Jogos ficcionais em Silviano Santiago
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/jspui/handle/riufs/18783 |
Resumo: | This research shows how coalition and collision among dialectic correlatives — autobiography and biography; writing and reading; image and word; life and death — in the fictional work of Silviano Santiago, especially in Mil rosas roubadas: romance (2014), produce a fictional game — in the case of our main object, a game that captures the real through what is "unreal" (LOPES, 2019). In other words, through the transience of the real, which is, we believe, a way for the narrator of Mil rosas roubadas to construct a ―historical fact‖ (BENJAMIN, 1985) on own terms — a historical fact based on inventions and juxtapositions. This research is thus a way to identify the superposition of intermediate layers (BARTHES, 2009) in Santiago‘s fiction, which relies, among other things, on literary hybridity, the use of heterogeneous images and an essayistic tone. To examine these elements, we use critical and theoretical works by authors such as Georges Didi-Huberman (1998; 2011; 2013), Michel Foucault (1988; 1999; 2004; 2014), Roland Barthes (1972; 1979; 1981; 1984; 2004; 2015), Silvina Rodrigues Lopes (2019; 2021) e Walter Benjamin (1985; 2013; 2017), for example. At the same time, we mirror the fictional work in the critical work of Silviano Santiago to identify common points of view between one another and, finally, shuffle them |
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Meneses, Luís Matheus BritoPinheiro, Valter Cesar2023-12-08T19:32:26Z2023-12-08T19:32:26Z2023-08-15MENESES, Luís Matheus Brito. Jogos ficcionais em Silviano Santiago. 2023. 100 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023.https://ri.ufs.br/jspui/handle/riufs/18783This research shows how coalition and collision among dialectic correlatives — autobiography and biography; writing and reading; image and word; life and death — in the fictional work of Silviano Santiago, especially in Mil rosas roubadas: romance (2014), produce a fictional game — in the case of our main object, a game that captures the real through what is "unreal" (LOPES, 2019). In other words, through the transience of the real, which is, we believe, a way for the narrator of Mil rosas roubadas to construct a ―historical fact‖ (BENJAMIN, 1985) on own terms — a historical fact based on inventions and juxtapositions. This research is thus a way to identify the superposition of intermediate layers (BARTHES, 2009) in Santiago‘s fiction, which relies, among other things, on literary hybridity, the use of heterogeneous images and an essayistic tone. To examine these elements, we use critical and theoretical works by authors such as Georges Didi-Huberman (1998; 2011; 2013), Michel Foucault (1988; 1999; 2004; 2014), Roland Barthes (1972; 1979; 1981; 1984; 2004; 2015), Silvina Rodrigues Lopes (2019; 2021) e Walter Benjamin (1985; 2013; 2017), for example. At the same time, we mirror the fictional work in the critical work of Silviano Santiago to identify common points of view between one another and, finally, shuffle themEsta pesquisa demonstra como a coalizão e a colisão entre correlativos dialéticos — autobiografia e biografia; escrita e leitura; imagem e palavra; e vida e morte — na obra ficcional de Silviano Santiago, sobretudo em Mil rosas roubadas: romance (2014), são responsáveis pela construção de um jogo ficcional — um jogo que, no caso de nosso objeto principal, mobiliza a captura do real por meio daquilo que é ―irreal‖ (LOPES, 2019). Melhor dizendo, por meio da transitoriedade inerente ao real, o que é, acreditamos, uma maneira do narrador de Mil rosas roubadas construir um ―fato histórico‖ (BENJAMIN, 1985) nos próprios termos — um fato histórico a partir de invenções e justaposições. Esta pesquisa é, assim, uma maneira de identificar a sobreposição de camadas intermediárias (BARTHES, 2009) na ficção santiaguiana, que se apoia, entre outras coisas, em hibridismo literário, uso de imagens heterogêneas e tom ensaístico. Para examinar esses elementos, utilizamos trabalhos críticos e teóricos de autores como Georges Didi-Huberman (1998; 2011; 2013), Michel Foucault (1988; 1999; 2004; 2014), Roland Barthes (1972; 1979; 1981; 1984; 2004; 2015), Silvina Rodrigues Lopes (2019; 2021) e Walter Benjamin (1985; 2013; 2017), por exemplo. Ao mesmo tempo, espelhamos a obra ficcional na obra crítica de Silviano Santiago para identificar os pontos de vista comuns entre uma e outra e, por fim, embaralhá-las.