Memória, pertencimento e negritude nas danças de rua

• Autor(a) principal: Neiva, Charley da Silva
• Data de Publicação: 2022
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações da UFG
• Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/12378
• topic: Memórias; Pertencimento; Dança de rua; Antropologia; Memories; Belonging; Street dance; Anthropology; CIENCIAS HUMANAS::ANTROPOLOGIA::ANTROPOLOGIA URBANA

This Project is the continuation of a research that started in my graduation in dance, related to my trajectory as a dancer and has the purpose to share the experiences and habits of individuals of Urban Dances and their main militancy of this culture in the city of Aparecida de Goiânia and goiânia. Based on research with formal researchers through literature, providing more support to the testimonies of non-formal dance artists, activists of this segment. In an attempt to emphasize his artistic body and pedagogical contributions in formative and non-formative teaching spaces in the ramification of the old Funk to the Hip Hop of today, specifically in the city of Goiânia and Aparecida de Goiânia. In this way, emphasizing the feeling of belonging, making the practices of this culture gain more vision and be more valued, reaching the same value as the "Eurocentric" dances, which today do not contemplate individuals with as much magnitude as urban dances, being the same part of the culture of the massive people of the periphery of Aparecida de Goiânia and Goiânia, with this, seeking a strengthening mainly in the teaching of these dances within the Universities. Urban dances aim to provide their supporters with a form of self-affirmation before society, demonstrating a resistance movement marked by the empowerment of black and urban culture.