Artistic practice in Kaingang indian community: For a collaborative methodology
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pós (Universidade Federal de Minas Gerais. Online) |
Texto Completo: | https://periodicos.ufmg.br/index.php/revistapos/article/view/16119 |
Resumo: | The affective DNA artistic project kame and kanhru, a collaborative art practice in a kaingang indigenous community, is the benchmark for thinking about ways to make collaborative art. Thus, the purpose of this article is to investigate how these practices are constituted. For this, it is based on speeches by contemporary artists and art critics engaged in political and social artistic practices, such as Helguera (2011) Kester (2011) and Lacy (1995). Thus, we seek to answer the questions: what is the artist's place and performance? How to conceive the timing of these practices and who is your audience? How to talk about a collaborative authorship and how are these practices learned from the art system? As a result of such inquiries, methodological possibilities are presented in the field of collaborative art. |
id |
UFMG-12_cee88729e45967e9f6e5a3e1436b5308 |
---|---|
oai_identifier_str |
oai:periodicos.ufmg.br:article/16119 |
network_acronym_str |
UFMG-12 |
network_name_str |
Pós (Universidade Federal de Minas Gerais. Online) |
repository_id_str |
|
spelling |
Artistic practice in Kaingang indian community: For a collaborative methodologyPrática artística em comunidade indígena Kaingang: Por uma metodologia colaborativaArte ContemporâneaArte ColaborativaComunidadeContemporary ArtCollaborative ArtCommunityThe affective DNA artistic project kame and kanhru, a collaborative art practice in a kaingang indigenous community, is the benchmark for thinking about ways to make collaborative art. Thus, the purpose of this article is to investigate how these practices are constituted. For this, it is based on speeches by contemporary artists and art critics engaged in political and social artistic practices, such as Helguera (2011) Kester (2011) and Lacy (1995). Thus, we seek to answer the questions: what is the artist's place and performance? How to conceive the timing of these practices and who is your audience? How to talk about a collaborative authorship and how are these practices learned from the art system? As a result of such inquiries, methodological possibilities are presented in the field of collaborative art.O projeto artístico DNA afetivo kame e kanhru, prática artística colaborativa em uma comunidade indígena kaingang, é a referência para pensarmos em modos de fazer colaborativos em arte. Assim, o objetivo desse artigo é investigar como essas práticas se constituem. Para isso, baseia-se em discursos de artistas e críticos de arte contemporâneos engajados em práticas artísticas de cunho político e social, tais como Helguera (2011) Kester (2011) e Lacy (1995). Desse modo, busca-se responder as questões: qual é o lugar do artista e sua atuação? Como conceber o tempo dessas práticas e quem é o seu público? Como falar de uma autoria colaborativa e de que forma se apreendem essas práticas a partir do sistema de arte? Como resultado de tais indagações, apresentam-se possibilidades metodológicas no campo da arte colaborativa.Universidade Federal de Minas Gerais2019-11-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufmg.br/index.php/revistapos/article/view/1611910.35699/2237-5864.2019.16119PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 18: nov.2019 - apr.2020; 129-147PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 18: nov.2019 - abr.2020; 129-147PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 18: nov.2019 - abr.2020; 129-1472238-20461982-9507reponame:Pós (Universidade Federal de Minas Gerais. Online)instname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/revistapos/article/view/16119/12951Copyright (c) 2019 Kalinka Lorenci Mallmann, Andreia Machado Oliveira, Marcelo Eugenio Soaresinfo:eu-repo/semantics/openAccess Mallmann, Kalinka LorenciOliveira, Andreia MachadoPereira, Marcelo Eugenio Soares2020-09-30T21:05:19Zoai:periodicos.ufmg.br:article/16119Revistahttps://periodicos.ufmg.br/index.php/revistaposPUBhttps://periodicos.ufmg.br/index.php/revistapos/oairevistapos.ppga@gmail.com2238-20461982-9507opendoar:2020-09-30T21:05:19Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG)false |
dc.title.none.fl_str_mv |
Artistic practice in Kaingang indian community: For a collaborative methodology Prática artística em comunidade indígena Kaingang: Por uma metodologia colaborativa |
title |
Artistic practice in Kaingang indian community: For a collaborative methodology |
spellingShingle |
Artistic practice in Kaingang indian community: For a collaborative methodology Mallmann, Kalinka Lorenci Arte Contemporânea Arte Colaborativa Comunidade Contemporary Art Collaborative Art Community |
title_short |
Artistic practice in Kaingang indian community: For a collaborative methodology |
title_full |
Artistic practice in Kaingang indian community: For a collaborative methodology |
title_fullStr |
Artistic practice in Kaingang indian community: For a collaborative methodology |
title_full_unstemmed |
Artistic practice in Kaingang indian community: For a collaborative methodology |
title_sort |
Artistic practice in Kaingang indian community: For a collaborative methodology |
author |
Mallmann, Kalinka Lorenci |
author_facet |
Mallmann, Kalinka Lorenci Oliveira, Andreia Machado Pereira, Marcelo Eugenio Soares |
author_role |
author |
author2 |
Oliveira, Andreia Machado Pereira, Marcelo Eugenio Soares |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Mallmann, Kalinka Lorenci Oliveira, Andreia Machado Pereira, Marcelo Eugenio Soares |
dc.subject.por.fl_str_mv |
Arte Contemporânea Arte Colaborativa Comunidade Contemporary Art Collaborative Art Community |
topic |
Arte Contemporânea Arte Colaborativa Comunidade Contemporary Art Collaborative Art Community |
description |
The affective DNA artistic project kame and kanhru, a collaborative art practice in a kaingang indigenous community, is the benchmark for thinking about ways to make collaborative art. Thus, the purpose of this article is to investigate how these practices are constituted. For this, it is based on speeches by contemporary artists and art critics engaged in political and social artistic practices, such as Helguera (2011) Kester (2011) and Lacy (1995). Thus, we seek to answer the questions: what is the artist's place and performance? How to conceive the timing of these practices and who is your audience? How to talk about a collaborative authorship and how are these practices learned from the art system? As a result of such inquiries, methodological possibilities are presented in the field of collaborative art. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-11-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16119 10.35699/2237-5864.2019.16119 |
url |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16119 |
identifier_str_mv |
10.35699/2237-5864.2019.16119 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufmg.br/index.php/revistapos/article/view/16119/12951 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Kalinka Lorenci Mallmann, Andreia Machado Oliveira, Marcelo Eugenio Soares info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Kalinka Lorenci Mallmann, Andreia Machado Oliveira, Marcelo Eugenio Soares |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
publisher.none.fl_str_mv |
Universidade Federal de Minas Gerais |
dc.source.none.fl_str_mv |
PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 9 No. 18: nov.2019 - apr.2020; 129-147 PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 9 Núm. 18: nov.2019 - abr.2020; 129-147 PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 9 n. 18: nov.2019 - abr.2020; 129-147 2238-2046 1982-9507 reponame:Pós (Universidade Federal de Minas Gerais. Online) instname:Universidade Federal de Minas Gerais (UFMG) instacron:UFMG |
instname_str |
Universidade Federal de Minas Gerais (UFMG) |
instacron_str |
UFMG |
institution |
UFMG |
reponame_str |
Pós (Universidade Federal de Minas Gerais. Online) |
collection |
Pós (Universidade Federal de Minas Gerais. Online) |
repository.name.fl_str_mv |
Pós (Universidade Federal de Minas Gerais. Online) - Universidade Federal de Minas Gerais (UFMG) |
repository.mail.fl_str_mv |
revistapos.ppga@gmail.com |
_version_ |
1797049081422413824 |