“Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances

Detalhes bibliográficos
Autor(a) principal: Dias, Marlon Santa Maria
Data de Publicação: 2024
Outros Autores: Godoi, Rodrigo Duarte Bueno
Tipo de documento: Artigo
Idioma: por
Título da fonte: ModaPalavra e-periódico
Texto Completo: https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187
Resumo: In this text, we investigate intersections between fashion, emotions, consumption, and performance from media materials collected about the life of Elke Maravilha. German, she arrived in Brazil at the age of six and had a meteoric career, from runway fashion shows to television. A celebrity established in the media scene, Elke drew attention on the runways for her unique style and the way she presented herself in fashion shows. On TV, she was a judge on talent shows and had her own talkshow. The article is methodologically oriented by cartographic studies. We produced, from the constituent sensibilities of Walter Benjamin’s cartographies, four constellations: 1) I want to draw attention; 2) Dionysian priestess; 3) necklace of wonders; 4) Elke in the artificial land. By investigating Elke’s aesthetic and performative dimension, we understand that the way clothes and props were used enabled an elaboration of the self and communicative expression.
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spelling “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances“Por que não posso fazer de mim uma obra de arte?”: elaborações emocionais nas performances de Elke Maravilha“Por que não posso fazer de mim uma obra de arte?”: elaborações emocionais nas performances de Elke MaravilhamodaemoçõescartografiafashionemotionscartographmodaemocionescartografíaIn this text, we investigate intersections between fashion, emotions, consumption, and performance from media materials collected about the life of Elke Maravilha. German, she arrived in Brazil at the age of six and had a meteoric career, from runway fashion shows to television. A celebrity established in the media scene, Elke drew attention on the runways for her unique style and the way she presented herself in fashion shows. On TV, she was a judge on talent shows and had her own talkshow. The article is methodologically oriented by cartographic studies. We produced, from the constituent sensibilities of Walter Benjamin’s cartographies, four constellations: 1) I want to draw attention; 2) Dionysian priestess; 3) necklace of wonders; 4) Elke in the artificial land. By investigating Elke’s aesthetic and performative dimension, we understand that the way clothes and props were used enabled an elaboration of the self and communicative expression.En este texto, investigamos las intersecciones entre moda, emociones, consumo y performance a partir de materiales mediáticos recopilados sobre la vida de Elke Maravilha. Alemán, llegó a Brasil a los seis años y tuvo una carrera meteórica, desde las pasarelas hasta la televisión. Una celebridad establecida en la escena de los medios, Elke llamó la atención en las pasarelas por su estilo único y la forma en que se presentaba en los desfiles de moda. En la televisión, fue jueza en shows de talentos y tenía su propio talkshow. Orientados metodológicamente por los estudios cartográficos, elaboramos, a partir de las sensibilidades constitutivas de las cartografías de Walter Benjamin, cuatro constelaciones: 1) quiero llamar la atención; 2) sacerdotisa dionisíaca; 3) collar de maravillas; 4) Elke en la tierra del artificio. Al indagar en la dimensión estética y performativa de Elke, entendemos que la forma en que se utilizaron las vestimentas y los accesorios permitieron una elaboración de sí mismo y la expresión comunicativa.Investigou-se neste texto intersecções entre moda, emoções, consumo e performance a partir de materiais midiáticos coletados sobre a vida de Elke Maravilha. Alemã, a artista chegou ao Brasil aos seis anos de idade e teve uma carreira meteórica, das passarelas à televisão. Celebridade constituída na cena midiática, Elke chamava a atenção nas passarelas pelo seu estilo único e pelo modo como se apresentava em desfiles. Na TV, foi jurada de programas de calouros e teve seu próprio programa. Orientados metodologicamente pelos estudos cartográficos, produzimos, a partir de sensibilidades constituintes das cartografias benjaminianas, quatro constelações: 1) eu quero é chamar a atenção; 2) sacerdotisa dionisíaca; 3) colar das maravilhas; 4) Elke no país do artifício. Ao investigar a dimensão estética e performática de Elke, compreendemos que a maneira como roupas e adereços eram usados possibilitavam uma elaboração de si e expressão comunicativa.Universidade do Estado de Santa Catarina2024-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/epub+ziptext/htmlhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/2418710.5965/1982615x17412024016ModaPalavra e-periódico; Vol. 17 No. