“O que vi da vida”: discourses about themselves, celebrity and media
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Data de Publicação: | 2015 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Entretextos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/15980 |
Resumo: | This text aims at discussing the process of discursive constitution of the celebrity subject, through the discourse analysis of testimonials conceded to the topic “O que vi da vida”, by Fantástico, a television program from Brazil. Many famous people participated on this topic and, as the title suggests, they had to talk about themselves, give their testimonial and say the truth about themselves, through the construction narratives about themselves. For that, we use the theoretical perspectives from the French Discourse Analysis (FDA) founded by Michel Pêcheux and the theorizations of Michel Foucault about the subject and the historicity of the confession’s mechanism. In addition, we take as motto to discussion the successive slackening of the limits between the public sphere and the private sphere, what, to a certain extent, justifies the irruption of discourses about the private life on/through the media. |
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“O que vi da vida”: discourses about themselves, celebrity and media“O que vi da vida”: discursos sobre si, celebridade e mídiaDiscourse AnalysisMediaCelebrity.Análise do discursoMídiaCelebridadeThis text aims at discussing the process of discursive constitution of the celebrity subject, through the discourse analysis of testimonials conceded to the topic “O que vi da vida”, by Fantástico, a television program from Brazil. Many famous people participated on this topic and, as the title suggests, they had to talk about themselves, give their testimonial and say the truth about themselves, through the construction narratives about themselves. For that, we use the theoretical perspectives from the French Discourse Analysis (FDA) founded by Michel Pêcheux and the theorizations of Michel Foucault about the subject and the historicity of the confession’s mechanism. In addition, we take as motto to discussion the successive slackening of the limits between the public sphere and the private sphere, what, to a certain extent, justifies the irruption of discourses about the private life on/through the media.Esse texto visa discutir o processo de constituição discursiva do sujeito celebridade, a partir da análise do discurso de depoimentos concedidos ao quadro “O que vi da vida” , do programa Fantástico. Diversos famosos participaram desse quadro e, como sugere o título, era necessário falar de si, dar o seu testemunho, dizer a verdade sobre si mesmo, produzir narrativas sobre si. Para tanto, tomamos como arcabouço teórico a Análise do Discurso de orientação francesa (AD) fundada por Michel Pêcheux e as teorizações de Michel Foucault a respeito do sujeito e da historicidade do mecanismo da confissão. Além disso, tomamos como mote para discussão o sucessivo afrouxamento dos limites entre a esfera pública e a esfera privada, o que, em certa medida, justifica a irrupção de discursos sobre a vida íntima na/pela mídia.Universidade Estadual de Londrina2015-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/1598010.5433/1519-5392.2015v15n2p173Entretextos; v. 15 n. 2 (2015); 173-1912764-08091519-5392reponame:Revista Entretextosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/15980/19528Copyright (c) 2015 Entretextosinfo:eu-repo/semantics/openAccessSilva, Francisco Vieira daBaracuhy, Regina2021-04-19T18:28:50Zoai:ojs.pkp.sfu.ca:article/15980Revistahttps://www.uel.br/revistas/uel/index.php/entretextosPUBhttps://www.uel.br/revistas/uel/index.php/entretextos/oai||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br1519-53922764-0809opendoar:2021-04-19T18:28:50Revista Entretextos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
“O que vi da vida”: discourses about themselves, celebrity and media “O que vi da vida”: discursos sobre si, celebridade e mídia |
title |
“O que vi da vida”: discourses about themselves, celebrity and media |
spellingShingle |
“O que vi da vida”: discourses about themselves, celebrity and media Silva, Francisco Vieira da Discourse Analysis Media Celebrity. Análise do discurso Mídia Celebridade |
title_short |
“O que vi da vida”: discourses about themselves, celebrity and media |
title_full |
“O que vi da vida”: discourses about themselves, celebrity and media |
title_fullStr |
“O que vi da vida”: discourses about themselves, celebrity and media |
title_full_unstemmed |
“O que vi da vida”: discourses about themselves, celebrity and media |
title_sort |
“O que vi da vida”: discourses about themselves, celebrity and media |
author |
Silva, Francisco Vieira da |
author_facet |
Silva, Francisco Vieira da Baracuhy, Regina |
author_role |
author |
author2 |
Baracuhy, Regina |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Francisco Vieira da Baracuhy, Regina |
dc.subject.por.fl_str_mv |
Discourse Analysis Media Celebrity. Análise do discurso Mídia Celebridade |
topic |
Discourse Analysis Media Celebrity. Análise do discurso Mídia Celebridade |
description |
This text aims at discussing the process of discursive constitution of the celebrity subject, through the discourse analysis of testimonials conceded to the topic “O que vi da vida”, by Fantástico, a television program from Brazil. Many famous people participated on this topic and, as the title suggests, they had to talk about themselves, give their testimonial and say the truth about themselves, through the construction narratives about themselves. For that, we use the theoretical perspectives from the French Discourse Analysis (FDA) founded by Michel Pêcheux and the theorizations of Michel Foucault about the subject and the historicity of the confession’s mechanism. In addition, we take as motto to discussion the successive slackening of the limits between the public sphere and the private sphere, what, to a certain extent, justifies the irruption of discourses about the private life on/through the media. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/15980 10.5433/1519-5392.2015v15n2p173 |
url |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/15980 |
identifier_str_mv |
10.5433/1519-5392.2015v15n2p173 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/15980/19528 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Entretextos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Entretextos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Entretextos; v. 15 n. 2 (2015); 173-191 2764-0809 1519-5392 reponame:Revista Entretextos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Revista Entretextos |
collection |
Revista Entretextos |
repository.name.fl_str_mv |
Revista Entretextos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br |
_version_ |
1799315388360556544 |