A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/15872 |
Resumo: | This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics. |
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2019-03-12T12:14:09Z2019-03-12T12:14:09Z2018-07-13http://repositorio.ufsm.br/handle/1/15872This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics.A presente dissertação apresenta a estética em Michel Henry, com o intuito de demonstrar que a arte é a revelação da vida invisível através de uma perspectiva fenomenológica. Para Michel Henry, a arte não imita a vida, ela desvenda o que é invisível a partir do sensível. Para demonstrar isso, o autor tem como influência e inspiração Kandinsky, que afirmou que as leis da pintura se dão na vida e não na representação ou imitação dessa pela objetividade. Assim, Michel Henry, com sua fenomenologia da vida e da subjetividade, acredita que a arte é uma ressonância interior, livre da figura de um objeto em particular. Sendo assim, o lugar de desenvolvimento da estética é a vida invisível. Neste sentido, a vida, por ser invisível, se autoexperimenta, porque essa é sua essência, sentir-se em plena subjetividade por intermédio do corpo. Sendo assim, é nos escritos teóricos do pintor Kandinky que o autor tem substancialidade para realizar a sua estética fenomenológica.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Ciências Sociais e HumanasPrograma de Pós-Graduação em FilosofiaUFSMBrasilFilosofiaAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArteInvisívelVidaFenomenologiaSubjetividadeImanênciaArtInvisibleLifePhenomenologySubjectivityImmanenceCNPQ::CIENCIAS HUMANAS::FILOSOFIAA fenomenologia estética em Michel Henry: a arte como revelação da vida invisívelThe phenomenological aesthetics in michel henry: art as a revelation of invisible lifeinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisGrzibowski, Silvestrehttp://lattes.cnpq.br/6586514798766408Fabri, Marcelohttp://lattes.cnpq.br/9122803302644811Furtado, José Luizhttp://lattes.cnpq.br/4594835506556261http://lattes.cnpq.br/0422327767029517Padilha, Jéssica Coimbra7001000000046008859a599-814b-47b1-a5eb-b8a17569c7cad88b3e61-eba5-4f34-99d0-b4bd09d033a5a90fd54a-a0ed-42e6-9f38-36bf7c8a0a1d569df552-1b64-401c-b400-2362978d2be3reponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdfDIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdfDissertação de Mestradoapplication/pdf1046715http://repositorio.ufsm.br/bitstream/1/15872/1/DIS_PPGFILOSOFIA_2018_PADILHA_JESSICA.pdf376fe1c40a0a6c0f80f68d7c1119ab00MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
dc.title.alternative.eng.fl_str_mv |
The phenomenological aesthetics in michel henry: art as a revelation of invisible life |
title |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
spellingShingle |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível Padilha, Jéssica Coimbra Arte Invisível Vida Fenomenologia Subjetividade Imanência Art Invisible Life Phenomenology Subjectivity Immanence CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
title_short |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
title_full |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
title_fullStr |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
title_full_unstemmed |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
title_sort |
A fenomenologia estética em Michel Henry: a arte como revelação da vida invisível |
author |
Padilha, Jéssica Coimbra |
author_facet |
Padilha, Jéssica Coimbra |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Grzibowski, Silvestre |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6586514798766408 |
dc.contributor.referee1.fl_str_mv |
Fabri, Marcelo |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/9122803302644811 |
dc.contributor.referee2.fl_str_mv |
Furtado, José Luiz |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/4594835506556261 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/0422327767029517 |
dc.contributor.author.fl_str_mv |
Padilha, Jéssica Coimbra |
contributor_str_mv |
Grzibowski, Silvestre Fabri, Marcelo Furtado, José Luiz |
dc.subject.por.fl_str_mv |
Arte Invisível Vida Fenomenologia Subjetividade Imanência |
topic |
Arte Invisível Vida Fenomenologia Subjetividade Imanência Art Invisible Life Phenomenology Subjectivity Immanence CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
dc.subject.eng.fl_str_mv |
Art Invisible Life Phenomenology Subjectivity Immanence |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS HUMANAS::FILOSOFIA |
description |
This work presents the aesthetics in Michel Henry, in order to demonstrate that art is the revelation of the invisible life through a phenomenological perspective. For Michel Henry, art does not imitate life, it unveils what is invisible from the sensible. In order to demonstrate this, the author has as influence and inspiration Kandinsky, who affirmed that the laws of painting occur in life and not in the representation or imitation thereof by the objectivity. Thus Michel Henry, with his phenomenology of life and subjectivity, believes that art is an inner resonance, free from the figure of a particular object. Thus, the place of development of aesthetics is the invisible life. In this sense, life, because it is invisible, experiences itself, because that is its essence, to feel itself in full subjectivity through the body. Thus, it is in the theoretical writings of the painter Kandinky that the author has substance to carry out his phenomenological aesthetics. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-07-13 |
dc.date.accessioned.fl_str_mv |
2019-03-12T12:14:09Z |
dc.date.available.fl_str_mv |
2019-03-12T12:14:09Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/15872 |
url |
http://repositorio.ufsm.br/handle/1/15872 |
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por |
language |
por |
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700100000004 |
dc.relation.confidence.fl_str_mv |
600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
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Programa de Pós-Graduação em Filosofia |
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UFSM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Filosofia |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Ciências Sociais e Humanas |
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