurino design de moda contemporary sensitive fashion |
title_short |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
title_full |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
title_fullStr |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
title_full_unstemmed |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
title_sort |
Neon Bull: fashion as metaphor of the contemporary andsensitive experience |
author |
Vieira, Suellen Cristina |
author_facet |
Vieira, Suellen Cristina Vargas, Alexandre Link |
author_role |
author |
author2 |
Vargas, Alexandre Link |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Vieira, Suellen Cristina Vargas, Alexandre Link |
dc.subject.por.fl_str_mv |
moda figurino design de moda contemporary sensitive fashion |
topic |
moda figurino design de moda contemporary sensitive fashion |
description |
Based on the Brazilian feature film Neon Bull (2015), directed by GabrielMascaro, the present article aims to understand the dimensions of the identity of thecontemporary subject, through the character Iremar. Thus, a discussion is openedbetween the contemporary, the sensitive and the fashion, under the interpretations ofthe authors Giorgio Agamben and Emanuele Coccia. The result of theresearchcomes from the concepts and the microanalysis of four scenes examined throughthe methodology of filmic analysis of the image, according to Jacques Aumont andMichel Marie. It was possible to verify that the narrative of the work in analysis in thereferring one to the contemporary world, the sensations and ruptures of stereotypesand paradigms. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264 10.5965/1982615x12252019209 |
url |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264 |
identifier_str_mv |
10.5965/1982615x12252019209 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264/10182 https://www.revistas.udesc.br/index.php/modapalavra/article/view/14264/10183 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Suellen Cristina Vieira, Alexandre Link Vargas http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Suellen Cristina Vieira, Alexandre Link Vargas http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Estado de Santa Catarina |
dc.source.none.fl_str_mv |
ModaPalavra e-periódico; Vol. 12 No. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-269 ModaPalavra e-periódico; Vol. 12 Núm. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-269 Modapalavra e-periódico; v. 12 n. 25 (2019): Dossiê Moda e Cinema Ibero-Latino-Americano; 209-269 1982-615X 10.5965/1982615x12252019 reponame:ModaPalavra e-periódico instname:Universidade do Estado de Santa Catarina (UDESC) instacron:UDESC |
instname_str |
Universidade do Estado de Santa Catarina (UDESC) |
instacron_str |
UDESC |
institution |
UDESC |
reponame_str |
ModaPalavra e-periódico |
collection |
ModaPalavra e-periódico |
repository.name.fl_str_mv |
ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC) |
repository.mail.fl_str_mv |
||modapalavra@gmail.com |
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1798321055978225664 |