A impossibilidade do esvaziamento pleno: uma análise do vazio na arte

• Autor(a) principal: Santos, Leandro Fazolla Rodrigues dos
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UERJ
• Texto Completo: http://www.bdtd.uerj.br/handle/1/7508
• topic: Emptiness; Art object; Modern art; Contemporary art; Arte Filosofia; Espaço (Arte); Cultura visual; Arte moderna Séc. XXI; Artes plásticas Séc. XXI; Klein, Yves, 1928-1962; Bienal de São Paulo; Vazio; Objeto de arte; Arte moderna; Arte contemporânea; Yves Klein; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::TEORIA DA ARTE

As its main objective to disentangle the concept of emptiness and how it permeate the artistic production and the human thought over time, this research makes an incursion through philosophical theories from Western Classical Antiquity to Eastern philosophical and religious concepts, aiming to comprehend how the interest around the idea of emptiness migrated into the artistic production and, more than that, became an important foundation for the Modern Art and for the contemporary production. Taking examples and moments in Art History that allow us to understand how the artistic thought incorporated such concept in works of art, from this first historical and conceptual search we'll investigate the production of artists in whose trajectories the idea of emptiness was notorious. On a second moment, from an analysis of the 28th São Paulo Art Biennial - that had a whole floor empty throughout the exhibition period as a curatorial strategy - we'll try to understand the way the presence of the emptiness could expand beyond the artistic object and incorporate the institutional space