The free musical improvisation and the philosophy of Gilles Deleuze

Detalhes bibliográficos
Autor(a) principal: Costa, Rogério Luiz Moraes
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/39946
Resumo: Recently, improvisation has been integrated as a theme increasingly present in scholarly environments and it is now considered as an important line of research. Our thinking about free improvisation, besides relying on our practical experience, has the work of French philosopher Gilles Deleuze as a central reference from which we borrow key concepts such as stratification, territory, plan of consistency, molarity and molecularity, body without organs, rhythm, means and refrain. In this article, originally published in Perspectives of New Music, number 49, v.1, we will try to show how these concepts help us think and support the free musical improvisation as we conceive it in our practical and theoretical work.
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spelling The free musical improvisation and the philosophy of Gilles DeleuzeLa improvisación musical libre y la filosofía por Gilles DeleuzeA livre improvisação musical e a filosofia de Gilles DeleuzeFree improvisationPhilosophyGilles DeleuzeLivre improvisaçãoFilosofia da músicaGilles DeleuzeImprovisación libreFilosofía de la músicaGilles DeleuzeRecently, improvisation has been integrated as a theme increasingly present in scholarly environments and it is now considered as an important line of research. Our thinking about free improvisation, besides relying on our practical experience, has the work of French philosopher Gilles Deleuze as a central reference from which we borrow key concepts such as stratification, territory, plan of consistency, molarity and molecularity, body without organs, rhythm, means and refrain. In this article, originally published in Perspectives of New Music, number 49, v.1, we will try to show how these concepts help us think and support the free musical improvisation as we conceive it in our practical and theoretical work.En los últimos años, la improvisación se ha convertido en un tema cada vez más presente en los entornos académicos y se considera hoy en día una importante línea de investigación. Nuestra reflexión sobre la improvisación libre, además de basarse en nuestras experiencias prácticas, tiene como una de sus principales referencias la obra del filósofo francés Gilles Deleuze, de quien tomamos prestados conceptos fundamentales como estratificación, territorio, plano de consistencia, molaridad y molecularidad, cuerpo sin órganos, ritmo, medios y ritornelo. En este artículo, publicado originalmente en el número 49, vol. 1 de Perspectivas de la Nueva Música, intentaremos mostrar cómo estos conceptos nos ayudan a pensar y fundamentar la improvisación musical libre tal y como la concebimos en nuestro trabajo práctico y teórico.  Nos últimos anos a improvisação passou a figurar como um tema cada vez mais presente nos ambientes acadêmicos e hoje é considerada uma importante linha de pesquisa. A nossa reflexão sobre a livre improvisação, além de se apoiar em nossas experiências práticas, tem como uma das suas principais referências a obra do filósofo francês Gilles Deleuze de quem são emprestados conceitos fundamentais tais como, estratificação, território, plano de consistência, molaridade e molecularidade, corpo sem órgãos, ritmo, meios e ritornelo. Neste artigo, originalmente publicado no número 49, vol. 1 da revista Perspectives of New Music, trataremos de mostrar de que forma estes conceitos nos auxiliam a pensar e fundamentar a livre improvisação musical conforme a concebemos em nossos trabalhos práticos e teóricos.Universidade Federal de Minas Gerais (UFMG)2012-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/39946Per Musi; No. 26 (2012): General Topics; 1-7Per Musi; Núm. 26 (2012): General Topics; 1-7Per Musi; n. 26 (2012): General Topics; 1-72317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/39946/30673http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCosta, Rogério Luiz Moraes 2022-07-01T19:19:58Zoai:periodicos.ufmg.br:article/39946Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2022-07-01T19:19:58Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The free musical improvisation and the philosophy of Gilles Deleuze
La improvisación musical libre y la filosofía por Gilles Deleuze
A livre improvisação musical e a filosofia de Gilles Deleuze
title The free musical improvisation and the philosophy of Gilles Deleuze
spellingShingle The free musical improvisation and the philosophy of Gilles Deleuze
Costa, Rogério Luiz Moraes
Free improvisation
Philosophy
Gilles Deleuze
Livre improvisação
Filosofia da música
Gilles Deleuze
Improvisación libre
Filosofía de la música
Gilles Deleuze
title_short The free musical improvisation and the philosophy of Gilles Deleuze
title_full The free musical improvisation and the philosophy of Gilles Deleuze
title_fullStr The free musical improvisation and the philosophy of Gilles Deleuze
title_full_unstemmed The free musical improvisation and the philosophy of Gilles Deleuze
title_sort The free musical improvisation and the philosophy of Gilles Deleuze
author Costa, Rogério Luiz Moraes
author_facet Costa, Rogério Luiz Moraes
author_role author
dc.contributor.author.fl_str_mv Costa, Rogério Luiz Moraes
dc.subject.por.fl_str_mv Free improvisation
Philosophy
Gilles Deleuze
Livre improvisação
Filosofia da música
Gilles Deleuze
Improvisación libre
Filosofía de la música
Gilles Deleuze
topic Free improvisation
Philosophy
Gilles Deleuze
Livre improvisação
Filosofia da música
Gilles Deleuze
Improvisación libre
Filosofía de la música
Gilles Deleuze
description Recently, improvisation has been integrated as a theme increasingly present in scholarly environments and it is now considered as an important line of research. Our thinking about free improvisation, besides relying on our practical experience, has the work of French philosopher Gilles Deleuze as a central reference from which we borrow key concepts such as stratification, territory, plan of consistency, molarity and molecularity, body without organs, rhythm, means and refrain. In this article, originally published in Perspectives of New Music, number 49, v.1, we will try to show how these concepts help us think and support the free musical improvisation as we conceive it in our practical and theoretical work.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-10
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info:eu-repo/semantics/publishedVersion
text
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39946
url https://periodicos.ufmg.br/index.php/permusi/article/view/39946
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/39946/30673
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 26 (2012): General Topics; 1-7
Per Musi; Núm. 26 (2012): General Topics; 1-7
Per Musi; n. 26 (2012): General Topics; 1-7
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
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instname_str Universidade Federal de Minas Gerais (UFMG)
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reponame_str Per Musi
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repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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