Gender choreographies in K-pop covers

Detalhes bibliográficos
Autor(a) principal: Soares, Thiago
Data de Publicação: 2022
Outros Autores: Silva, Lúcio Souza Ferreira da
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/110437
Resumo: K-pop cover groups (K-covers) embody their South Korean idols in online and offline choreographic practices while, from the specificity of their bodies, “choreograph gender” in their performance appearances. The relevance of this investigation is to present theoretical and methodological tools for the analysis of pop culture phenomena (covers), from the intersections of the notions of interculturality and gender studies. It presents, as methodology, the analysis of videos of K-pop cover groups in which LGBTQIA + young people (black, fat and trans) re-enact choreography of K-pop girl groups promoting intercultural erasures. As a result, it presents the resignification of aegyo (here thought of as “cuteness” by female K-pop groups) that, choreographed by LGBTQIA + young people in contexts outside South Korea, operate under the logic of fierceness and “slayness”.
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spelling Gender choreographies in K-pop coversCoreografias de gênero em covers de K-popCultura popK-popInterculturalidadeGêneroPerformancePop cultureK-popInterculturalityGenderPerformanceK-pop cover groups (K-covers) embody their South Korean idols in online and offline choreographic practices while, from the specificity of their bodies, “choreograph gender” in their performance appearances. The relevance of this investigation is to present theoretical and methodological tools for the analysis of pop culture phenomena (covers), from the intersections of the notions of interculturality and gender studies. It presents, as methodology, the analysis of videos of K-pop cover groups in which LGBTQIA + young people (black, fat and trans) re-enact choreography of K-pop girl groups promoting intercultural erasures. As a result, it presents the resignification of aegyo (here thought of as “cuteness” by female K-pop groups) that, choreographed by LGBTQIA + young people in contexts outside South Korea, operate under the logic of fierceness and “slayness”.Grupos covers de K-pop (K-covers) corporificam seus ídolos sul-coreanos em práticas coreográficas online e offline ao mesmo tempo que, a partir da especificidade de seus corpos, coreografam o gênero em suas aparições performáticas. A relevância desta investigação está em apresentar ferramentas teórico-metodológicas para a análise de fenômenos da cultura pop (os covers), a partir das intersecções das noções de interculturalidade e dos estudos de gênero. Apresenta, como metodologia, a análise de vídeos de grupos covers de K-pop em que jovens LGBTQIA+ (negros, gordos e trans) reencenam coreografias de girl groups (grupos de garotas) de K-pop promovendo rasuras performáticas interculturais. Como resultado, apresenta a ressignificação do aegyo (aqui pensado como “fofura” dos grupos femininos de K-pop) que, coreografado por jovens LGBTQIA+ em contextos fora da Coreia do Sul, operam sob a lógica do close, da fechação e do lacre.Universidade Federal do Rio Grande do Sul2022-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/11043710.19132/1807-8583202253.110437Intexto; No. 53 (2022); 110437Intexto; Núm. 53 (2022); 110437Intexto; No. 53 (2022); 110437Intexto; N. 53 (2022); 110437Intexto; n. 53 (2022); 1104371807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/110437/86249Copyright (c) 2022 Thiago Soares, Lúcio Souza Ferreira da Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSoares, ThiagoSilva, Lúcio Souza Ferreira da2023-07-17T18:23:35Zoai:seer.ufrgs.br:article/110437Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-17T18:23:35Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Gender choreographies in K-pop covers
Coreografias de gênero em covers de K-pop
title Gender choreographies in K-pop covers
spellingShingle Gender choreographies in K-pop covers
Soares, Thiago
Cultura pop
K-pop
Interculturalidade
Gênero
Performance
Pop culture
K-pop
Interculturality
Gender
Performance
title_short Gender choreographies in K-pop covers
title_full Gender choreographies in K-pop covers
title_fullStr Gender choreographies in K-pop covers
title_full_unstemmed Gender choreographies in K-pop covers
title_sort Gender choreographies in K-pop covers
author Soares, Thiago
author_facet Soares, Thiago
Silva, Lúcio Souza Ferreira da
author_role author
author2 Silva, Lúcio Souza Ferreira da
author2_role author
dc.contributor.author.fl_str_mv Soares, Thiago
Silva, Lúcio Souza Ferreira da
dc.subject.por.fl_str_mv Cultura pop
K-pop
Interculturalidade
Gênero
Performance
Pop culture
K-pop
Interculturality
Gender
Performance
topic Cultura pop
K-pop
Interculturalidade
Gênero
Performance
Pop culture
K-pop
Interculturality
Gender
Performance
description K-pop cover groups (K-covers) embody their South Korean idols in online and offline choreographic practices while, from the specificity of their bodies, “choreograph gender” in their performance appearances. The relevance of this investigation is to present theoretical and methodological tools for the analysis of pop culture phenomena (covers), from the intersections of the notions of interculturality and gender studies. It presents, as methodology, the analysis of videos of K-pop cover groups in which LGBTQIA + young people (black, fat and trans) re-enact choreography of K-pop girl groups promoting intercultural erasures. As a result, it presents the resignification of aegyo (here thought of as “cuteness” by female K-pop groups) that, choreographed by LGBTQIA + young people in contexts outside South Korea, operate under the logic of fierceness and “slayness”.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/110437
10.19132/1807-8583202253.110437
url https://seer.ufrgs.br/index.php/intexto/article/view/110437
identifier_str_mv 10.19132/1807-8583202253.110437
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/110437/86249
dc.rights.driver.fl_str_mv Copyright (c) 2022 Thiago Soares, Lúcio Souza Ferreira da Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Thiago Soares, Lúcio Souza Ferreira da Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 53 (2022); 110437
Intexto; Núm. 53 (2022); 110437
Intexto; No. 53 (2022); 110437
Intexto; N. 53 (2022); 110437
Intexto; n. 53 (2022); 110437
1807-8583
reponame:Intexto (Porto Alegre)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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