Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614

Detalhes bibliográficos
Autor(a) principal: Cavalcanti, Luciano Marcos Dias
Data de Publicação: 2011
Tipo de documento: Artigo
Idioma: por
Título da fonte: Acta Scientiarum. Language and Culture (Online)
Texto Completo: http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614
Resumo: This work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu.
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spelling Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614Lírica Moderna e Surrealismo: uma leitura dos poemas “XXIII” e “XXIV” do Canto Primeiro de Invenção de Orfeu, de Jorge de Lima - doi: 10.4025/actascilangcult.v33i1.6614modern poetrysurrealismInvenção de OrfeuJorge de Limapoesia modernasurrealismoInvenção de OrfeuJorge de LimaThis work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu.Este ensaio apresenta, de forma didática, algumas considerações acerca da utilização que o surrealismo faz de algumas técnicas exemplares da poesia moderna (como a escrita automática, o sonho, a imagem e a colagem) para realização de seu projeto estético que privilegia o sonho e a imaginação como prática artística. Como ponto de convergência entre teoria e prática poética, tomaremos como exemplo os poemas ‘XXIII’ e ‘XXIV’ do Canto Primeiro de Invenção de Orfeu de Jorge de Lima.Universidade Estadual De Maringá2011-03-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/661410.4025/actascilangcult.v33i1.6614Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 121-131Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 121-1311983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614/6614Cavalcanti, Luciano Marcos Diasinfo:eu-repo/semantics/openAccess2022-11-23T17:34:59Zoai:periodicos.uem.br/ojs:article/6614Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-11-23T17:34:59Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false
dc.title.none.fl_str_mv Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
Lírica Moderna e Surrealismo: uma leitura dos poemas “XXIII” e “XXIV” do Canto Primeiro de Invenção de Orfeu, de Jorge de Lima - doi: 10.4025/actascilangcult.v33i1.6614
title Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
spellingShingle Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
Cavalcanti, Luciano Marcos Dias
modern poetry
surrealism
Invenção de Orfeu
Jorge de Lima
poesia moderna
surrealismo
Invenção de Orfeu
Jorge de Lima
title_short Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
title_full Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
title_fullStr Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
title_full_unstemmed Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
title_sort Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's Invenção de Orfeu - doi: 10.4025/actascilangcult.v33i1.6614
author Cavalcanti, Luciano Marcos Dias
author_facet Cavalcanti, Luciano Marcos Dias
author_role author
dc.contributor.author.fl_str_mv Cavalcanti, Luciano Marcos Dias
dc.subject.por.fl_str_mv modern poetry
surrealism
Invenção de Orfeu
Jorge de Lima
poesia moderna
surrealismo
Invenção de Orfeu
Jorge de Lima
topic modern poetry
surrealism
Invenção de Orfeu
Jorge de Lima
poesia moderna
surrealismo
Invenção de Orfeu
Jorge de Lima
description This work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu.
publishDate 2011
dc.date.none.fl_str_mv 2011-03-28
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dc.identifier.uri.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614
10.4025/actascilangcult.v33i1.6614
url http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614
identifier_str_mv 10.4025/actascilangcult.v33i1.6614
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dc.relation.none.fl_str_mv http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6614/6614
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dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Estadual De Maringá
publisher.none.fl_str_mv Universidade Estadual De Maringá
dc.source.none.fl_str_mv Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 121-131
Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 121-131
1983-4683
1983-4675
reponame:Acta Scientiarum. Language and Culture (Online)
instname:Universidade Estadual de Maringá (UEM)
instacron:UEM
instname_str Universidade Estadual de Maringá (UEM)
instacron_str UEM
institution UEM
reponame_str Acta Scientiarum. Language and Culture (Online)
collection Acta Scientiarum. Language and Culture (Online)
repository.name.fl_str_mv Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)
repository.mail.fl_str_mv ||actalan@uem.br
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