The representation of Social Actors in the discourse of the magazine Caros Amigos
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Entretextos |
Texto Completo: | https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/30036 |
Resumo: | This paper intends to verify how the images of the social actors corporate media, magazine Caros Amigos, and the readers of the magazine are constructed in the discourse of the magazine itself. Our intents is to analyze the discourse conveyed in the so called alternative (or independent) media, especially considering the construction of the opinion expressed. This paper follows the Systemic Functional Linguistics by Halliday (1985) and Halliday and Matthiessen (2004), and the Social Semantics System as developed by Van Leeuwen (2008) from the SFL. To reach our goal we have analyzed in our PhD dissertation the representation of Social Actors highlighted in fifteen editorials and three op-eds in Caros Amigos. In this article, we present an overview of the representations in all the corpus, as well as a specific analysis of two of the editorials: “Caminhos” (March 2003) and “A linha de frente” (October 2007). We have noticed that one of the strategies to express opinion in this discourse is the way in which the representation of the social actors is linguistically established, especially the corporate media, the most frequent social actor in our corpus. The corporate media is mainly represented through categorization; it is referred to as if it were one only homogenous institution. Moreover, it is recurrently assessed through representations which reveal criticism against the lack of journalistic ethics. |
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The representation of Social Actors in the discourse of the magazine Caros AmigosRepresentación de Actores Sociales en el discurso de la revista Caros AmigosA representação de Atores Sociais no discurso da revista Caros AmigosSocial actorAlternative mediaSocial representationActor socialMedia alternativaRepresentación socialAtor socialMídia alternativaRepresentação socialThis paper intends to verify how the images of the social actors corporate media, magazine Caros Amigos, and the readers of the magazine are constructed in the discourse of the magazine itself. Our intents is to analyze the discourse conveyed in the so called alternative (or independent) media, especially considering the construction of the opinion expressed. This paper follows the Systemic Functional Linguistics by Halliday (1985) and Halliday and Matthiessen (2004), and the Social Semantics System as developed by Van Leeuwen (2008) from the SFL. To reach our goal we have analyzed in our PhD dissertation the representation of Social Actors highlighted in fifteen editorials and three op-eds in Caros Amigos. In this article, we present an overview of the representations in all the corpus, as well as a specific analysis of two of the editorials: “Caminhos” (March 2003) and “A linha de frente” (October 2007). We have noticed that one of the strategies to express opinion in this discourse is the way in which the representation of the social actors is linguistically established, especially the corporate media, the most frequent social actor in our corpus. The corporate media is mainly represented through categorization; it is referred to as if it were one only homogenous institution. Moreover, it is recurrently assessed through representations which reveal criticism against the lack of journalistic ethics.El objetivo de este trabajo es verificar cómo se establece la construcción de la imagen de los Actores Sociales: medios corporativos, revista Caros Amigos y lector de la misma en el discurso de la propia revista. Nuestra intención más amplia es analizar el discurso vehiculado por la denominada media alternativa (o independiente), considerando especialmente la construcción de la opinión expresa. Este trabajo parte de los presupuestos teóricos de la Lingüística Sistémico-Funcional de Halliday (1985) y Halliday y Matthiessen (2004), así como del sistema sociosemántico desarrollado por van Leeuwen (2008) a partir de la LSF. Para alcanzar nuestros objetivos, analizamos en nuestra tesis de doctorado la Representación de los Actores Sociales destacados en quince editoriales y tres artículos de opinión de la revista Caros Amigos. En este artículo, presentaremos un panorama de las representaciones en todo el corpus, y también el análisis específico de dos de los editoriales: "Caminhos" (mar. 2003) y "A linha de frente" (out. 2007). Observamos que una de las estrategias para expresar la opinión en ese discurso es la forma en que se materializa lingüísticamente la Representación de los Actores Sociales, especialmente los medios corporativos, el Actor Social más frecuente en nuestro corpus. Los medios de comunicación corporativa se representan principalmente por Categorizaciones, es decir, se refieren como si se tratase de una única institución homogénea. Además, es recurrentemente evaluada por medio de Representaciones que revelan una crítica que apunta a la falta de ética periodísticaO objetivo deste trabalho é verificar como se estabelece a construção da imagem dos Atores Sociais mídia corporativa, revista Caros Amigos e leitor da mesma no discurso da própria revista. Nosso intuito mais amplo é analisar o discurso veiculado pela denominada mídia alternativa (ou independente), considerando especialmente a construção da opinião expressa. Este trabalho parte dos pressupostos teóricos da Linguística Sistêmico-Funcional de Halliday (1985) e Halliday e Matthiessen (2004), bem como do sistema sociossemântico desenvolvido por Van Leeuwen (2008) a partir da LSF. Para alcançarmos nossos objetivos, analisamos em nossa tese de doutorado a Representação dos Atores Sociais destacados em quinze editoriais e três artigos