Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
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Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Discursos Fotográficos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902 |
Resumo: | Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach. |
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Discursos Fotográficos |
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Vision over visibility: the universe of images in contemporaneity and the creation of the comic AméricoVisão além da visibilidade : o universo das imagens na contemporaneidade e a instauração da obra em quadrinhos AméricoPicturesVisual communicationComic booksstripsetc.Teses e Dissertações. História em Quadrinhos. Teorias da Imagem.Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.Por meio da articulação entre determinadas teorias da imagem e a metodologia de pesquisa em arte, se pretende criar uma obra em quadrinhos que problematize a condição humana diante do mundo contemporâneo constituído por imagens. As teorias da imagem aqui abordadas partem do conceito de escalada da abstração de Vilém Flusser, na qual concebe a contemporaneidade e o futuro próximo como domínio das imagens técnicas produzidas por aparelhos que invertem os vetores de significação entre realidade e imagem. Complementam a discussão a teoria do espetáculo de Guy Debord e a teoria do simulacro de Jean Baudrillard. Tais teorias pretendem compor um paradigma da contemporaneidade de modo a estabelecer a referência adequada à produção do quadrinho. A partir de tal referencial teórico, aborda-se a linguagem artística buscando constituir a devida relação entre teoria e prática. Assim sendo, se investiga a linguagem dos quadrinhos em relação às aproximações teóricas, assim como se descreve o processo de instauração do quadrinho, intitulado Américo, identificando e explicando os recursos da linguagem quadrinística utilizados, além de estabelecer as relações entre a história desenvolvida com a abordagem teórica.Universidade Estadual de Londrina2013-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1690210.5433/1984-7939.2013v9n15p273Discursos Fotograficos; v. 9 n. 15 (2013); 273-2741984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902/13411Silva, Halisson Júnior dainfo:eu-repo/semantics/openAccess2017-08-22T20:19:18Zoai:ojs.pkp.sfu.ca:article/16902Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T20:19:18Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo Visão além da visibilidade : o universo das imagens na contemporaneidade e a instauração da obra em quadrinhos Américo |
title |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
spellingShingle |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo Silva, Halisson Júnior da Pictures Visual communication Comic books strips etc. Teses e Dissertações. História em Quadrinhos. Teorias da Imagem. |
title_short |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
title_full |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
title_fullStr |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
title_full_unstemmed |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
title_sort |
Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo |
author |
Silva, Halisson Júnior da |
author_facet |
Silva, Halisson Júnior da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Halisson Júnior da |
dc.subject.por.fl_str_mv |
Pictures Visual communication Comic books strips etc. Teses e Dissertações. História em Quadrinhos. Teorias da Imagem. |
topic |
Pictures Visual communication Comic books strips etc. Teses e Dissertações. História em Quadrinhos. Teorias da Imagem. |
description |
Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-08-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo não avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902 10.5433/1984-7939.2013v9n15p273 |
url |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902 |
identifier_str_mv |
10.5433/1984-7939.2013v9n15p273 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902/13411 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Discursos Fotograficos; v. 9 n. 15 (2013); 273-274 1984-7939 1808-5652 reponame:Discursos Fotográficos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Discursos Fotográficos |
collection |
Discursos Fotográficos |
repository.name.fl_str_mv |
Discursos Fotográficos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br |
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1799315409439031296 |