Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010

Detalhes bibliográficos
Autor(a) principal: Oliveira, Fabio Eloi de
Data de Publicação: 2021
Outros Autores: Künsch, Dimas A.
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/108576
Resumo: The four advertising for launching Nike campaigns for the World Cups from 2006 to 2018, and particularly the most extensive of them, Mandingas, for the 2010 World Cup, are the subject of this essay, focusing on the imagined Brazil from which this ad production drift. It is intended to show how the largest sporting goods company in the world interacts with the social imaginary, in a double sense, both in the search for its references in that imaginary and, at the same time, in the food and reproduction of these symbolic constructions through the films produced. Methodologically, the research is based on Depth Hermeneutics, as formulated by John B. Thompson, with the support of content analysis and in the broader light of understanding as a method. The text hopes to promote an understanding of how advertising can act as a link between the brand and its audience, which means, in the specific case, with the Brazilian nation itself.
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spelling Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010A Nike e o Brasil imaginado: a produção do comercial Mandingas para a Copa do Mundo de 2010ComunicaçãoPublicidadeImaginário socialCompreensãoNikeCommunicationPublicitySocial imaginaryUnderstandingNikeThe four advertising for launching Nike campaigns for the World Cups from 2006 to 2018, and particularly the most extensive of them, Mandingas, for the 2010 World Cup, are the subject of this essay, focusing on the imagined Brazil from which this ad production drift. It is intended to show how the largest sporting goods company in the world interacts with the social imaginary, in a double sense, both in the search for its references in that imaginary and, at the same time, in the food and reproduction of these symbolic constructions through the films produced. Methodologically, the research is based on Depth Hermeneutics, as formulated by John B. Thompson, with the support of content analysis and in the broader light of understanding as a method. The text hopes to promote an understanding of how advertising can act as a link between the brand and its audience, which means, in the specific case, with the Brazilian nation itself.Os quatro comerciais de lançamento das campanhas da Nike para as Copas do Mundo de 2006 a 2018, e particularmente o mais extenso deles, Mandingas, para a Copa de 2010, constituem o objeto deste ensaio, com foco no Brasil imaginado do qual essa produção publicitária deriva. Pretende-se mostrar como a maior empresa de artigos esportivos do mundo interage com o imaginário social, num duplo sentido, tanto da busca de seus referenciais nesse imaginário como, ao mesmo tempo, de alimento e reprodução dessas construções simbólicas por meio dos filmes produzidos. Metodologicamente, a pesquisa toma por base a Hermenêutica de Profundidade, como formulada por John B. Thompson, com o suporte da análise de conteúdo e à luz mais ampla da compreensão como método. O texto espera promover a compreensão a respeito de como a publicidade pode atuar como formadora de vínculos entre a marca e o seu público, o que significa, no caso específico, com a própria nação brasileira.Universidade Federal do Rio Grande do Sul2021-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10857610.19132/1807-8583202152.108576Intexto; No. 52 (2021); 108576Intexto; Núm. 52 (2021); 108576Intexto; No. 52 (2021); 108576Intexto; N. 52 (2021); 108576Intexto; n. 52 (2021); 1085761807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/108576/63696Copyright (c) 2021 Fabio Eloi de Oliveira, Dimas A. Künschhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessOliveira, Fabio Eloi deKünsch, Dimas A.2023-02-06T11:42:58Zoai:seer.ufrgs.br:article/108576Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T11:42:58Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
A Nike e o Brasil imaginado: a produção do comercial Mandingas para a Copa do Mundo de 2010
title Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
spellingShingle Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
Oliveira, Fabio Eloi de
Comunicação
Publicidade
Imaginário social
Compreensão
Nike
Communication
Publicity
Social imaginary
Understanding
Nike
title_short Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
title_full Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
title_fullStr Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
title_full_unstemmed Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
title_sort Nike and imagined Brazil: the production of the commercial Mandingas for the World Cup 2010
author Oliveira, Fabio Eloi de
author_facet Oliveira, Fabio Eloi de
Künsch, Dimas A.
author_role author
author2 Künsch, Dimas A.
author2_role author
dc.contributor.author.fl_str_mv Oliveira, Fabio Eloi de
Künsch, Dimas A.
dc.subject.por.fl_str_mv Comunicação
Publicidade
Imaginário social
Compreensão
Nike
Communication
Publicity
Social imaginary
Understanding
Nike
topic Comunicação
Publicidade
Imaginário social
Compreensão
Nike
Communication
Publicity
Social imaginary
Understanding
Nike
description The four advertising for launching Nike campaigns for the World Cups from 2006 to 2018, and particularly the most extensive of them, Mandingas, for the 2010 World Cup, are the subject of this essay, focusing on the imagined Brazil from which this ad production drift. It is intended to show how the largest sporting goods company in the world interacts with the social imaginary, in a double sense, both in the search for its references in that imaginary and, at the same time, in the food and reproduction of these symbolic constructions through the films produced. Methodologically, the research is based on Depth Hermeneutics, as formulated by John B. Thompson, with the support of content analysis and in the broader light of understanding as a method. The text hopes to promote an understanding of how advertising can act as a link between the brand and its audience, which means, in the specific case, with the Brazilian nation itself.
publishDate 2021
dc.date.none.fl_str_mv 2021-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/108576
10.19132/1807-8583202152.108576
url https://seer.ufrgs.br/index.php/intexto/article/view/108576
identifier_str_mv 10.19132/1807-8583202152.108576
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/108576/63696
dc.rights.driver.fl_str_mv Copyright (c) 2021 Fabio Eloi de Oliveira, Dimas A. Künsch
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Fabio Eloi de Oliveira, Dimas A. Künsch
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 52 (2021); 108576
Intexto; Núm. 52 (2021); 108576
Intexto; No. 52 (2021); 108576
Intexto; N. 52 (2021); 108576
Intexto; n. 52 (2021); 108576
1807-8583
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