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESSão CristóvãoporEnsaísmo literárioHibridismo literárioSilviano SantiagoLiterary essayismLiterary hybridismLINGUISTICA, LETRAS E ARTES::LETRASJogos ficcionais em Silviano Santiagoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em LetrasUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/18783/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALLUIS_MATHEUS_BRITO_MENESES.pdfLUIS_MATHEUS_BRITO_MENESES.pdfapplication/pdf984798https://ri.ufs.br/jspui/bitstream/riufs/18783/2/LUIS_MATHEUS_BRITO_MENESES.pdf05a27dc746a247a04b818871858adc85MD52riufs/187832023-12-08 16:32:31.924oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-12-08T19:32:31Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Jogos ficcionais em Silviano Santiago |
title |
Jogos ficcionais em Silviano Santiago |
spellingShingle |
Jogos ficcionais em Silviano Santiago Meneses, Luís Matheus Brito Ensaísmo literário Hibridismo literário Silviano Santiago Literary essayism Literary hybridism LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Jogos ficcionais em Silviano Santiago |
title_full |
Jogos ficcionais em Silviano Santiago |
title_fullStr |
Jogos ficcionais em Silviano Santiago |
title_full_unstemmed |
Jogos ficcionais em Silviano Santiago |
title_sort |
Jogos ficcionais em Silviano Santiago |
author |
Meneses, Luís Matheus Brito |
author_facet |
Meneses, Luís Matheus Brito |
author_role |
author |
dc.contributor.author.fl_str_mv |
Meneses, Luís Matheus Brito |
dc.contributor.advisor1.fl_str_mv |
Pinheiro, Valter Cesar |
contributor_str_mv |
Pinheiro, Valter Cesar |
dc.subject.por.fl_str_mv |
Ensaísmo literário Hibridismo literário Silviano Santiago |
topic |
Ensaísmo literário Hibridismo literário Silviano Santiago Literary essayism Literary hybridism LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Literary essayism Literary hybridism |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This research shows how coalition and collision among dialectic correlatives — autobiography and biography; writing and reading; image and word; life and death — in the fictional work of Silviano Santiago, especially in Mil rosas roubadas: romance (2014), produce a fictional game — in the case of our main object, a game that captures the real through what is "unreal" (LOPES, 2019). In other words, through the transience of the real, which is, we believe, a way for the narrator of Mil rosas roubadas to construct a ―historical fact‖ (BENJAMIN, 1985) on own terms — a historical fact based on inventions and juxtapositions. This research is thus a way to identify the superposition of intermediate layers (BARTHES, 2009) in Santiago‘s fiction, which relies, among other things, on literary hybridity, the use of heterogeneous images and an essayistic tone. To examine these elements, we use critical and theoretical works by authors such as Georges Didi-Huberman (1998; 2011; 2013), Michel Foucault (1988; 1999; 2004; 2014), Roland Barthes (1972; 1979; 1981; 1984; 2004; 2015), Silvina Rodrigues Lopes (2019; 2021) e Walter Benjamin (1985; 2013; 2017), for example. At the same time, we mirror the fictional work in the critical work of Silviano Santiago to identify common points of view between one another and, finally, shuffle them |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-12-08T19:32:26Z |
dc.date.available.fl_str_mv |
2023-12-08T19:32:26Z |
dc.date.issued.fl_str_mv |
2023-08-15 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
MENESES, Luís Matheus Brito. Jogos ficcionais em Silviano Santiago. 2023. 100 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/jspui/handle/riufs/18783 |
identifier_str_mv |
MENESES, Luís Matheus Brito. Jogos ficcionais em Silviano Santiago. 2023. 100 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
url |
https://ri.ufs.br/jspui/handle/riufs/18783 |
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por |
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Pós-Graduação em Letras |
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Universidade Federal de Sergipe (UFS) |
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