Erwartung’s expressionism facing the problem of musical fetishism

Detalhes bibliográficos
Autor(a) principal: Freitas, Philippe Curimbaba
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39731
Resumo: Arnold Schoenberg’s monodrama Erwartung was characterized on one hand, as the epitome of expressionism and, on the other, as a composition not definable by formal categories. This involves three moments: first, the development of Adorno’s concept of musical fetishism; second, the approach to the relationship of expression and convention seen from the perspective of musical fetishism, which enables us to approximate some notions as the denial of convention, the Romantic denial of musical objectivism in favor of subjective expression, and the refusal of fetishized material; and finally, the approach to the Erwartung, showing that the problem of convention, objectivism and fetishism still remains in a piece which leads the radicalization of expression through denial of convention to theultimate consequences.
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spelling Erwartung’s expressionism facing the problem of musical fetishismEl expresionismo de Erwartung frente a la el problema del fetichismo musicalO expressionismo de Erwartung diante do problema do fetichismo musicalArnold SchoenbergExpressionism in musicMusical formMusical fetishismArnold SchoenbergExpressionismo musicalForma musicalFetichismo musicalArnold SchoenbergExpresionismo musicalForma musicalFetichismo musicalArnold Schoenberg’s monodrama Erwartung was characterized on one hand, as the epitome of expressionism and, on the other, as a composition not definable by formal categories. This involves three moments: first, the development of Adorno’s concept of musical fetishism; second, the approach to the relationship of expression and convention seen from the perspective of musical fetishism, which enables us to approximate some notions as the denial of convention, the Romantic denial of musical objectivism in favor of subjective expression, and the refusal of fetishized material; and finally, the approach to the Erwartung, showing that the problem of convention, objectivism and fetishism still remains in a piece which leads the radicalization of expression through denial of convention to theultimate consequences.El monodrama Erwartung de Arnold Schoenberg fue caracterizado, por un lado, como una síntesis del expresionismo y, por otro, como una composición no definible mediante categorías formales. Esto se realiza en tres momentos: En primer lugar, se desarrolla el concepto adorniano de fetichismo musical; en segundo lugar, se aborda la relación entre expresión y convención a la luz del problema del fetichismo musical, lo que permite aproximarse a nociones como la negación de la convención, la negación romántica del objetivismo musical en favor de la expresión subjetiva y el rechazo de los materiales fetichizados; en tercer lugar, se aborda Erwartung, mostrando cómo el problema de la convención, el objetivismo y el fetichismo no dejan de aparecer en una obra que lleva hasta sus últimas consecuencias la radicalización de la expresión a través de la negación de la convención.O monodrama Erwartung, de Arnold Schoenberg, foi caracterizado por um lado como síntese do expressionismo e, por outro, como uma composição não definível por meio de categorias formais. Isto é realizado em três momentos: primeiro, desenvolve-se o conceito adorniano de fetichismo musical; segundo, aborda-se a relação entre a expressão e a convenção à luz do problema do fetichismo musical, o que permite aproximar noções como a negação da convenção, a negação romântica do objetivismo musical em prol da expressão subjetiva e a recusa de materiais fetichizados; em terceiro lugar, aborda-se Erwartung, mostrando como o problema da convenção, do objetivismo e do fetichismo não deixam de aparecer em uma peça que leva às últimas consequências a radicalização da expressão pela negação da convenção.Universidade Federal de Minas Gerais (UFMG)2013-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39731Per Musi; No. 27 (2013): General Topics; 1-14Per Musi; Núm. 27 (2013): General Topics; 1-14Per Musi; n. 27 (2013): General Topics; 1-142317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39731/30483http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFreitas, Philippe Curimbaba 2022-06-03T19:21:31Zoai:periodicos.ufmg.br:article/39731Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-06-03T19:21:31Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv Erwartung’s expressionism facing the problem of musical fetishism
El expresionismo de Erwartung frente a la el problema del fetichismo musical
O expressionismo de Erwartung diante do problema do fetichismo musical
title Erwartung’s expressionism facing the problem of musical fetishism
spellingShingle Erwartung’s expressionism facing the problem of musical fetishism
Freitas, Philippe Curimbaba
Arnold Schoenberg
Expressionism in music
Musical form
Musical fetishism
Arnold Schoenberg
Expressionismo musical
Forma musical
Fetichismo musical
Arnold Schoenberg
Expresionismo musical
Forma musical
Fetichismo musical
title_short Erwartung’s expressionism facing the problem of musical fetishism
title_full Erwartung’s expressionism facing the problem of musical fetishism
title_fullStr Erwartung’s expressionism facing the problem of musical fetishism
title_full_unstemmed Erwartung’s expressionism facing the problem of musical fetishism
title_sort Erwartung’s expressionism facing the problem of musical fetishism
author Freitas, Philippe Curimbaba
author_facet Freitas, Philippe Curimbaba
author_role author
dc.contributor.author.fl_str_mv Freitas, Philippe Curimbaba
dc.subject.por.fl_str_mv Arnold Schoenberg
Expressionism in music
Musical form
Musical fetishism
Arnold Schoenberg
Expressionismo musical
Forma musical
Fetichismo musical
Arnold Schoenberg
Expresionismo musical
Forma musical
Fetichismo musical
topic Arnold Schoenberg
Expressionism in music
Musical form
Musical fetishism
Arnold Schoenberg
Expressionismo musical
Forma musical
Fetichismo musical
Arnold Schoenberg
Expresionismo musical
Forma musical
Fetichismo musical
description Arnold Schoenberg’s monodrama Erwartung was characterized on one hand, as the epitome of expressionism and, on the other, as a composition not definable by formal categories. This involves three moments: first, the development of Adorno’s concept of musical fetishism; second, the approach to the relationship of expression and convention seen from the perspective of musical fetishism, which enables us to approximate some notions as the denial of convention, the Romantic denial of musical objectivism in favor of subjective expression, and the refusal of fetishized material; and finally, the approach to the Erwartung, showing that the problem of convention, objectivism and fetishism still remains in a piece which leads the radicalization of expression through denial of convention to theultimate consequences.
publishDate 2013
dc.date.none.fl_str_mv 2013-06-13
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
text
text
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format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39731
url https://periodicos.ufmg.br/index.php/permusi/article/view/39731
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39731/30483
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 27 (2013): General Topics; 1-14
Per Musi; Núm. 27 (2013): General Topics; 1-14
Per Musi; n. 27 (2013): General Topics; 1-14
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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