“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/4030 |
Resumo: | Following a general trend of the human sciences, the arrival of post-modernity in literary studies has culminated in the so-called “death of the author”. With resonances that can be noted in some theorists as Roland Barthes (2004), Michel Foucault (2006, 1996), Umberto Eco (2005, 2003, 2004, 2001, 1986), Stanley Fish (2003, 1990) and Linda Hutcheon (2000; 1991; 1984), the post-modern distrust in meaning and the conviction that what a literary work means not only does not depend on the author but also finds in him an obstacle to the reader’s creativity are widely disseminated notions that have found their place in the metafiction theory by means of Hutcheon (1991; 1984), and Patrícia Waugh (1984). However, in this thesis, based on the assumptions of the hermeneutic realism theory, an interpretive approach according to which the meaning of a text is prior to its reading and is in many respects does not dependent on it, I propose to review the role of the author in metafictional novels, searching for appropriate readings for such novels. My theory is that author and writer are separate entities and that, among the four sources of enunciation of a novel (writer, author, narrator and character), the author is the one responsible for opening the work, activating the reading and actualizing the metafictionality. By means of a dialogue with theorists from several fields of the human sciences, I seek to defend the author from his opponents and show that, in the relationships he establishes with the character in novels of protagonist writer (as in A Rainha dos cárceres da Grécia, Bufo & Spallanzani and O Chalaça), the metafictional author addresses us, making communicative calls to us, and calling our attention to the fictionality of the text. So, what I do in this thesis is to show that since the attacks to the notions of person, intention and interpretive authoritarianism may even relate to the writer , but never to the author, he cannot and should not be killed. The author, I seek to prove, is a constitutive element of fictional language and is also the other with whom we communicate in reading metafictional novels. The result is that our interaction with such aesthetic person is essential in order that, through the distinction of the voices of the writer, narrator and character, we may be able to read these novels without making problematic interpretations. |
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Faria, Zênia dehttp://lattes.cnpq.br/8316982495500415Faria, Zênia deCamargo, Flávio PereiraKrause, Gustavo BernardoCavalheiro, Juciane dos SantosSantana, Jorge Alveshttp://lattes.cnpq.br/0801235317376789Gomes, Antônio Egno do Carmo2015-01-30T13:31:19Z2014-07-01GOMES, Antônio Egno do Carmo. “Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional. 2014. 310 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014.http://repositorio.bc.ufg.br/tede/handle/tede/4030Following a general trend of the human sciences, the arrival of post-modernity in literary studies has culminated in the so-called “death of the author”. With resonances that can be noted in some theorists as Roland Barthes (2004), Michel Foucault (2006, 1996), Umberto Eco (2005, 2003, 2004, 2001, 1986), Stanley Fish (2003, 1990) and Linda Hutcheon (2000; 1991; 1984), the post-modern distrust in meaning and the conviction that what a literary work means not only does not depend on the author but also finds in him an obstacle to the reader’s creativity are widely disseminated notions that have found their place in the metafiction theory by means of Hutcheon (1991; 1984), and Patrícia Waugh (1984). However, in this thesis, based on the assumptions of the hermeneutic realism theory, an interpretive approach according to which the meaning of a text is prior to its reading and is in many respects does not dependent on it, I propose to review the role of the author in metafictional novels, searching for appropriate readings for such novels. My theory is that author and writer are separate entities and that, among the four sources of enunciation of a novel (writer, author, narrator and character), the author is the one responsible for opening the work, activating the reading and actualizing the metafictionality. By means of a dialogue with theorists from several fields of the human sciences, I seek to defend the author from his opponents and show that, in the relationships he establishes with the character in novels of protagonist writer (as in A Rainha dos cárceres da Grécia, Bufo & Spallanzani and O Chalaça), the metafictional author addresses us, making communicative calls to us, and calling our attention to the fictionality of the text. So, what I do in