de opinião da revista Caros Amigos. Neste artigo, apresentaremos um panorama das Representações em todo o corpus, e também a análise específica de dois dos editoriais: “Caminhos” (mar. 2003) e “A linha de frente” (out. 2007). Observamos que uma das estratégias para expressar a opinião nesse discurso é a maneira como é materializada linguisticamente a Representação dos Atores Sociais, especialmente a mídia corporativa, o Ator Social mais frequente em nosso corpus. A mídia corporativa é representada principalmente por Categorizações, ou seja, referida como se se tratasse de uma única instituição homogênea. Além disso, ela é recorrentemente avaliada por meio de Representações que revelam uma crítica que aponta para a falta de ética jornalísticaUniversidade Estadual de Londrina2019-03-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionLiterature reviewRevisão de Literaturaapplication/pdfhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/3003610.5433/1519-5392.2018v18n1p135Entretextos; v. 18 n. 1 (2018); 135 - 1612764-08091519-5392reponame:Revista Entretextosinstname:Universidade Estadual de Londrina (UEL)instacron:UELporhttps://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/30036/25136Copyright (c) 2018 Entretextosinfo:eu-repo/semantics/openAccessOliveira, Daniele de2021-02-08T19:34:21Zoai:ojs.pkp.sfu.ca:article/30036Revistahttps://www.uel.br/revistas/uel/index.php/entretextosPUBhttps://www.uel.br/revistas/uel/index.php/entretextos/oai||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br1519-53922764-0809opendoar:2021-02-08T19:34:21Revista Entretextos - Universidade Estadual de Londrina (UEL)false |
dc.title.none.fl_str_mv |
The representation of Social Actors in the discourse of the magazine Caros Amigos Representación de Actores Sociales en el discurso de la revista Caros Amigos A representação de Atores Sociais no discurso da revista Caros Amigos |
title |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
spellingShingle |
The representation of Social Actors in the discourse of the magazine Caros Amigos Oliveira, Daniele de Social actor Alternative media Social representation Actor social Media alternativa Representación social Ator social Mídia alternativa Representação social |
title_short |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
title_full |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
title_fullStr |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
title_full_unstemmed |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
title_sort |
The representation of Social Actors in the discourse of the magazine Caros Amigos |
author |
Oliveira, Daniele de |
author_facet |
Oliveira, Daniele de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Daniele de |
dc.subject.por.fl_str_mv |
Social actor Alternative media Social representation Actor social Media alternativa Representación social Ator social Mídia alternativa Representação social |
topic |
Social actor Alternative media Social representation Actor social Media alternativa Representación social Ator social Mídia alternativa Representação social |
description |
This paper intends to verify how the images of the social actors corporate media, magazine Caros Amigos, and the readers of the magazine are constructed in the discourse of the magazine itself. Our intents is to analyze the discourse conveyed in the so called alternative (or independent) media, especially considering the construction of the opinion expressed. This paper follows the Systemic Functional Linguistics by Halliday (1985) and Halliday and Matthiessen (2004), and the Social Semantics System as developed by Van Leeuwen (2008) from the SFL. To reach our goal we have analyzed in our PhD dissertation the representation of Social Actors highlighted in fifteen editorials and three op-eds in Caros Amigos. In this article, we present an overview of the representations in all the corpus, as well as a specific analysis of two of the editorials: “Caminhos” (March 2003) and “A linha de frente” (October 2007). We have noticed that one of the strategies to express opinion in this discourse is the way in which the representation of the social actors is linguistically established, especially the corporate media, the most frequent social actor in our corpus. The corporate media is mainly represented through categorization; it is referred to as if it were one only homogenous institution. Moreover, it is recurrently assessed through representations which reveal criticism against the lack of journalistic ethics. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-03-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Literature review Revisão de Literatura |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/30036 10.5433/1519-5392.2018v18n1p135 |
url |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/30036 |
identifier_str_mv |
10.5433/1519-5392.2018v18n1p135 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.uel.br/revistas/uel/index.php/entretextos/article/view/30036/25136 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Entretextos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Entretextos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
publisher.none.fl_str_mv |
Universidade Estadual de Londrina |
dc.source.none.fl_str_mv |
Entretextos; v. 18 n. 1 (2018); 135 - 161 2764-0809 1519-5392 reponame:Revista Entretextos instname:Universidade Estadual de Londrina (UEL) instacron:UEL |
instname_str |
Universidade Estadual de Londrina (UEL) |
instacron_str |
UEL |
institution |
UEL |
reponame_str |
Revista Entretextos |
collection |
Revista Entretextos |
repository.name.fl_str_mv |
Revista Entretextos - Universidade Estadual de Londrina (UEL) |
repository.mail.fl_str_mv |
||entretextos.uel@gmail.com|| ppgel@uel.br|| laudi@uel.br |
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