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-74ModaPalavra e-periódico; Vol. 17 Núm. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-74 Modapalavra e-periódico; v. 17 n. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-741982-615X10.5965/1982615x17412024000reponame:ModaPalavra e-periódicoinstname:Universidade do Estado de Santa Catarina (UDESC)instacron:UDESCporhttps://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16419https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16420https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16431Copyright (c) 2023 Marlon Santa Maria Dias, Rodrigo Duarte Bueno de Godoihttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessDias, Marlon Santa MariaGodoi, Rodrigo Duarte Bueno2024-04-08T18:27:30Zoai::article/24187Revistahttps://www.revistas.udesc.br/index.php/modapalavraPUBhttps://www.revistas.udesc.br/index.php/modapalavra/oai||modapalavra@gmail.com1982-615X1982-615Xopendoar:2024-04-08T18:27:30ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)false
dc.title.none.fl_str_mv “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
“Por que não posso fazer de mim uma obra de arte?”: elaborações emocionais nas performances de Elke Maravilha
“Por que não posso fazer de mim uma obra de arte?”: elaborações emocionais nas performances de Elke Maravilha
title “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
spellingShingle “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
Dias, Marlon Santa Maria
moda
emoções
cartografia
fashion
emotions
cartograph
moda
emociones
cartografía
title_short “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
title_full “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
title_fullStr “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
title_full_unstemmed “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
title_sort “Why can’t I make myself a work of art?”: emotional elaborations in Elke Maravilha’s performances
author Dias, Marlon Santa Maria
author_facet Dias, Marlon Santa Maria
Godoi, Rodrigo Duarte Bueno
author_role author
author2 Godoi, Rodrigo Duarte Bueno
author2_role author
dc.contributor.author.fl_str_mv Dias, Marlon Santa Maria
Godoi, Rodrigo Duarte Bueno
dc.subject.por.fl_str_mv moda
emoções
cartografia
fashion
emotions
cartograph
moda
emociones
cartografía
topic moda
emoções
cartografia
fashion
emotions
cartograph
moda
emociones
cartografía
description In this text, we investigate intersections between fashion, emotions, consumption, and performance from media materials collected about the life of Elke Maravilha. German, she arrived in Brazil at the age of six and had a meteoric career, from runway fashion shows to television. A celebrity established in the media scene, Elke drew attention on the runways for her unique style and the way she presented herself in fashion shows. On TV, she was a judge on talent shows and had her own talkshow. The article is methodologically oriented by cartographic studies. We produced, from the constituent sensibilities of Walter Benjamin’s cartographies, four constellations: 1) I want to draw attention; 2) Dionysian priestess; 3) necklace of wonders; 4) Elke in the artificial land. By investigating Elke’s aesthetic and performative dimension, we understand that the way clothes and props were used enabled an elaboration of the self and communicative expression.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187
10.5965/1982615x17412024016
url https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187
identifier_str_mv 10.5965/1982615x17412024016
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16419
https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16420
https://www.revistas.udesc.br/index.php/modapalavra/article/view/24187/16431
dc.rights.driver.fl_str_mv Copyright (c) 2023 Marlon Santa Maria Dias, Rodrigo Duarte Bueno de Godoi
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Marlon Santa Maria Dias, Rodrigo Duarte Bueno de Godoi
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/epub+zip
text/html
dc.publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
publisher.none.fl_str_mv Universidade do Estado de Santa Catarina
dc.source.none.fl_str_mv ModaPalavra e-periódico; Vol. 17 No. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-74
ModaPalavra e-periódico; Vol. 17 Núm. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-74
Modapalavra e-periódico; v. 17 n. 41 (2024): Moda e Emoções na Cultura do Consumo; 16-74
1982-615X
10.5965/1982615x17412024000
reponame:ModaPalavra e-periódico
instname:Universidade do Estado de Santa Catarina (UDESC)
instacron:UDESC
instname_str Universidade do Estado de Santa Catarina (UDESC)
instacron_str UDESC
institution UDESC
reponame_str ModaPalavra e-periódico
collection ModaPalavra e-periódico
repository.name.fl_str_mv ModaPalavra e-periódico - Universidade do Estado de Santa Catarina (UDESC)
repository.mail.fl_str_mv ||modapalavra@gmail.com
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