this thesis is to show that since the attacks to the notions of person, intention and interpretive authoritarianism may even relate to the writer , but never to the author, he cannot and should not be killed. The author, I seek to prove, is a constitutive element of fictional language and is also the other with whom we communicate in reading metafictional novels. The result is that our interaction with such aesthetic person is essential in order that, through the distinction of the voices of the writer, narrator and character, we may be able to read these novels without making problematic interpretations.Seguindo uma tendência geral das ciências humanas, a chegada da pós-modernidade nos estudos literários culminou na chamada “morte do autor”. Com ressonâncias que podem ser percebidas em teóricos como Roland Barthes (2004), Michel Foucault (2006; 1996), Umberto Eco (2005; 2004; 2003; 2001; 1986), Stanley Fish (2003; 1990) e Linda Hutcheon (2000; 1991; 1984), a descrença pós-moderna no significado e a convicção de que o que uma obra literária significa não só independe do autor como até encontra neste um obstáculo à criatividade por parte do leitor encontram-se amplamente divulgadas, tendo aportado na teoria da metaficção via Hutcheon (1991; 1984) e Patrícia Waugh (1984). No entanto, partindo do realismo hermenêutico, linha interpretativa segundo a qual o sentido de um texto é anterior à leitura e, sob muitos aspectos, independente dela, neste trabalho me proponho a rever o papel do autor em romances metaficcionais, em busca de leituras adequadas para tais romances. Minha teoria é a de que autor e escritor são pessoas distintas e que, dentre as quatro fontes enunciativas de um romance (escritor, autor, narrador e personagem), o autor é aquela responsável por abrir a obra, ativar a leitura e efetivar a metaficcionalidade. Dialogando com teóricos de vários campos das ciências humanas, procuro defender o autor de seus adversários e evidenciar que, nas relações que estabelece com a personagem em romances de protagonista escritor (como A Rainha dos cárceres da Grécia, Bufo & Spallanzani e O Chalaça) o autor metaficcional se dirige a nós, fazendo-nos apelos comunicativos e chamando nossa atenção para a ficcionalidade do texto. Assim, o que faço nesta tese é mostrar que, uma vez que os ataques às noções de pessoa, intenção e autoritarismo interpretativo podem até dizer respeito ao escritor, mas jamais ao autor, este não pode nem deveria ser morto. O autor, busco provar, é um elemento constitutivo da linguagem ficcional e é também o outro com o qual nos comunicamos na leitura de romances metaficcionais. O resultado é que nossa interação com tal pessoa estética é fundamental para que, distinguindo as vozes do escritor, do narrador e da personagem, sejamos capazes de ler tais romances sem fazer interpretações problemáticas.Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2015-01-30T10:59:36Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Antônio Egno do Carmo Gomes - 2014.pdf: 2169920 bytes, checksum: 61507a60ee0b84092ffb70cc36652af0 (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-01-30T13:31:19Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Tese - Antônio Egno do Carmo Gomes - 2014.pdf: 2169920 bytes, checksum: 61507a60ee0b84092ffb70cc36652af0 (MD5)Made available in DSpace on 2015-01-30T13:31:19Z (GMT). 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dc.title.eng.fl_str_mv |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
dc.title.alternative.eng.fl_str_mv |
"Is there an author in this novel?" - The voice, the action and authors metafictional appeals |
title |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
spellingShingle |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional Gomes, Antônio Egno do Carmo Escritor Autor Narrador Personagem Romance metaficcional brasileiro Writer Author Narrator Character Brazilian metafictional novel LETRAS::TEORIA LITERARIA |
title_short |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
title_full |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
title_fullStr |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
title_full_unstemmed |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
title_sort |
“Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional |
author |
Gomes, Antônio Egno do Carmo |
author_facet |
Gomes, Antônio Egno do Carmo |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Faria, Zênia de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8316982495500415 |
dc.contributor.referee1.fl_str_mv |
Faria, Zênia de |
dc.contributor.referee2.fl_str_mv |
Camargo, Flávio Pereira |
dc.contributor.referee3.fl_str_mv |
Krause, Gustavo Bernardo |
dc.contributor.referee4.fl_str_mv |
Cavalheiro, Juciane dos Santos |
