Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo

Detalhes bibliográficos
Autor(a) principal: Silva, Halisson Júnior da
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Discursos Fotográficos
Texto Completo: https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902
Resumo: Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.
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spelling Vision over visibility: the universe of images in contemporaneity and the creation of the comic AméricoVisão além da visibilidade : o universo das imagens na contemporaneidade e a instauração da obra em quadrinhos AméricoPicturesVisual communicationComic booksstripsetc.Teses e Dissertações. História em Quadrinhos. Teorias da Imagem.Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.Por meio da articulação entre determinadas teorias da imagem e a metodologia de pesquisa em arte, se pretende criar uma obra em quadrinhos que problematize a condição humana diante do mundo contemporâneo constituído por imagens. As teorias da imagem aqui abordadas partem do conceito de escalada da abstração de Vilém Flusser, na qual concebe a contemporaneidade e o futuro próximo como domínio das imagens técnicas produzidas por aparelhos que invertem os vetores de significação entre realidade e imagem. Complementam a discussão a teoria do espetáculo de Guy Debord e a teoria do simulacro de Jean Baudrillard. Tais teorias pretendem compor um paradigma da contemporaneidade de modo a estabelecer a referência adequada à produção do quadrinho. A partir de tal referencial teórico, aborda-se a linguagem artística buscando constituir a devida relação entre teoria e prática. Assim sendo, se investiga a linguagem dos quadrinhos em relação às aproximações teóricas, assim como se descreve o processo de instauração do quadrinho, intitulado Américo, identificando e explicando os recursos da linguagem quadrinística utilizados, além de estabelecer as relações entre a história desenvolvida com a abordagem teórica.Universidade Estadual de Londrina2013-08-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo não avaliado pelos paresapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/1690210.5433/1984-7939.2013v9n15p273Discursos Fotograficos; v. 9 n. 15 (2013); 273-2741984-79391808-5652reponame:Discursos Fotográficosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902/13411Silva, Halisson Júnior dainfo:eu-repo/semantics/openAccess2017-08-22T20:19:18Zoai:ojs.pkp.sfu.ca:article/16902Revistahttps://www.uel.br/revistas/uel/index.php/discursosfotograficosPUBhttps://www.uel.br/revistas/uel/index.php/discursosfotograficos/oairevistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br10.5433/1984-79391984-79391808-5652opendoar:2017-08-22T20:19:18Discursos Fotográficos - Universidade Estadual de Londrina (UEL)false
dc.title.none.fl_str_mv Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
Visão além da visibilidade : o universo das imagens na contemporaneidade e a instauração da obra em quadrinhos Américo
title Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
spellingShingle Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
Silva, Halisson Júnior da
Pictures
Visual communication
Comic books
strips
etc.
Teses e Dissertações. História em Quadrinhos. Teorias da Imagem.
title_short Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_full Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_fullStr Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_full_unstemmed Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
title_sort Vision over visibility: the universe of images in contemporaneity and the creation of the comic Américo
author Silva, Halisson Júnior da
author_facet Silva, Halisson Júnior da
author_role author
dc.contributor.author.fl_str_mv Silva, Halisson Júnior da
dc.subject.por.fl_str_mv Pictures
Visual communication
Comic books
strips
etc.
Teses e Dissertações. História em Quadrinhos. Teorias da Imagem.
topic Pictures
Visual communication
Comic books
strips
etc.
Teses e Dissertações. História em Quadrinhos. Teorias da Imagem.
description Through the articulation of certain theories of image and the methodology of research in art, this work aims to create a comic story which problematizes the human condition in the contemporary world. The image theories discussed here start from the idea of Flusser's climbing of abstraction, which conceives the contemporaneity and near future as the field of technical images produced by devices which reverse the vectors of meaning between reality and image. Complementing the discussion we have the theory of the spectacle by Guy Debord and the Jean Baudrillard's theory of simulacrum. These theories intended to compose a paradigm of contemporaneity so as to establish appropriate reference to the production of the comic. From this theoretical framework, we approach the artistic language in order to establish the proper relation between theory and practice. Thus, investigating the language of comics in relation to theoretical approaches, as well as describes the process of establishing the comic, titled Américo, identifying and explaining the features of the comic's language, and establishing relations between the comic developed and the theoretical approach.
publishDate 2013
dc.date.none.fl_str_mv 2013-08-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo não avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902
10.5433/1984-7939.2013v9n15p273
url https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902
identifier_str_mv 10.5433/1984-7939.2013v9n15p273
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/16902/13411
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual de Londrina
publisher.none.fl_str_mv Universidade Estadual de Londrina
dc.source.none.fl_str_mv Discursos Fotograficos; v. 9 n. 15 (2013); 273-274
1984-7939
1808-5652
reponame:Discursos Fotográficos
instname:Universidade Estadual de Londrina (UEL)
instacron:UEL
instname_str Universidade Estadual de Londrina (UEL)
instacron_str UEL
institution UEL
reponame_str Discursos Fotográficos
collection Discursos Fotográficos
repository.name.fl_str_mv Discursos Fotográficos - Universidade Estadual de Londrina (UEL)
repository.mail.fl_str_mv revistadiscursos@uel.br || laudi@uel.br || discursosfoto@uel.br
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