The prismatic poetry of Manuel Bandeira

Detalhes bibliográficos
Autor(a) principal: Donizeti Pires, Antônio
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signótica (Online)
Texto Completo: https://revistas.ufg.br/sig/article/view/49304
Resumo: Manuel Bandeira (1886-1968) is one of the most distinguished and beloved lyric poets of Brazil, whose activities in favor of the new modernist aesthetic include diverse areas of art, culture and education. He debuted in 1917 with The Ash of the Hours and soon became one of the icons of Modernism, well respected by the artists of The Week of Modern Art of São Paulo (1922). At the end of a productive poetic career, we can state that the best heritage of Bandeira is the universality, since he transited through the traditional and avant-garde forms and techniques and explored themes that embrace the lyrical tradition and those that emphasize the daily life and the bewilderment of the modern man in the big city.
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spelling The prismatic poetry of Manuel BandeiraLa poesía prismática de Manuel BandeiraA poesia prismática de Manuel BandeiraBrazilian poetry. Modernism. Manuel Bandeira. Thematic.Poesía brasileña. Modernismo. Manuel Bandeira. Temática.Poesia brasileira. Modernismo. Manuel Bandeira. Temática.Manuel Bandeira (1886-1968) is one of the most distinguished and beloved lyric poets of Brazil, whose activities in favor of the new modernist aesthetic include diverse areas of art, culture and education. He debuted in 1917 with The Ash of the Hours and soon became one of the icons of Modernism, well respected by the artists of The Week of Modern Art of São Paulo (1922). At the end of a productive poetic career, we can state that the best heritage of Bandeira is the universality, since he transited through the traditional and avant-garde forms and techniques and explored themes that embrace the lyrical tradition and those that emphasize the daily life and the bewilderment of the modern man in the big city.Manuel Bandeira (1886-1968) es de los más destacados y amados poetas líricos de Brasil, cuyas actividades en pro de la nueva estética modernista incluyen varios campos del arte, la cultura y la enseñanza. En 1917, con A cinza das horas, marcado por rasgos parnaso-simbolistas, pero pronto se convirtió en uno de los iconos del Modernismo, muy respetado por los artistas de la “Semana de Arte Moderno” de São Paulo (1922). Al final de una productiva carrera poética, se constata que la mejor herencia de Bandeira es la universalidad, pues transitó por las formas y técnicas tradicionales y vanguardistas y exploró temas que abarcan la tradición lírica y aquellos que resaltan el cotidiano y el desconcierto del hombre moderno en la gran ciudad.Manuel Bandeira (1886-1968) é dos mais destacados e amados poetas líricos do Brasil, cujas atividades em prol da nova estética modernista incluem vários campos da arte, da cultura e do ensino. Estreou em 1917 com A cinza das horas, vincado por ressaibos parnaso-simbolistas, mas logo se tornou um dos ícones do Modernismo, bastante respeitado pelos artistas da Semana de Arte Moderna de São Paulo (1922). Ao fim de uma produtiva carreira poética, constata-se que a melhor herança de Bandeira é a universalidade, pois transitou pelas formas e técnicas tradicionais e vanguardistas e explorou temas que abarcam a tradição lírica e aqueles que ressaltam o cotidiano e o desconcerto do homem moderno na grande cidade. Universidade Federal de Goiás2018-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.ufg.br/sig/article/view/4930410.5216/sig.v30i1.49304Signótica; Vol. 30 No. 1 (2018); 5-28Signótica; v. 30 n. 1 (2018); 5-282316-36900103-7250reponame:Signótica (Online)instname:Universidade Federal de Goiás (UFG)instacron:UFGporhttps://revistas.ufg.br/sig/article/view/49304/25097Copyright (c) 2018 Signóticahttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessDonizeti Pires, Antônio2023-10-16T21:36:30Zoai:ojs.revistas.ufg.br:article/49304Revistahttp://www.revistas.ufg.br/index.php/sig/indexPUBhttps://www.revistas.ufg.br/sig/oaisignotica@gmail.com2316-36900103-7250opendoar:2023-10-16T21:36:30Signótica (Online) - Universidade Federal de Goiás (UFG)false
dc.title.none.fl_str_mv The prismatic poetry of Manuel Bandeira
La poesía prismática de Manuel Bandeira
A poesia prismática de Manuel Bandeira
title The prismatic poetry of Manuel Bandeira
spellingShingle The prismatic poetry of Manuel Bandeira
Donizeti Pires, Antônio
Brazilian poetry. Modernism. Manuel Bandeira. Thematic.
Poesía brasileña. Modernismo. Manuel Bandeira. Temática.
Poesia brasileira. Modernismo. Manuel Bandeira. Temática.
title_short The prismatic poetry of Manuel Bandeira
title_full The prismatic poetry of Manuel Bandeira
title_fullStr The prismatic poetry of Manuel Bandeira
title_full_unstemmed The prismatic poetry of Manuel Bandeira
title_sort The prismatic poetry of Manuel Bandeira
author Donizeti Pires, Antônio
author_facet Donizeti Pires, Antônio
author_role author
dc.contributor.author.fl_str_mv Donizeti Pires, Antônio
dc.subject.por.fl_str_mv Brazilian poetry. Modernism. Manuel Bandeira. Thematic.
Poesía brasileña. Modernismo. Manuel Bandeira. Temática.
Poesia brasileira. Modernismo. Manuel Bandeira. Temática.
topic Brazilian poetry. Modernism. Manuel Bandeira. Thematic.
Poesía brasileña. Modernismo. Manuel Bandeira. Temática.
Poesia brasileira. Modernismo. Manuel Bandeira. Temática.
description Manuel Bandeira (1886-1968) is one of the most distinguished and beloved lyric poets of Brazil, whose activities in favor of the new modernist aesthetic include diverse areas of art, culture and education. He debuted in 1917 with The Ash of the Hours and soon became one of the icons of Modernism, well respected by the artists of The Week of Modern Art of São Paulo (1922). At the end of a productive poetic career, we can state that the best heritage of Bandeira is the universality, since he transited through the traditional and avant-garde forms and techniques and explored themes that embrace the lyrical tradition and those that emphasize the daily life and the bewilderment of the modern man in the big city.
publishDate 2018
dc.date.none.fl_str_mv 2018-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.ufg.br/sig/article/view/49304
10.5216/sig.v30i1.49304
url https://revistas.ufg.br/sig/article/view/49304
identifier_str_mv 10.5216/sig.v30i1.49304
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ufg.br/sig/article/view/49304/25097
dc.rights.driver.fl_str_mv Copyright (c) 2018 Signótica
https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Signótica
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Goiás
publisher.none.fl_str_mv Universidade Federal de Goiás
dc.source.none.fl_str_mv Signótica; Vol. 30 No. 1 (2018); 5-28
Signótica; v. 30 n. 1 (2018); 5-28
2316-3690
0103-7250
reponame:Signótica (Online)
instname:Universidade Federal de Goiás (UFG)
instacron:UFG
instname_str Universidade Federal de Goiás (UFG)
instacron_str UFG
institution UFG
reponame_str Signótica (Online)
collection Signótica (Online)
repository.name.fl_str_mv Signótica (Online) - Universidade Federal de Goiás (UFG)
repository.mail.fl_str_mv signotica@gmail.com
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