dc.contributor.referee5.fl_str_mv |
Santana, Jorge Alves |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0801235317376789 |
dc.contributor.author.fl_str_mv |
Gomes, Antônio Egno do Carmo |
contributor_str_mv |
Faria, Zênia de Faria, Zênia de Camargo, Flávio Pereira Krause, Gustavo Bernardo Cavalheiro, Juciane dos Santos Santana, Jorge Alves |
dc.subject.por.fl_str_mv |
Escritor Autor Narrador Personagem Romance metaficcional brasileiro |
topic |
Escritor Autor Narrador Personagem Romance metaficcional brasileiro Writer Author Narrator Character Brazilian metafictional novel LETRAS::TEORIA LITERARIA |
dc.subject.eng.fl_str_mv |
Writer Author Narrator Character Brazilian metafictional novel |
dc.subject.cnpq.fl_str_mv |
LETRAS::TEORIA LITERARIA |
description |
Following a general trend of the human sciences, the arrival of post-modernity in literary studies has culminated in the so-called “death of the author”. With resonances that can be noted in some theorists as Roland Barthes (2004), Michel Foucault (2006, 1996), Umberto Eco (2005, 2003, 2004, 2001, 1986), Stanley Fish (2003, 1990) and Linda Hutcheon (2000; 1991; 1984), the post-modern distrust in meaning and the conviction that what a literary work means not only does not depend on the author but also finds in him an obstacle to the reader’s creativity are widely disseminated notions that have found their place in the metafiction theory by means of Hutcheon (1991; 1984), and Patrícia Waugh (1984). However, in this thesis, based on the assumptions of the hermeneutic realism theory, an interpretive approach according to which the meaning of a text is prior to its reading and is in many respects does not dependent on it, I propose to review the role of the author in metafictional novels, searching for appropriate readings for such novels. My theory is that author and writer are separate entities and that, among the four sources of enunciation of a novel (writer, author, narrator and character), the author is the one responsible for opening the work, activating the reading and actualizing the metafictionality. By means of a dialogue with theorists from several fields of the human sciences, I seek to defend the author from his opponents and show that, in the relationships he establishes with the character in novels of protagonist writer (as in A Rainha dos cárceres da Grécia, Bufo & Spallanzani and O Chalaça), the metafictional author addresses us, making communicative calls to us, and calling our attention to the fictionality of the text. So, what I do in this thesis is to show that since the attacks to the notions of person, intention and interpretive authoritarianism may even relate to the writer , but never to the author, he cannot and should not be killed. The author, I seek to prove, is a constitutive element of fictional language and is also the other with whom we communicate in reading metafictional novels. The result is that our interaction with such aesthetic person is essential in order that, through the distinction of the voices of the writer, narrator and character, we may be able to read these novels without making problematic interpretations. |
publishDate |
2014 |
dc.date.issued.fl_str_mv |
2014-07-01 |
dc.date.accessioned.fl_str_mv |
2015-01-30T13:31:19Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
GOMES, Antônio Egno do Carmo. “Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional. 2014. 310 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/4030 |
identifier_str_mv |
GOMES, Antônio Egno do Carmo. “Há um autor neste romance?” - A voz, a ação e os apelos do autor metaficcional. 2014. 310 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/4030 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
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dc.relation.cnpq.fl_str_mv |
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dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Letras e Linguística (FL) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Letras - FL (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Repositório Institucional da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
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Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Repositório Institucional da UFG |
collection |
Repositório Institucional da UFG |
bitstream.url.fl_str_mv |
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bitstream.checksum.fl_str_mv |
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bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Repositório Institucional da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tasesdissertacoes.bc@ufg.br |
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1798044388048240640 |