Performance, Charivari, and Politics

Detalhes bibliográficos
Autor(a) principal: Medeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Estudos da Presença
Texto Completo: https://seer.ufrgs.br/index.php/presenca/article/view/41695
Resumo: This paper is about performance, charivari, i.e., political demonstration in the streets with its necessary disorganization, and politics. In order to accomplish this, we debate with Amselek, Lacan, Derrida, Agamben, and Rancière discussing the beginning: aisthesis, tohu-bohu or language? Real or reality? The performance is not fiction or representation. It does not present, it manifests, makes present, it puts something that was not there before. Art can be fiction. The performance to which we refer is not fiction: it throws in the face the real irreducible to representations.
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spelling Performance, Charivari, and PoliticsPerformance, Charivari et PolitiquePerformance, Charivari e PolíticaPerformanceAesthesisCharivariManifestationPoliticsPerformanceAisthesisCharivariManifestationPolitiquePerformanceAisthesisCharivariManifestaçãoPolíticaThis paper is about performance, charivari, i.e., political demonstration in the streets with its necessary disorganization, and politics. In order to accomplish this, we debate with Amselek, Lacan, Derrida, Agamben, and Rancière discussing the beginning: aisthesis, tohu-bohu or language? Real or reality? The performance is not fiction or representation. It does not present, it manifests, makes present, it puts something that was not there before. Art can be fiction. The performance to which we refer is not fiction: it throws in the face the real irreducible to representations.Ce texte traite de la performance et du charivari, c’est-à-dire d’une manifestation publique dans les rues avec sa désorganisation nécessaire et politique. Pour ce faire, il met en dialogue Amselek, Lacan, Derrida, Agamben, Rancière dans une réflexion autour du commencement: aisthesis, tohu bohu, ou langage? Réel ou réalité? La performance n’est ni fiction ni représentation. Elle présente, rend présent quelque chose qui n’était pas donnée d’avance. L’art peut être une fiction. La performance à laquelle nous faisons référence n’est pas une fiction: elle jette sur le visage le réel irréductible aux représentations.Este texto trata de performance, charivari, isto é, manifestação política de rua com sua desorganização necessária, e política.Para tanto, conversa com Amselek, Lacan, Derrida, Agamben e Rancière, discutindo o início: aisthesis, tohu-bohu ou linguagem? Real ou realidade? A performance não é ficção nem representação. Ela não apresenta, ela presenta, presentifica, torna presente algo que antes não estava posto. A arte pode ser ficção. A performance à qual nos referimos não éficção: ela joga na cara o real irredutível a representações.Universidade Federal do Rio Grande do Sul2022-10-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/41695Brazilian Journal on Presence Studies; Vol. 4 No. 1 (2014): jan./apr. 2014; 47-59Révue Brésilienne d'Études de la Présence; Vol. 4 No. 1 (2014): jan./abr. 2014; 47-59Révue Brésilienne d'Études de la Présence; Vol. 4 No 1 (2014): jan./abr. 2014; 47-59Revista Brasileira de Estudos da Presença; v. 4 n. 1 (2014): jan./abr. 2014; 47-592237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/presenca/article/view/41695/50845Copyright (c) 2022 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessMedeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz2022-10-16T21:00:50Zoai:seer.ufrgs.br:article/41695Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2022-10-16T21:00:50Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Performance, Charivari, and Politics
Performance, Charivari et Politique
Performance, Charivari e Política
title Performance, Charivari, and Politics
spellingShingle Performance, Charivari, and Politics
Medeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz
Performance
Aesthesis
Charivari
Manifestation
Politics
Performance
Aisthesis
Charivari
Manifestation
Politique
Performance
Aisthesis
Charivari
Manifestação
Política
title_short Performance, Charivari, and Politics
title_full Performance, Charivari, and Politics
title_fullStr Performance, Charivari, and Politics
title_full_unstemmed Performance, Charivari, and Politics
title_sort Performance, Charivari, and Politics
author Medeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz
author_facet Medeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz
author_role author
dc.contributor.author.fl_str_mv Medeiros (Universidade de Brasília, Brasília/DF, Brasil), Maria Beatriz
dc.subject.por.fl_str_mv Performance
Aesthesis
Charivari
Manifestation
Politics
Performance
Aisthesis
Charivari
Manifestation
Politique
Performance
Aisthesis
Charivari
Manifestação
Política
topic Performance
Aesthesis
Charivari
Manifestation
Politics
Performance
Aisthesis
Charivari
Manifestation
Politique
Performance
Aisthesis
Charivari
Manifestação
Política
description This paper is about performance, charivari, i.e., political demonstration in the streets with its necessary disorganization, and politics. In order to accomplish this, we debate with Amselek, Lacan, Derrida, Agamben, and Rancière discussing the beginning: aisthesis, tohu-bohu or language? Real or reality? The performance is not fiction or representation. It does not present, it manifests, makes present, it puts something that was not there before. Art can be fiction. The performance to which we refer is not fiction: it throws in the face the real irreducible to representations.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/41695
url https://seer.ufrgs.br/index.php/presenca/article/view/41695
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/presenca/article/view/41695/50845
dc.rights.driver.fl_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Revista Brasileira de Estudos da Presença
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Brazilian Journal on Presence Studies; Vol. 4 No. 1 (2014): jan./apr. 2014; 47-59
Révue Brésilienne d'Études de la Présence; Vol. 4 No. 1 (2014): jan./abr. 2014; 47-59
Révue Brésilienne d'Études de la Présence; Vol. 4 No 1 (2014): jan./abr. 2014; 47-59
Revista Brasileira de Estudos da Presença; v. 4 n. 1 (2014): jan./abr. 2014; 47-59
2237-2660
reponame:Revista Brasileira de Estudos da Presença
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Revista Brasileira de Estudos da Presença
collection Revista Brasileira de Estudos da Presença
repository.name.fl_str_mv Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||rev.presenca@gmail.com
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