Performances sonoras: uma escuta do cotidiano goianiense
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/10031 |
Resumo: | The research here systematized circumscribes the problem: do the sounds of daily life in the the city represent us culturally? There is a sound cultural performance of Goiânia? Therefore, our objective was to identify, collect and record sounds in four significant places of the city and, subsequently, edit them in order to make a sound installation called Windows Sounds. This installation, beyond the end in itself, also served as a mecanism to confirm or not whether there is a cultural sound performance in Goiânia, with the reception of the selected sounds. The research data were obtained through observation, listening, interview and questionnaires of the four most expressive sound territories of Goiânia, selected and considered that way by me. Data analisys was developed qualitatively, etnographic (with contributions of urban antropology) and based on theoretical discussions of these authors: Erving Goffman (1986, 2001, 2011, 2012); Richard Schechner (1985, 2002, 2003, 2006); Raymond Murray Schafer (1977, 2011); Victor Turner (1974, 1982), Sainy Veloso (2013, 2014); Roland Barthes (1990); Michael Certeau, Luce Giard and Pierre Mayol (1996); Clifford Geertz (1989); Carlos Fortuna (1998, 1999); José Guilherme Cantor Magnani (1998, 2007, 2013, 2016); Maurice Halbwachs (1980); Pierre Schaeffer (1950, 1966); Bernd Schulz (1999); Gilles Deleuze and Felix Guattari (1992), among others. We hope that this sensitive sound experience, conducted in the investigation, will contribute to the discussion of sounds as cultural sound performance and allow understanding the local culture in its diversity. |
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Veloso, Sainy Coelho Borgeshttp://lattes.cnpq.br/8715733169225465Veloso, Sainy Coelho BorgesSilva, Rubens Alves daStolf, Maria Raquel da SilvaOliveira, Vania Dolores Estevam deSantos, Rafael Guarato doshttp://lattes.cnpq.br/9625896355422965Oliveira, Thais Rodrigues2019-09-19T14:02:30Z2019-09-03OLIVEIRA, Thais Rodrigues. Performances sonoras: uma escuta do cotidiano goianiense. 2019. 291 f. Tese (Doutorado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10031The research here systematized circumscribes the problem: do the sounds of daily life in the the city represent us culturally? There is a sound cultural performance of Goiânia? Therefore, our objective was to identify, collect and record sounds in four significant places of the city and, subsequently, edit them in order to make a sound installation called Windows Sounds. This installation, beyond the end in itself, also served as a mecanism to confirm or not whether there is a cultural sound performance in Goiânia, with the reception of the selected sounds. The research data were obtained through observation, listening, interview and questionnaires of the four most expressive sound territories of Goiânia, selected and considered that way by me. Data analisys was developed qualitatively, etnographic (with contributions of urban antropology) and based on theoretical discussions of these authors: Erving Goffman (1986, 2001, 2011, 2012); Richard Schechner (1985, 2002, 2003, 2006); Raymond Murray Schafer (1977, 2011); Victor Turner (1974, 1982), Sainy Veloso (2013, 2014); Roland Barthes (1990); Michael Certeau, Luce Giard and Pierre Mayol (1996); Clifford Geertz (1989); Carlos Fortuna (1998, 1999); José Guilherme Cantor Magnani (1998, 2007, 2013, 2016); Maurice Halbwachs (1980); Pierre Schaeffer (1950, 1966); Bernd Schulz (1999); Gilles Deleuze and Felix Guattari (1992), among others. We hope that this sensitive sound experience, conducted in the investigation, will contribute to the discussion of sounds as cultural sound performance and allow understanding the local culture in its diversity.A investigação aqui sistematizada circunscreve a problemática: os sons do cotidiano da cidade nos representam culturalmente? Há uma performance cultural, sonora, goianiense? Se há, como ela se manifesta? Pressupomos que há uma performance sonora na cidade que caracteriza a performance cultural de seus cidadãos. Para tanto, nosso objetivo foi identificar, coletar, registrar sons em quatro lugares significativos para a cidade de Goiânia e, posteriormente, editá-los visando a realização de uma instalação sonora intitulada ‘Janelas sonoras’. Esta instalação, além do fim em si mesma, também nos serviu para confirmar ou não, se há uma performance sonora cultural goianiense, junto à recepção dos sons selecionados. Os dados da pesquisa foram obtidos por meio da observação, da escuta, de entrevistas e dos questionários a partir de quatro territórios sonoros mais expressivos de Goiânia, selecionados e assim considerados por mim. A análise dos dados foi realizada de maneira qualitativa, etnográfica (com contribuições de estudos da antropologia urbana) e fundamentada em discussões teóricas a partir dos autores: Erving Goffman (1986, 1959, 2011, 2012); Richard Schechner (1985, 2002, 2003, 2006); Victor Turner (1974, 1982); Sainy Veloso (2013, 2014); Raymond Murray Schafer (1977, 2011); Roland Barthes (1987, 1990); Michael Certeau, Luce Giard e Pierre Mayol (1996); Clifford Geertz (1989); Carlos Fortuna (1998, 1999); José Guilherme Cantor Magnani (1998, 2009, 2002, 2013, 2016); Maurice Halbwachs (1980,1990); Pierre Schaeffer (1950, 1966); Bernd Schulz (1999), entre outros. Esperamos que essa experiência sensível, sonora, realizada na investigação, contribua para a discussão dos sons como performance sonora cultural e permita entender a cultura local em sua diversidade.Submitted by Onia Arantes Albuquerque (onia.ufg@gmail.com) on 2019-09-18T14:21:55Z No. of bitstreams: 2 Tese - Thais Rodrigues Oliveira - 2019.pdf: 11007610 bytes, checksum: 01adeb674f3869ac8b75d3651e4c0a53 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-09-19T14:02:30Z (GMT) No. of bitstreams: 2 Tese - Thais Rodrigues Oliveira - 2019.pdf: 11007610 bytes, checksum: 01adeb674f3869ac8b75d3651e4c0a53 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-09-19T14:02:30Z (GMT). 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dc.title.eng.fl_str_mv |
