From the barroque musicality in “The inquisitors' manual”
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Abril (Niterói) |
Texto Completo: | https://periodicos.uff.br/revistaabril/article/view/29807 |
Resumo: | The intention of this work is to consider a reflection between elements of a baroque’s musicality and her application in a contemporary literally text; that is the novel O manual dos inquisidores here, written by António Lobo Antunes, a Portuguese author, published in 1998. I will explain some artistic procedures presents in the book, like the repetition of words and phrases, the organization of the text and the presence of the polyphony, as a important characteristics of a inherited cultural legacy of the baroque one. I understand the baroque not as a cultural movement stuck in a historic period, but like a feeling that can happen in another time, also in the contemporary period. |
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From the barroque musicality in “The inquisitors' manual”Da musicalidade barroca em o “Manual dos inquisidores”baroquemusicalityAntónio Lobo AntunesbarrocomusicalidadeAntónio Lobo AntunesThe intention of this work is to consider a reflection between elements of a baroque’s musicality and her application in a contemporary literally text; that is the novel O manual dos inquisidores here, written by António Lobo Antunes, a Portuguese author, published in 1998. I will explain some artistic procedures presents in the book, like the repetition of words and phrases, the organization of the text and the presence of the polyphony, as a important characteristics of a inherited cultural legacy of the baroque one. I understand the baroque not as a cultural movement stuck in a historic period, but like a feeling that can happen in another time, also in the contemporary period.O objetivo do presente trabalho é propor uma relação entre elementos de uma musicalidade própria do período barroco e sua aplicação em um texto literário contemporâneo; no caso, o romance O manual dos inquisidores, do escritor português António Lobo Antunes, publicado no ano de 1998. Explicitarei certos procedimentos artísticos manifestos na obra, tais como a repetição de palavras e frases, a organização textual e a presença da polifonia, enquanto traços marcantes de um legado cultural herdado do barroco, esse aqui entendido não como um movimento preso a um instante histórico, mas como um estado de espírito que pode ocorrer em outras épocas, a exemplo da contemporaneidade.ABEC Brasil2009-11-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-reviewed ArticleArtigo avaliado por paresapplication/pdfhttps://periodicos.uff.br/revistaabril/article/view/2980710.22409/abriluff.v2i3.29807ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 120-131Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 120-1311984-209010.22409/abriluff.v2i3reponame:Abril (Niterói)instname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/revistaabril/article/view/29807/17348Copyright (c) 2018 Abril – NEPA / UFFinfo:eu-repo/semantics/openAccessAndrade, Mariana Neto Silva2019-08-09T09:30:23Zoai:ojs.pkp.sfu.ca:article/29807Revistahttps://periodicos.uff.br/revistaabrilPUBhttps://periodicos.uff.br/revistaabril/oairevistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com1984-20901984-2090opendoar:2019-08-09T09:30:23Abril (Niterói) - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
From the barroque musicality in “The inquisitors' manual” Da musicalidade barroca em o “Manual dos inquisidores” |
title |
From the barroque musicality in “The inquisitors' manual” |
spellingShingle |
From the barroque musicality in “The inquisitors' manual” Andrade, Mariana Neto Silva baroque musicality António Lobo Antunes barroco musicalidade António Lobo Antunes |
title_short |
From the barroque musicality in “The inquisitors' manual” |
title_full |
From the barroque musicality in “The inquisitors' manual” |
title_fullStr |
From the barroque musicality in “The inquisitors' manual” |
title_full_unstemmed |
From the barroque musicality in “The inquisitors' manual” |
title_sort |
From the barroque musicality in “The inquisitors' manual” |
author |
Andrade, Mariana Neto Silva |
author_facet |
Andrade, Mariana Neto Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Andrade, Mariana Neto Silva |
dc.subject.por.fl_str_mv |
baroque musicality António Lobo Antunes barroco musicalidade António Lobo Antunes |
topic |
baroque musicality António Lobo Antunes barroco musicalidade António Lobo Antunes |
description |
The intention of this work is to consider a reflection between elements of a baroque’s musicality and her application in a contemporary literally text; that is the novel O manual dos inquisidores here, written by António Lobo Antunes, a Portuguese author, published in 1998. I will explain some artistic procedures presents in the book, like the repetition of words and phrases, the organization of the text and the presence of the polyphony, as a important characteristics of a inherited cultural legacy of the baroque one. I understand the baroque not as a cultural movement stuck in a historic period, but like a feeling that can happen in another time, also in the contemporary period. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-11-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article Artigo avaliado por pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29807 10.22409/abriluff.v2i3.29807 |
url |
https://periodicos.uff.br/revistaabril/article/view/29807 |
identifier_str_mv |
10.22409/abriluff.v2i3.29807 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/revistaabril/article/view/29807/17348 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Abril – NEPA / UFF |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC Brasil |
publisher.none.fl_str_mv |
ABEC Brasil |
dc.source.none.fl_str_mv |
ABRIL – NEPA / UFF; Vol. 2 No. 3 (2009): (NEO)BARROQUE AESTHETICS AND THE CRISIS OF THE SUBJECT; 120-131 Abril – NEPA / UFF; v. 2 n. 3 (2009): ESTÉTICA (NEO)BARROCA E CRISE DO SUJEITO; 120-131 1984-2090 10.22409/abriluff.v2i3 reponame:Abril (Niterói) instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Abril (Niterói) |
collection |
Abril (Niterói) |
repository.name.fl_str_mv |
Abril (Niterói) - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
revistaabril@vm.uff.br||nepa@vm.uff.br||uffnepa@gmail.com||idafalves@gmail.com |
_version_ |
1799695308207161344 |