Variations in transgression from María Luisa Bemberg’s prosthetic eye

Bibliographic Details
Main Author: Trebisacce, Catalina
Publication Date: 2017
Other Authors: Veiga, Ana Maria
Format: Article
Language: spa
Source: Revista Estudos Feministas
Download full: https://periodicos.ufsc.br/index.php/ref/article/view/49075
Summary: This article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments.
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spelling Variations in transgression from María Luisa Bemberg’s prosthetic eyeVariaciones en la trasgresión desde el ojo protésico de María Luisa BembergThis article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments.El presente artículo es una lectura de la obra de la cineasta argentina María Luisa Bemberg, trazada a partir de reflexiones inspiradas en la noción de trasgresión elaborada por Michel Foucault y la de del exceso apuntada por Teresa de Lauretis en su trabajo sobre la semiótica del cine. La lectura propuesta a partir de ellas enuncia tres momentos de la filmografía que se corresponden con ciertas torsiones nodales de su mirada que han quedado impresas en las secuencias de sus fotogramas. Para el análisis de cada momento, se ha seleccionado una película o corto que se analiza con detalle para poder dar cuenta acabada de cada torsión de su lente. El lente vuelto megáfono, el lente vuelto testigo biográfico, el lente vuelto monstruoso son los títulos seleccionados para el análisis de cada uno de los momentos.Universidade Federal de Santa Catarina2017-10-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/4907510.1590/%xRevista Estudos Feministas; Vol. 25 No. 3 (2017); 1405-1417Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1405-1417Revista Estudos Feministas; v. 25 n. 3 (2017); 1405-14171806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/ref/article/view/49075/35184Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessTrebisacce, CatalinaVeiga, Ana Maria2018-04-18T09:44:09Zoai:periodicos.ufsc.br:article/49075Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:38.272107Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv Variations in transgression from María Luisa Bemberg’s prosthetic eye
Variaciones en la trasgresión desde el ojo protésico de María Luisa Bemberg
title Variations in transgression from María Luisa Bemberg’s prosthetic eye
spellingShingle Variations in transgression from María Luisa Bemberg’s prosthetic eye
Trebisacce, Catalina
title_short Variations in transgression from María Luisa Bemberg’s prosthetic eye
title_full Variations in transgression from María Luisa Bemberg’s prosthetic eye
title_fullStr Variations in transgression from María Luisa Bemberg’s prosthetic eye
title_full_unstemmed Variations in transgression from María Luisa Bemberg’s prosthetic eye
title_sort Variations in transgression from María Luisa Bemberg’s prosthetic eye
author Trebisacce, Catalina
author_facet Trebisacce, Catalina
Veiga, Ana Maria
author_role author
author2 Veiga, Ana Maria
author2_role author
dc.contributor.author.fl_str_mv Trebisacce, Catalina
Veiga, Ana Maria
description This article is a reading of the Argentine filmmaker María Luisa Bemberg’s work, outlined from the reflections inspired by Michel Foucault’s notion of transgression and Teresa de Lauretis’s notion of excess in her studies on the semiotics of the cinema. This proposed reading enunciates three moments of her filmography that correspond to certain nodal torsions of her look that had been printed in the sequences of her frames. For the analysis of each moment, we have selected a film or a short film that we will analyze in detail in order to discuss each torsion of her lens. The lens become megaphone, the lens become biographic witness, the lens become monstrosity. These are the selected titles for the analysis of each one of these moments.
publishDate 2017
dc.date.none.fl_str_mv 2017-10-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/49075
10.1590/%x
url https://periodicos.ufsc.br/index.php/ref/article/view/49075
identifier_str_mv 10.1590/%x
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/49075/35184
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 25 No. 3 (2017); 1405-1417
Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1405-1417
Revista Estudos Feministas; v. 25 n. 3 (2017); 1405-1417
1806-9584
0104-026X
reponame:Revista Estudos Feministas
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Revista Estudos Feministas
collection Revista Estudos Feministas
repository.name.fl_str_mv Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||ref@cfh.ufsc.br
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