Wonder Woman (2017): A World War II movie set in World War I
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/44358 |
Resumo: | Wonder Woman, a 2017 movie adaptation directed by Patty Jenkins, offers a contemporary look into the First World War. However, the comic books by which the adaptation was inspired are products of the so-called “Golden Age” of American super-hero comic books, and are notably a product of the Second World War. Therefore, the adaptation effects a process of chronological displacement of Wonder Woman’s traditional setting. Such displacement has direct effects on how the work is perceived – effects caused, in great part, by the profound differences between the myths of each of the two World Wars (HYNES, 1992, 1998). The present work investigates the effects of this displacement, and its consequences for a contemporary look on the First World War. |
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Wonder Woman (2017): A World War II movie set in World War IMulher Maravilha (2017): Um filme de Segunda Guerra Mundial ambientado na Primeira Guerra MundialFirst World WarSecond World WarWonder Woman.Primeira Guerra MundialSegunda Guerra MundialMulher Maravilha.Wonder Woman, a 2017 movie adaptation directed by Patty Jenkins, offers a contemporary look into the First World War. However, the comic books by which the adaptation was inspired are products of the so-called “Golden Age” of American super-hero comic books, and are notably a product of the Second World War. Therefore, the adaptation effects a process of chronological displacement of Wonder Woman’s traditional setting. Such displacement has direct effects on how the work is perceived – effects caused, in great part, by the profound differences between the myths of each of the two World Wars (HYNES, 1992, 1998). The present work investigates the effects of this displacement, and its consequences for a contemporary look on the First World War.Mulher Maravilha, adaptação para o cinema de 2017, dirigida por Patty Jenkins, oferece um olhar contemporâneo sobre a Primeira Guerra Mundial. Contudo, as histórias em quadrinhos que servem de material fonte para a adaptação são produtos da chamada “Era de Ouro” dos quadros de super-herói estadunidenses, e são marcadamente produtos do período da Segunda Guerra Mundial. Portanto, a adaptação efetua um processo de deslocamento cronológico da ambientação tradicional da personagem Mulher Maravilha. Esse deslocamento tem efeitos diretos na recepção da obra – efeitos em grande parte causado pelas profundas distinções entre os mitos de cada uma das duas guerras mundiais (HYNES, 1992, 1998). Esse trabalho investiga os efeitos desse deslocamento e suas consequências para um olhar contemporâneo sobre a Primeira Guerra Mundial.Universidade Federal de Santa Maria2020-09-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/4435810.5902/1679849X44358Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/44358/23907Copyright (c) 2020 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessMachado, José Otaviano da Mata2023-05-24T03:10:16Zoai:ojs.pkp.sfu.ca:article/44358Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T03:10:16Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Wonder Woman (2017): A World War II movie set in World War I Mulher Maravilha (2017): Um filme de Segunda Guerra Mundial ambientado na Primeira Guerra Mundial |
title |
Wonder Woman (2017): A World War II movie set in World War I |
spellingShingle |
Wonder Woman (2017): A World War II movie set in World War I Machado, José Otaviano da Mata First World War Second World War Wonder Woman. Primeira Guerra Mundial Segunda Guerra Mundial Mulher Maravilha. |
title_short |
Wonder Woman (2017): A World War II movie set in World War I |
title_full |
Wonder Woman (2017): A World War II movie set in World War I |
title_fullStr |
Wonder Woman (2017): A World War II movie set in World War I |
title_full_unstemmed |
Wonder Woman (2017): A World War II movie set in World War I |
title_sort |
Wonder Woman (2017): A World War II movie set in World War I |
author |
Machado, José Otaviano da Mata |
author_facet |
Machado, José Otaviano da Mata |
author_role |
author |
dc.contributor.author.fl_str_mv |
Machado, José Otaviano da Mata |
dc.subject.por.fl_str_mv |
First World War Second World War Wonder Woman. Primeira Guerra Mundial Segunda Guerra Mundial Mulher Maravilha. |
topic |
First World War Second World War Wonder Woman. Primeira Guerra Mundial Segunda Guerra Mundial Mulher Maravilha. |
description |
Wonder Woman, a 2017 movie adaptation directed by Patty Jenkins, offers a contemporary look into the First World War. However, the comic books by which the adaptation was inspired are products of the so-called “Golden Age” of American super-hero comic books, and are notably a product of the Second World War. Therefore, the adaptation effects a process of chronological displacement of Wonder Woman’s traditional setting. Such displacement has direct effects on how the work is perceived – effects caused, in great part, by the profound differences between the myths of each of the two World Wars (HYNES, 1992, 1998). The present work investigates the effects of this displacement, and its consequences for a contemporary look on the First World War. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-09-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44358 10.5902/1679849X44358 |
url |
http://periodicos.ufsm.br/LA/article/view/44358 |
identifier_str_mv |
10.5902/1679849X44358 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/44358/23907 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 24 (2020): Dossiê "1918: O fim do século XIX, 100 anos depois" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020676313088 |