“Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba

Detalhes bibliográficos
Autor(a) principal: Toulhoat, Mélanie
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Anos 90 (Online)
Texto Completo: https://seer.ufrgs.br/index.php/anos90/article/view/111842
Resumo: Born in 1974 during the Brazilian military regime, the Piracicaba Salon of Humour was created by the initiative of local cartoonists and representatives of the São Paulo municipality, on the margin of the great south-eastern Brazilian cultural axis “Rio de Janeiro–São Paulo”. Entirely dedicated to the creation, promotion and dissemination of graphic humour, the event, largely rooted in the protest against authoritarianism, has met several challenges over the years, among them the valorisation of the national graphic production. Encouragedby the municipality, over the years the event has brought together cartoonists, comic strip artists, publishers, and other professionals in the context of competitions, exhibitions, debates, round tables and informal chats, with the aim of reflecting on the outlines of a profession and an artistic field which are very rich and creative but faced with major difficulties. The oscillations of the Salon, especially in the early years, between internationalization and valorisation of the national graphic heritage, appear symptomatic of the fundamental stakes of the Brazilian comic strip during the 1970s. 
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spelling “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba‘Opções e luta do quadrinho nacional’: Reflexões e debates sobre a valorização das HQ brasileiras e latino-americanas em PiracicabaSalon of Humour. Piracicaba. Comics. Graphic humour. Military Regime.Salão de HumorPiracicabaHistórias em QuadrinhosHumor gráficoRegime Militar.Salão de humor de PiracicabaBorn in 1974 during the Brazilian military regime, the Piracicaba Salon of Humour was created by the initiative of local cartoonists and representatives of the São Paulo municipality, on the margin of the great south-eastern Brazilian cultural axis “Rio de Janeiro–São Paulo”. Entirely dedicated to the creation, promotion and dissemination of graphic humour, the event, largely rooted in the protest against authoritarianism, has met several challenges over the years, among them the valorisation of the national graphic production. Encouragedby the municipality, over the years the event has brought together cartoonists, comic strip artists, publishers, and other professionals in the context of competitions, exhibitions, debates, round tables and informal chats, with the aim of reflecting on the outlines of a profession and an artistic field which are very rich and creative but faced with major difficulties. The oscillations of the Salon, especially in the early years, between internationalization and valorisation of the national graphic heritage, appear symptomatic of the fundamental stakes of the Brazilian comic strip during the 1970s. Nascido em 1974 durante o regime militar brasileiro, o Salão de Humor de Piracicaba foi criado pela iniciativa de cartunistas locais e representantes da municipalidade paulista, na margem do grande eixo cultural do sudeste brasileiro “Rio de Janeiro–São Paulo”. Inteiramente dedicado à criação, à promoção e à divulgação do humor gráfico, o evento, em grande parte enraizado no protesto contra o autoritarismo, respondeu a vários desafios ao longo dos anos, dentro deles a valorização da produção gráfica nacional. Incentivado pela municipalidade, o evento reuniu, ao largo dos anos, desenhistas, quadrinistas,editores e outros profissionais no âmbito de concursos, exposições, debates, mesas redondas e bate-papos informais, com o objetivo de refletir sobre os contornos de uma profissão e de um campo artístico muito ricos e criativos, mas que enfrentavam dificuldades importantes. As oscilações do Salão, principalmente nos primeiros anos, entre internacionalização e valorização do patrimônio gráfico nacional, aparecem sintomáticas das apostas fundamentais das histórias em quadrinhos brasileiras durante os anos 1970.UFRGS2021-12-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/anos90/article/view/11184210.22456/1983-201X.111842Anos 90; Vol. 28 (2021); 1-14Anos 90; v. 28 (2021); 1-141983-201X0104-236Xreponame:Anos 90 (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGS-30porhttps://seer.ufrgs.br/index.php/anos90/article/view/111842/65545Copyright (c) 2021 Anos 90info:eu-repo/semantics/openAccessToulhoat, Mélanie2022-02-10T22:13:57Zoai:seer.ufrgs.br:article/111842Revistahttps://seer.ufrgs.br/anos90PUBhttps://seer.ufrgs.br/anos90/oaianos90@ufrgs.br||1983-201X0104-236Xopendoar:2022-02-10T22:13:57Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
‘Opções e luta do quadrinho nacional’: Reflexões e debates sobre a valorização das HQ brasileiras e latino-americanas em Piracicaba
title “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
spellingShingle “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
Toulhoat, Mélanie
Salon of Humour. Piracicaba. Comics. Graphic humour. Military Regime.
Salão de Humor
Piracicaba
Histórias em Quadrinhos
Humor gráfico
Regime Militar.
Salão de humor de Piracicaba
title_short “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
title_full “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
title_fullStr “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
title_full_unstemmed “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
title_sort “Opções e luta do quadrinho nacional”: Reflections and debates about the valorization of comic books during the 70’s in Piracicaba
author Toulhoat, Mélanie
author_facet Toulhoat, Mélanie
author_role author
dc.contributor.author.fl_str_mv Toulhoat, Mélanie
dc.subject.por.fl_str_mv Salon of Humour. Piracicaba. Comics. Graphic humour. Military Regime.
Salão de Humor
Piracicaba
Histórias em Quadrinhos
Humor gráfico
Regime Militar.
Salão de humor de Piracicaba
topic Salon of Humour. Piracicaba. Comics. Graphic humour. Military Regime.
Salão de Humor
Piracicaba
Histórias em Quadrinhos
Humor gráfico
Regime Militar.
Salão de humor de Piracicaba
description Born in 1974 during the Brazilian military regime, the Piracicaba Salon of Humour was created by the initiative of local cartoonists and representatives of the São Paulo municipality, on the margin of the great south-eastern Brazilian cultural axis “Rio de Janeiro–São Paulo”. Entirely dedicated to the creation, promotion and dissemination of graphic humour, the event, largely rooted in the protest against authoritarianism, has met several challenges over the years, among them the valorisation of the national graphic production. Encouragedby the municipality, over the years the event has brought together cartoonists, comic strip artists, publishers, and other professionals in the context of competitions, exhibitions, debates, round tables and informal chats, with the aim of reflecting on the outlines of a profession and an artistic field which are very rich and creative but faced with major difficulties. The oscillations of the Salon, especially in the early years, between internationalization and valorisation of the national graphic heritage, appear symptomatic of the fundamental stakes of the Brazilian comic strip during the 1970s. 
publishDate 2021
dc.date.none.fl_str_mv 2021-12-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/111842
10.22456/1983-201X.111842
url https://seer.ufrgs.br/index.php/anos90/article/view/111842
identifier_str_mv 10.22456/1983-201X.111842
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/anos90/article/view/111842/65545
dc.rights.driver.fl_str_mv Copyright (c) 2021 Anos 90
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Anos 90
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRGS
publisher.none.fl_str_mv UFRGS
dc.source.none.fl_str_mv Anos 90; Vol. 28 (2021); 1-14
Anos 90; v. 28 (2021); 1-14
1983-201X
0104-236X
reponame:Anos 90 (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS-30
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS-30
institution UFRGS-30
reponame_str Anos 90 (Online)
collection Anos 90 (Online)
repository.name.fl_str_mv Anos 90 (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
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