Art as expression of life as the will of power in Friedrich Nietzsche

Detalhes bibliográficos
Autor(a) principal: Brandão, Ricardo Evangelista
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Griot : Revista de Filosofia
Texto Completo: http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1726
Resumo: This article seeks to investigate art as an emblematic example of life as will to power, from the perspective of Friedrich Nietzsche. According to Nietzsche life is a constant creating and recreating without a pre-defined teleology. It is precisely this aspect that art expresses a more transparent way what life is therefore art is precisely the process of creation and recreation without a purpose beyond creation itself. The art from the perspective of the artist is always unfinished and so he continues to create, is as if the artist somehow would capture what life is, and reveal it in their art and in the creative process. The art besides being like everything else, moved by the will to power, to the extent that she herself is a constant drive by creating, reveals a very peculiar way the pathos that is life as will to power that always surpasses herself . Therefore, to realize the true artist against the current world how content and content as form, realizes the inverted world, and in this reversal look allows play with life, creating and transforming the current New. Furthermore, to the extent that the figures are contrasted by a necessary one photographer to support the existence, for the inversion of true reality is a reality in its many situations created. Criticized the values ​​exemplified by the action of the artist's conception of truth inaugurated by Socratic and Platonism, which in a way is based on a kind of deification of the rational concept. Our Philosopher explicit reversal of Platonism asserts that the truth-conceptual-rational metaphysics has less value than the irrationality of artistic pathos.
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spelling Art as expression of life as the will of power in Friedrich NietzscheA arte como expressão da vida como vontade de poder em Friedrich NietzscheFriedrich Nietzsche; Art; Will to Power.Friedrich Nietzsche; Arte; Vontade de Poder.This article seeks to investigate art as an emblematic example of life as will to power, from the perspective of Friedrich Nietzsche. According to Nietzsche life is a constant creating and recreating without a pre-defined teleology. It is precisely this aspect that art expresses a more transparent way what life is therefore art is precisely the process of creation and recreation without a purpose beyond creation itself. The art from the perspective of the artist is always unfinished and so he continues to create, is as if the artist somehow would capture what life is, and reveal it in their art and in the creative process. The art besides being like everything else, moved by the will to power, to the extent that she herself is a constant drive by creating, reveals a very peculiar way the pathos that is life as will to power that always surpasses herself . Therefore, to realize the true artist against the current world how content and content as form, realizes the inverted world, and in this reversal look allows play with life, creating and transforming the current New. Furthermore, to the extent that the figures are contrasted by a necessary one photographer to support the existence, for the inversion of true reality is a reality in its many situations created. Criticized the values ​​exemplified by the action of the artist's conception of truth inaugurated by Socratic and Platonism, which in a way is based on a kind of deification of the rational concept. Our Philosopher explicit reversal of Platonism asserts that the truth-conceptual-rational metaphysics has less value than the irrationality of artistic pathos.O presente artigo pretende investigar a arte como um emblemático exemplo da vida como vontade de poder, segundo a perspectiva de Friedrich Nietzsche. Segundo Nietzsche a vida é um constante criar e recriar sem uma teleologia pré-definida. É justamente por este aspecto que a arte expressa de forma mais transparente o que a vida é, pois, a arte é justamente o processo de criação e recriação sem uma finalidade para além da própria criação. A arte na perspectiva do artista está sempre inconclusa e por isso ele não cessa de criar, é como se o artista de alguma maneira captasse o que a vida é, e revelasse isso em sua arte e no processo de criação. A arte além de ser como tudo o mais, movida pela vontade de poder, na medida em que ela mesma é uma pulsão pelo constante criar, revela de forma muito peculiar o pathos que é a vida como vontade de poder que sempre supera a si mesma. Portanto, o verdadeiro artista ao perceber contra a corrente do mundo a forma como conteúdo e o conteúdo como forma, percebe o mundo invertido, e essa inversão no olhar o possibilita brincar com a vida, criando e transformando o atual em novo. Além disso, na medida em que os valores contrapostos pelo artista são uma mentira necessária para suportar a existência, em sua inversão da realidade encontra a verdadeira realidade em suas inúmeras realidades criadas. Os valores criticados exemplificados pela ação do artista é a concepção de verdade inaugurada pelo Socratismo e Platonismo, que de certa forma é fundamentada em uma espécie de divinização da racionalidade em detrimento do pathos. Nosso filósofo em explícita inversão do Platonismo afirma que a verdade racional-conceitual-metafísica tem menos valor que a irracionalidade do pathos artístico.Universidade Federal do Recôncavo da Bahia2020-06-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer-ReviewedEvaluados por los paresAvaliados pelos paresapplication/pdfhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/172610.31977/grirfi.v20i2.1726Griot : Revista de Filosofia; v. 20 n. 2 (2020); 190-2012178-1036reponame:Griot : Revista de Filosofiainstname:Universidade Federal do Recôncavo na Bahia (UFRB)instacron:UFRBporhttp://www3.ufrb.edu.br/seer/index.php/griot/article/view/1726/1044Copyright (c) 2020 Ricardo Evangelista Brandãohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBrandão, Ricardo Evangelista2020-08-07T21:40:53Zoai:seer.www.ufrb.edu.br:article/1726Revistahttp://www.ufrb.edu.br/griot/PUBhttp://www3.ufrb.edu.br/seer/index.php/griot/oai||griotrevista@gmail.com2178-10362178-1036opendoar:2020-08-07T21:40:53Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)false
dc.title.none.fl_str_mv Art as expression of life as the will of power in Friedrich Nietzsche
A arte como expressão da vida como vontade de poder em Friedrich Nietzsche
title Art as expression of life as the will of power in Friedrich Nietzsche
spellingShingle Art as expression of life as the will of power in Friedrich Nietzsche
Brandão, Ricardo Evangelista
Friedrich Nietzsche; Art; Will to Power.
