A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day

Detalhes bibliográficos
Autor(a) principal: Arthur de Faria, Luis Roberto
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/101353
Resumo: Based on two works by Vilém Flusser,  A escrita: há futuro para a escrita?  (2010) and O universo das imagens técnicas (2012), this article discusses the production of screenplays from the perspective of the philosopher on writing and the creation of technical images. As these two works of Flusser can indicate, screenplays can compose a textual genre focuses on programming people’s thinking and conducting. This article shows a piece of the script of the miniseries Today is Maria’s day  [Hoje é dia de Maria] (2005) as a possibility of escape of this programming disposition. This miniseries was written by Luís Alberto de Abreu and Luiz Fernando Carvalho from an original script written by Carlos Alberto Soffredini. By facing the piece of the referred script with the perspective of the philosopher on writing, along with the creation of technical images, this article shows the possibility of  screenplays being a television´s media text that transcends the disposition of programming people. Screenplays can therefore reprogram people. Screenplays can provoke a look of strangeness thus making people think about what they read or watch.
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spelling A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s dayUm apontamento à visão de Vilém Flusser sobre a escrita de roteiros ante a minissérie Hoje é dia de MariaFlusser. Roteiro. Escrita. Minissérie. Hoje é dia de MariaFlusser. Screenplay. Writing. Miniseries. Today is Maria’s day.Based on two works by Vilém Flusser,  A escrita: há futuro para a escrita?  (2010) and O universo das imagens técnicas (2012), this article discusses the production of screenplays from the perspective of the philosopher on writing and the creation of technical images. As these two works of Flusser can indicate, screenplays can compose a textual genre focuses on programming people’s thinking and conducting. This article shows a piece of the script of the miniseries Today is Maria’s day  [Hoje é dia de Maria] (2005) as a possibility of escape of this programming disposition. This miniseries was written by Luís Alberto de Abreu and Luiz Fernando Carvalho from an original script written by Carlos Alberto Soffredini. By facing the piece of the referred script with the perspective of the philosopher on writing, along with the creation of technical images, this article shows the possibility of  screenplays being a television´s media text that transcends the disposition of programming people. Screenplays can therefore reprogram people. Screenplays can provoke a look of strangeness thus making people think about what they read or watch.O presente trabalho baseia-se em duas obras do filósofo Vilém Flusser, A escrita: há futuro para a escrita?  (2010) e O universo das imagens técnicas (2012), para debater a produção de roteiros a partir da perspectiva do filósofo sobre o ato de escrever e a criação de imagens técnicas. O encontro entre essas duas obras permite considerar que os roteiros constituem um gênero textual voltado à programação dos pensamentos e comportamentos dos sujeitos. Como possibilidade de linha de fuga a essa disposição programadora, apresenta-se um trecho de roteiro da minissérie Hoje é dia de Maria (2005), escrita por Luís Alberto de Abreu e Luiz Fernando Carvalho, a partir de original de Carlos Alberto Soffredini . O confronto entre esse trecho de roteiro e o debate entre as obras de Flusser permite afirmar a possibilidade de escrever um texto para a mídia televisiva como um objeto capaz de transcender essa disposição programadora dos sujeitos. Assim, sugere-se que há roteiros  que podem reprogramar os sujeitos, configurando estranhamentos que os levem a refletir sobre o que é dito na obra ou ao que assistem.Universidade Federal do Rio Grande do Sul2020-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10135310.19132/1807-8583202051.342-361Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361Intexto; Núm. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361Intexto; N. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361Intexto; n. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-3611807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/101353/59520Copyright (c) 2020 Luis Roberto Arthur de Fariahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessArthur de Faria, Luis Roberto2023-02-09T13:37:41Zoai:seer.ufrgs.br:article/101353Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-09T13:37:41Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
Um apontamento à visão de Vilém Flusser sobre a escrita de roteiros ante a minissérie Hoje é dia de Maria
title A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
spellingShingle A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
Arthur de Faria, Luis Roberto
Flusser. Roteiro. Escrita. Minissérie. Hoje é dia de Maria
Flusser. Screenplay. Writing. Miniseries. Today is Maria’s day.
title_short A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
title_full A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
title_fullStr A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
title_full_unstemmed A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
title_sort A note about the view of Vilém Flusser on screenwriting before the miniseries Today is Maria’s day
author Arthur de Faria, Luis Roberto
author_facet Arthur de Faria, Luis Roberto
author_role author
dc.contributor.author.fl_str_mv Arthur de Faria, Luis Roberto
dc.subject.por.fl_str_mv Flusser. Roteiro. Escrita. Minissérie. Hoje é dia de Maria
Flusser. Screenplay. Writing. Miniseries. Today is Maria’s day.
topic Flusser. Roteiro. Escrita. Minissérie. Hoje é dia de Maria
Flusser. Screenplay. Writing. Miniseries. Today is Maria’s day.
description Based on two works by Vilém Flusser,  A escrita: há futuro para a escrita?  (2010) and O universo das imagens técnicas (2012), this article discusses the production of screenplays from the perspective of the philosopher on writing and the creation of technical images. As these two works of Flusser can indicate, screenplays can compose a textual genre focuses on programming people’s thinking and conducting. This article shows a piece of the script of the miniseries Today is Maria’s day  [Hoje é dia de Maria] (2005) as a possibility of escape of this programming disposition. This miniseries was written by Luís Alberto de Abreu and Luiz Fernando Carvalho from an original script written by Carlos Alberto Soffredini. By facing the piece of the referred script with the perspective of the philosopher on writing, along with the creation of technical images, this article shows the possibility of  screenplays being a television´s media text that transcends the disposition of programming people. Screenplays can therefore reprogram people. Screenplays can provoke a look of strangeness thus making people think about what they read or watch.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/101353
10.19132/1807-8583202051.342-361
url https://seer.ufrgs.br/index.php/intexto/article/view/101353
identifier_str_mv 10.19132/1807-8583202051.342-361
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/101353/59520
dc.rights.driver.fl_str_mv Copyright (c) 2020 Luis Roberto Arthur de Faria
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Luis Roberto Arthur de Faria
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361
Intexto; Núm. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361
Intexto; No. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361
Intexto; N. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361
Intexto; n. 51 (2020): Edição Especial Dossiê Flusser: 100 anos; 342-361
1807-8583
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reponame_str Intexto (Porto Alegre)
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repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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