The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds

Detalhes bibliográficos
Autor(a) principal: Morais, Ronan Gil de
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/48450
Resumo: SIX-XEN, the acoustic instrument created by Iannis Xenakis for Pléïades (1978), is representative of the composer's creative process and his interest in percussion. The creator's own descriptions, as well as the connections between the object and his theoretical and practical work, shed light on structuring and fundamental aspects of the conceptual and sonic universe of Xenakis' research. These aspects can be observed through different documents: initial sketches, manuscripts, different editions of Pléïades, letters, personal notes and interviews. As an object created by a composer, the instrument has characteristics that are a direct reflection of its creator's practical and aesthetic approaches. Taking this into consideration, this article addresses the Xenakian percussive instrument with an emphasis on: microtonality, acoustic beat, glissando and variability through non-faithful repetitions. In creating the SIX-XEN, Xenakis entrusted the percussionist community with an enormous responsibility because the research and the construction of prototypes are constant challenges in order to play his piece.
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spelling The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding soundsEl SIX-XEN de Iannis Xenakis: una pléyade de sonidos en constante expansiónO SIX-XEN de Iannis Xenakis: uma plêiade de sons em contínua expansãoIannis XenakisSIX-XENPléïadesacoustic instrumentpercussionIannis XenakisSIX-XENPléïadesinstrumento acústicopercussãoIannis XenakisSIX-XENPléïadesinstrumento acústicopercusiónSIX-XEN, the acoustic instrument created by Iannis Xenakis for Pléïades (1978), is representative of the composer's creative process and his interest in percussion. The creator's own descriptions, as well as the connections between the object and his theoretical and practical work, shed light on structuring and fundamental aspects of the conceptual and sonic universe of Xenakis' research. These aspects can be observed through different documents: initial sketches, manuscripts, different editions of Pléïades, letters, personal notes and interviews. As an object created by a composer, the instrument has characteristics that are a direct reflection of its creator's practical and aesthetic approaches. Taking this into consideration, this article addresses the Xenakian percussive instrument with an emphasis on: microtonality, acoustic beat, glissando and variability through non-faithful repetitions. In creating the SIX-XEN, Xenakis entrusted the percussionist community with an enormous responsibility because the research and the construction of prototypes are constant challenges in order to play his piece.SIX-XEN, el instrumento acústico creado por Iannis Xenakis para Pléïades (1978), es representativo del proceso creativo del compositor y de su apreciación de la percusión. Las descripciones del propio creador, así como las conexiones entre el objeto y su trabajo teórico y práctico, arrojan luz sobre aspectos estructurantes y fundamentales del universo conceptual y sonoro de la investigación de Xenakis. Estos aspectos pueden observarse a través de diferentes documentos: bocetos iniciales, manuscritos, diferentes ediciones de Pléïades, correspondencia, notas personales y entrevistas. Como objeto creado por un compositor, el instrumento posee características que son un reflejo directo de los planteamientos prácticos y estéticos más profundos de su creador. Teniendo esto en cuenta, este artículo examina el instrumento percusivo xenakiano haciendo hincapié en: microtonalidad, batimento acústico, glissando y variabilidad a través de repeticiones no fieles. Al crear el SIX-XEN, Xenakis confió a la comunidad de percusionistas una enorme responsabilidad, ya que la investigación y la construcción de prototipos son desafios constantes a la hora de interpretar su obra.O SIX-XEN, instrumento acústico criado por Iannis Xenakis para Pléïades (1978), é representativo do processo criativo do compositor e seu apreço pela percussão. As descrições do próprio criador, bem como as conexões entre o objeto e seu trabalho teórico e prático, trazem luzes sobre aspectos estruturantes e fundamentais do universo conceitual e sonoro da pesquisa xenakiana. Estes aspectos podem ser observados através de diferentes documentos: esboços iniciais, manuscritos, diferentes edições de Pléïades, correspondências, notas pessoais e entrevistas. Enquanto objeto criado por um compositor, o instrumento possui características que são reflexos diretos das abordagens práticas e estéticas mais profundas de seu criador. Nesse sentindo, o presente artigo aborda o instrumento percussivo xenakiano com ênfase em: microtonalidade, batimento acústico, glissando e variabilidade através de repetições não-fiéis. Ao criar o SIX-XEN, Xenakis confiou à comunidade de percussionistas uma enorme responsabilidade, pois a pesquisa e a construção de protótipos são desafios constantes para se tocar sua peça.Universidade Federal de Minas Gerais (UFMG)2023-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontexttextinfo:eu-repo/semantics/othertext/htmltext/xmlapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/4845010.35699/2317-6377.2023.48450Per Musi; Vol. 24 (2023): General Topics; 1-31Per Musi; Vol. 24 (2023): General Topics; 1-31Per Musi; v. 24 (2023): General Topics; 1-312317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/48450/43386https://periodicos.ufmg.br/index.php/permusi/article/view/48450/43387https://periodicos.ufmg.br/index.php/permusi/article/view/48450/43388Copyright (c) 2023 Per Musihttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMorais, Ronan Gil de2024-02-23T12:13:23Zoai:periodicos.ufmg.br:article/48450Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2024-02-23T12:13:23Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
El SIX-XEN de Iannis Xenakis: una pléyade de sonidos en constante expansión
O SIX-XEN de Iannis Xenakis: uma plêiade de sons em contínua expansão
title The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
spellingShingle The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
Morais, Ronan Gil de
Iannis Xenakis
SIX-XEN
Pléïades
acoustic instrument
percussion
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percussão
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percusión
title_short The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
title_full The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
title_fullStr The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
title_full_unstemmed The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
title_sort The SIX-XEN by Iannis Xenakis: a Pleiad of ever-expanding sounds
author Morais, Ronan Gil de
author_facet Morais, Ronan Gil de
author_role author
dc.contributor.author.fl_str_mv Morais, Ronan Gil de
dc.subject.por.fl_str_mv Iannis Xenakis
SIX-XEN
Pléïades
acoustic instrument
percussion
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percussão
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percusión
topic Iannis Xenakis
SIX-XEN
Pléïades
acoustic instrument
percussion
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percussão
Iannis Xenakis
SIX-XEN
Pléïades
instrumento acústico
percusión
description SIX-XEN, the acoustic instrument created by Iannis Xenakis for Pléïades (1978), is representative of the composer's creative process and his interest in percussion. The creator's own descriptions, as well as the connections between the object and his theoretical and practical work, shed light on structuring and fundamental aspects of the conceptual and sonic universe of Xenakis' research. These aspects can be observed through different documents: initial sketches, manuscripts, different editions of Pléïades, letters, personal notes and interviews. As an object created by a composer, the instrument has characteristics that are a direct reflection of its creator's practical and aesthetic approaches. Taking this into consideration, this article addresses the Xenakian percussive instrument with an emphasis on: microtonality, acoustic beat, glissando and variability through non-faithful repetitions. In creating the SIX-XEN, Xenakis entrusted the percussionist community with an enormous responsibility because the research and the construction of prototypes are constant challenges in order to play his piece.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-26
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url https://periodicos.ufmg.br/index.php/permusi/article/view/48450
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dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/48450/43386
https://periodicos.ufmg.br/index.php/permusi/article/view/48450/43387
https://periodicos.ufmg.br/index.php/permusi/article/view/48450/43388
dc.rights.driver.fl_str_mv Copyright (c) 2023 Per Musi
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Per Musi
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; Vol. 24 (2023): General Topics; 1-31
Per Musi; Vol. 24 (2023): General Topics; 1-31
Per Musi; v. 24 (2023): General Topics; 1-31
2317-6377
1517-7599
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