Friedrich Nietzsche; Arte; Vontade de Poder.
title_short Art as expression of life as the will of power in Friedrich Nietzsche
title_full Art as expression of life as the will of power in Friedrich Nietzsche
title_fullStr Art as expression of life as the will of power in Friedrich Nietzsche
title_full_unstemmed Art as expression of life as the will of power in Friedrich Nietzsche
title_sort Art as expression of life as the will of power in Friedrich Nietzsche
author Brandão, Ricardo Evangelista
author_facet Brandão, Ricardo Evangelista
author_role author
dc.contributor.author.fl_str_mv Brandão, Ricardo Evangelista
dc.subject.por.fl_str_mv Friedrich Nietzsche; Art; Will to Power.
Friedrich Nietzsche; Arte; Vontade de Poder.
topic Friedrich Nietzsche; Art; Will to Power.
Friedrich Nietzsche; Arte; Vontade de Poder.
description This article seeks to investigate art as an emblematic example of life as will to power, from the perspective of Friedrich Nietzsche. According to Nietzsche life is a constant creating and recreating without a pre-defined teleology. It is precisely this aspect that art expresses a more transparent way what life is therefore art is precisely the process of creation and recreation without a purpose beyond creation itself. The art from the perspective of the artist is always unfinished and so he continues to create, is as if the artist somehow would capture what life is, and reveal it in their art and in the creative process. The art besides being like everything else, moved by the will to power, to the extent that she herself is a constant drive by creating, reveals a very peculiar way the pathos that is life as will to power that always surpasses herself . Therefore, to realize the true artist against the current world how content and content as form, realizes the inverted world, and in this reversal look allows play with life, creating and transforming the current New. Furthermore, to the extent that the figures are contrasted by a necessary one photographer to support the existence, for the inversion of true reality is a reality in its many situations created. Criticized the values ​​exemplified by the action of the artist's conception of truth inaugurated by Socratic and Platonism, which in a way is based on a kind of deification of the rational concept. Our Philosopher explicit reversal of Platonism asserts that the truth-conceptual-rational metaphysics has less value than the irrationality of artistic pathos.
publishDate 2020
dc.date.none.fl_str_mv 2020-06-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-Reviewed
Evaluados por los pares
Avaliados pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1726
10.31977/grirfi.v20i2.1726
url http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1726
identifier_str_mv 10.31977/grirfi.v20i2.1726
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://www3.ufrb.edu.br/seer/index.php/griot/article/view/1726/1044
dc.rights.driver.fl_str_mv Copyright (c) 2020 Ricardo Evangelista Brandão
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Ricardo Evangelista Brandão
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Recôncavo da Bahia
publisher.none.fl_str_mv Universidade Federal do Recôncavo da Bahia
dc.source.none.fl_str_mv Griot : Revista de Filosofia; v. 20 n. 2 (2020); 190-201
2178-1036
reponame:Griot : Revista de Filosofia
instname:Universidade Federal do Recôncavo na Bahia (UFRB)
instacron:UFRB
instname_str Universidade Federal do Recôncavo na Bahia (UFRB)
instacron_str UFRB
institution UFRB
reponame_str Griot : Revista de Filosofia
collection Griot : Revista de Filosofia
repository.name.fl_str_mv Griot : Revista de Filosofia - Universidade Federal do Recôncavo na Bahia (UFRB)
repository.mail.fl_str_mv ||griotrevista@gmail.com
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