Performances sonoras: uma escuta do cotidiano goianiense |
dc.title.alternative.eng.fl_str_mv |
Sound performances: a listening to the daily life of Goiânia |
title |
Performances sonoras: uma escuta do cotidiano goianiense |
spellingShingle |
Performances sonoras: uma escuta do cotidiano goianiense Oliveira, Thais Rodrigues Performances culturais Som e cidade Janelas sonoras Performance urbana Cultural performances Performance studies Sound and city Sound windows Urban performance OUTROS::CIENCIAS SOCIAIS |
title_short |
Performances sonoras: uma escuta do cotidiano goianiense |
title_full |
Performances sonoras: uma escuta do cotidiano goianiense |
title_fullStr |
Performances sonoras: uma escuta do cotidiano goianiense |
title_full_unstemmed |
Performances sonoras: uma escuta do cotidiano goianiense |
title_sort |
Performances sonoras: uma escuta do cotidiano goianiense |
author |
Oliveira, Thais Rodrigues |
author_facet |
Oliveira, Thais Rodrigues |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Veloso, Sainy Coelho Borges |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/8715733169225465 |
dc.contributor.referee1.fl_str_mv |
Veloso, Sainy Coelho Borges |
dc.contributor.referee2.fl_str_mv |
Silva, Rubens Alves da |
dc.contributor.referee3.fl_str_mv |
Stolf, Maria Raquel da Silva |
dc.contributor.referee4.fl_str_mv |
Oliveira, Vania Dolores Estevam de |
dc.contributor.referee5.fl_str_mv |
Santos, Rafael Guarato dos |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9625896355422965 |
dc.contributor.author.fl_str_mv |
Oliveira, Thais Rodrigues |
contributor_str_mv |
Veloso, Sainy Coelho Borges Veloso, Sainy Coelho Borges Silva, Rubens Alves da Stolf, Maria Raquel da Silva Oliveira, Vania Dolores Estevam de Santos, Rafael Guarato dos |
dc.subject.por.fl_str_mv |
Performances culturais Som e cidade Janelas sonoras Performance urbana |
topic |
Performances culturais Som e cidade Janelas sonoras Performance urbana Cultural performances Performance studies Sound and city Sound windows Urban performance OUTROS::CIENCIAS SOCIAIS |
dc.subject.eng.fl_str_mv |
Cultural performances Performance studies Sound and city Sound windows Urban performance |
dc.subject.cnpq.fl_str_mv |
OUTROS::CIENCIAS SOCIAIS |
description |
The research here systematized circumscribes the problem: do the sounds of daily life in the the city represent us culturally? There is a sound cultural performance of Goiânia? Therefore, our objective was to identify, collect and record sounds in four significant places of the city and, subsequently, edit them in order to make a sound installation called Windows Sounds. This installation, beyond the end in itself, also served as a mecanism to confirm or not whether there is a cultural sound performance in Goiânia, with the reception of the selected sounds. The research data were obtained through observation, listening, interview and questionnaires of the four most expressive sound territories of Goiânia, selected and considered that way by me. Data analisys was developed qualitatively, etnographic (with contributions of urban antropology) and based on theoretical discussions of these authors: Erving Goffman (1986, 2001, 2011, 2012); Richard Schechner (1985, 2002, 2003, 2006); Raymond Murray Schafer (1977, 2011); Victor Turner (1974, 1982), Sainy Veloso (2013, 2014); Roland Barthes (1990); Michael Certeau, Luce Giard and Pierre Mayol (1996); Clifford Geertz (1989); Carlos Fortuna (1998, 1999); José Guilherme Cantor Magnani (1998, 2007, 2013, 2016); Maurice Halbwachs (1980); Pierre Schaeffer (1950, 1966); Bernd Schulz (1999); Gilles Deleuze and Felix Guattari (1992), among others. We hope that this sensitive sound experience, conducted in the investigation, will contribute to the discussion of sounds as cultural sound performance and allow understanding the local culture in its diversity. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-09-19T14:02:30Z |
dc.date.issued.fl_str_mv |
2019-09-03 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
format |
doctoralThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Thais Rodrigues. Performances sonoras: uma escuta do cotidiano goianiense. 2019. 291 f. Tese (Doutorado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/10031 |
identifier_str_mv |
OLIVEIRA, Thais Rodrigues. Performances sonoras: uma escuta do cotidiano goianiense. 2019. 291 f. Tese (Doutorado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/10031 |
dc.language.iso.fl_str_mv |
por |
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por |
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7907732215094011389 |
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600 600 600 |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
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Universidade Federal de Goiás |
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Programa de Pós-graduação em Performances Culturais (FCS) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais - FCS (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
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